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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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FANFARE - BAND…
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FLUTE TRAVERSI…
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PUNK
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Non classifié
526
PIANO & CLAVIERS
Piano seul
211
Piano Facile
46
Piano, Voix et Guitare
40
Piano, Voix
32
Instruments en Do
21
Orgue
13
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
Piano grosses notes
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Accordéon
2
Orgue, Piano (duo)
1
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GUITARES
Guitare notes et tablatures
29
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
9
Paroles et Accords
7
Guitare (partie séparée)
5
2 Guitares (duo)
5
Banjo
4
2 Mandolines (duo)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Basse electrique
1
Guitare Pedal Steel
1
Mandoline
1
Instrumentations suivantes
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VOIX
Chorale SATB
122
Chorale 3 parties
36
Chorale TTBB
17
Chorale SSAA
15
Chorale 2 parties
14
Voix Alto, Piano
10
Chorale Unison
7
Voix seule
4
Voix Soprano, Piano
2
Chorale SSAATTBB
2
Voix duo, Piano
2
Voix duo
2
Voix Tenor
1
Chorale
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
93
Quintette de Saxophone: 5 saxophones
75
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
37
2 Saxophones (duo)
36
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone Alto et Piano
27
Flûte, Hautbois, Clarinette, Basson
26
Clarinette et Piano
23
2 Flûtes traversières (duo)
22
Quatuor de Flûtes : 4 flûtes
20
Flûte traversière
19
Clarinette
19
2 Clarinettes (duo)
18
Saxophone (partie séparée)
17
Hautbois, Piano (duo)
17
Saxophone Soprano et Piano
17
Saxophone Alto
15
Ensemble de saxophones
14
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Flûte, Clarinette (duo)
11
Saxophone Tenor
10
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
7
Quintette de Flûte : 5 flûtes
7
Clarinette, Trompette (duo)
6
Hautbois (partie séparée)
6
2 Flûte à bec (duo)
6
Saxophone Baryton, Piano
5
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
5
Cor anglais, Piano
5
Clarinette (partie séparée)
4
3 Saxophones (trio)
4
Hautbois, Basson (duo)
4
3 Clarinettes (trio)
4
Hautbois, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Saxophones, Piano
3
2 Hautbois (duo)
3
Clarinette et Alto
3
Flûte et Guitare
3
Hautbois, Flûte
3
Flûte, Trompette (duo)
3
Flûte, Saxophone (duo)
3
Flute (partie séparée)
2
3 Flûtes à bec (trio)
2
5 Flûtes à bec
2
Clarinette, Harpe (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Clarinette Basse, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Flûte, Hautbois, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
Flûte irlandaise
1
Instruments en Mib
1
Piccolo, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
17
Trombone et Piano
13
Trombone (partie séparée)
12
Trompette, Trombone (duo)
12
Trompette, Piano
11
Cor et Piano
11
Trombone
11
Ensemble de Trombones
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Trompette (partie séparée)
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres
5
Cor anglais, Piano
5
Cor (partie séparée)
4
Euphonium, Piano (duo)
3
Tuba
3
Ensemble de Cors
3
Bass Clef Instruments
3
Trio de Cuivres
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
Quatuor de cuivres: 4 trombones
2
Tuba et Orgue
1
Trombone, Tuba (duo)
1
Euphonium
1
4 Tubas
1
3 Trombones (trio)
1
2 Cors (duo)
1
Trombone, Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon et Piano
31
Violoncelle, Piano
28
Violon, Violoncelle (duo)
17
Alto, Piano
17
Violoncelle
14
2 Violons (duo)
13
Violon
13
2 Violoncelles (duo)
12
2 Altos (duo)
10
Harpe
10
2 Harpes (duo)
10
Ensemble d'Altos
8
Alto seul
8
Ensemble de Violons
8
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Violon (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Contrebasse, Piano (duo)
3
Contre Basse
3
4 Violoncelles
3
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Harpe et Orgue
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Violoncelle (duo)
1
Harpe et Piano
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
60
Orchestre à Cordes
52
Orchestre
43
Orchestre de chambre
27
Ensemble de cuivres
18
Ensemble Jazz
11
Cloches
6
Fanfare
4
Batterie (partie séparée)
3
Batterie
3
Marimba
2
Percussion (partie séparée)
1
2 Xylophones
1
2 Marimbas
1
Orchestre, Violon
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Perhaps, Perhaps, Perhaps
Alto, Piano
Partitions à imprimer
17 partitions trouvées
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1
Quizas, Quizas, Quizas (perhaps, Perhaps, Perhaps)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.634777 Composed by Osvaldo Farres.…
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Piano,Viola - Level 3 - Digital Download SKU: A0.634777 Composed by Osvaldo Farres. Arranged by Fishel Pustilnik. Contemporary. Score and part. 8 pages. F & N Enterprise #4310475. Published by F & N Enterprise (A0.634777). An excellent arrangement of the famous Song Quizás, Quizás, Quizás (Perhaps, Perhaps, Perhaps) for Viola and Piano-Jazz/Pop Version (With Improvisation)
$4.99
4.48 €
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Alto, Piano
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Osvaldo Farres
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Fishel Pustilnik
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Quizas, Quizas, Quizas
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F & N Enterprise
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SheetMusicPlus
Perhaps Love
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.638482 By John Denver and Placido …
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Piano,Viola - Level 1 - Digital Download SKU: A0.638482 By John Denver and Placido Domingo. By John Denver. Arranged by Kaiserin Rebecca. Rock. Score and part. 4 pages. Kaiserin Rebecca #3049231. Published by Kaiserin Rebecca (A0.638482). For viola solo and piano accompaniment (with chords).Suitable for any romantic occassions (e.g. wedding ceremony, Valentine's Day...)Key: C majorDuration: Level: Grade 2 (viola).
$5.99
5.38 €
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Alto, Piano
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John Denver and Placido Domingo
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Kaiserin Rebecca
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Perhaps Love
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Kaiserin Rebecca
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SheetMusicPlus
Silent Night for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548494 Composed by Gruber. Arrange…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Published by jmsgu3 (A0.548494). Silent Night arranged for Viola & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
26.02 €
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Alto, Piano
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Gruber
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James M
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Silent Night for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Wedding Album, for Solo Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587634 Composed by Various. Arrang…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587634 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594711. Published by David McKeown (A0.587634). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Viola with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
8.98 €
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Alto, Piano
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Various
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David McKeown
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The Wedding Album, for Solo Viola and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Concert Solo for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.13 €
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Alto, Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Viola and Piano
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David McKeown
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SheetMusicPlus
Jingle Bells for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.42 €
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Alto, Piano
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James Pierpont
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James M
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Jingle Bells for Viola & Piano
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jmsgu3
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SheetMusicPlus
Two Bourrees for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.870784 Composed by Johann Sebastia…
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Piano,Viola - Level 3 - Digital Download SKU: A0.870784 Composed by Johann Sebastian Bach. Arranged by Daniel Leeman. Baroque. Score and part. 6 pages. Daniel Leeman #3053273. Published by Daniel Leeman (A0.870784). These two bourrees were arranged from Bach's Cello Suite No. 3 in C Major BWV 1009. Originally written for unaccompanied cello, this arrangement can be performed without piano (solo), or with added piano accompaniment. This arrangement is for intermediate players. While this is perhaps one of the most accessible Bach pieces for instrumentalists, phrasing of the melodic line is of foremost importance.
$4.99
4.48 €
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Alto, Piano
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Johann Sebastian Bach
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Daniel Leeman
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Two Bourrees for Viola & Piano
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Daniel Leeman
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SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.22 €
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Alto, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
Variations on a Theme of Mozart for Young Violist and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #6342197. Published by ROBERT DEBBAUT (A0.939404). Mozart set Christian Adolph Overbeck’s text to Komm, lieber Mai in January 1791 shortly before what would be his last birthday. Overbeck, a poet and lawyer and later Mayor of Lübeck, wrote a set of poems in 1776 under the title Fritzchen an den Mai (Fritz on the May). This song is highly regarded among the German art songs of the era. Mozart coupled it with two other songs under the title Sehnsucht nach dem Fruhlinge (Longing for Spring). Seemingly taken by his theme, Mozart uses it again in the finale of his last piano concerto, Piano Concerto No. 27 in B-flat Major, K. 595. Mozart’s three songs were published in a collection of children’s song by Ignaz Alberti. While the voice is supposed to be that of a child, it is really an adult’s longing for the flowering of Spring and the promise of new birth and, perhaps, new love.This set of variations were written as a recital work with a young violist (playable in first position) in mind. They are abouyt five minutes in length.
$9.95
8.94 €
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Alto, Piano
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Robert Debbaut
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Variations on a Theme of Mozart for Young Violist and Piano
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ROBERT DEBBAUT
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SheetMusicPlus
Amazing Grace, Gospel Hymn for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.592657 Composed by John Newton. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.592657 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411267. Published by David McKeown (A0.592657). Amazing Grace is a beautiful hymn arranged here for Solo Viola and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
$2.49
2.24 €
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Alto, Piano
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John Newton
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David McKeown
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Amazing Grace, Gospel Hymn for Viola and Piano
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David McKeown
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SheetMusicPlus
Fur Elise (Viola Solo with Piano Accompaniment)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1233756 Composed by Ludwig van Bee…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1233756 Composed by Ludwig van Beethoven. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. Score and part. 4 pages. Ben Dockery #829327. Published by Ben Dockery (A0.1233756). Perhaps Ludwig van Beethoven's most famous composition: this is Fur Elise arranged for viola solo with piano accompaniment. Great for lessons, recitals, and public performances of all kinds. Intermediate level. Includes score and parts.
$3.99
3.59 €
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Alto, Piano
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Ludwig van Beethoven
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B
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Fur Elise
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Ben Dockery
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.41 €
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Alto, Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
Recuerdos de la Alhambra
Alto, Piano
Viola and piano - easy to intermediate - Digital Download SKU: S9.Q11633 Memorie…
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Viola and piano - easy to intermediate - Digital Download SKU: S9.Q11633 Memories of the Alhambra. Composed by Francisco Tarrega. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q11633. Published by Schott Music - Digital (S9.Q11633). Composed in 1886, the tremolo study 'Recuerdos de la Alhambra' is without doubt Tarrega's best-known piece. It evokes memories of the Moorish citadel located on a hill in the Spanish Granada. Thanks to the present arrangement, the enchanting gem with its slightly melancholy tinge - perhaps inspired by Georges Bizet's 'Je crois entendre encore' from The Pearl Fishers - is now also available for instruments other than the guitar.
$4.99
4.48 €
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Alto, Piano
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Francisco Tarrega
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Wolfgang Birtel
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Recuerdos de la Alhambra
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Schott Music - Digital
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SheetMusicPlus
Brahms's Lullaby (Viola Solo with Piano Accompaniment)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1237842 Composed by Johannes Brahm…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1237842 Composed by Johannes Brahms. Arranged by B. C. Dockery. 19th Century,Children,Classical,Romantic Period. Score and part. 4 pages. Ben Dockery #833326. Published by Ben Dockery (A0.1237842). Perhaps Johannes Brahms's most famous composition: this is Lullaby (Wiegenlied) arranged for viola solo with piano accompaniment. Great for lessons, recitals, and public performances of all kinds. Easy intermediate level. Includes score and parts.
$3.99
3.59 €
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Alto, Piano
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Johannes Brahms
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B
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Brahms's Lullaby
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Ben Dockery
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SheetMusicPlus
The God Of Abraham Praise
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.749794 Composed by Evelyn R. Larte…
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Piano,Viola - Level 5 - Digital Download SKU: A0.749794 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Concert,Jazz,Sacred. Score and part. 8 pages. Evelyn R Larter #3115643. Published by Evelyn R Larter (A0.749794). This is an arrangement of the old hymn in jazz style! Lots of fun for more advanced performers, it is suitable for recitals, weddings, contemporary church services, perhaps even synagogue events, since the tune is described as an old Hebrew melody. Originally written for cello solo, (also available) the arrangement works equally well for viola. A MIDI recording is provided. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$6.99
6.28 €
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Alto, Piano
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Evelyn R
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Evelyn Larter Music
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The God Of Abraham Praise
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Evelyn R Larter
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SheetMusicPlus
Fur Elise - Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.721252 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.721252 Composed by Ludwig van Beethoven. Arranged by Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 7 pages. Music-Scores.com #4280513. Published by Music-Scores.com (A0.721252). Fur Elise, originally a piano piece, is a beautiful and well known melody, perhaps known best for its first 9 notes. It may have been written for Therese von Brunswick. For Viola & Piano.About 3 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
6.25 €
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Alto, Piano
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Ludwig van Beethoven
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Piano
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Fur Elise - Viola and Piano
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Music-Scores.com
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SheetMusicPlus
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