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Piano Sonata No. 10 in C Major
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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Piano Sonata No. 10 in C Major
Alto, Piano
Partitions à imprimer
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15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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15 Concertos and Sonatas 'Book
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Santino Cara
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pa...
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Piano,Viola - Level 4 - SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pages. Santino Cara #887557. Published by Santino Cara (A0.1297515). Complete scores and part of 15 Concertos and Sonata - BOOK 1  for Viola and Piano. Composed by: Bach C.P.E - H. Casadesus - J.W. Kallivoda - A. Rolla - R. Schumann. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com 1.   Viola Sonata in G minor H542.5 2.   Viola Sonata in G major H550 3.   Viola Sonata in E minor H551 4.   Viola Sonata in G major H564 5.   Handel-Casadesus - Viola Concerto in B minor 6.   JCBach-Casadesus - Viola Concerto in C minor 7.   Nocturne No.1 in A flat major Op.186 8.   Nocturne No.2 in C major Op.186 9.   Nocturne No.3 in F major Op.18610.   Nocturne No.4 in G major Op.18611.   Nocturne No.5 in E flat major Op.18612.   Nocturne No.6 in D minor Op.18613.   Divertimento in F major BI 33014.   Variazioni Brillanti in F major Op.1315.   Märchenbilder Op.113 - Four Pieces11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
$38.40
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Piano Sonata No. 10 in C Major
