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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude No. 2 for Piano
Non classifié
55
Piano & claviers
Piano seul
327
Piano Facile
25
Piano, Voix
4
2 Pianos, 4 mains
4
Piano, Voix et Guitare
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
5
Piano, Guitare (duo)
2
Banjo
2
Voix
Chorale SATB
1
Vents
Flûte traversière et Piano
19
Clarinette et Piano
13
Hautbois, Piano (duo)
10
Saxophone Alto et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
7
Clarinette
5
2 Saxophones (duo)
5
2 Flûtes traversières (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Cor anglais, Piano
4
Saxophone Baryton, Piano
3
2 Flûtes traversières, Piano
3
Clarinette Basse, Piano
3
2 Clarinettes (duo)
3
2 Hautbois (duo)
3
Flûte, trombone et piano
2
2 Saxophones, Piano
2
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière
1
Piccolo, Piano
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Piano (trio)
1
+ 22 instrumentations
Retracter
Cuivres
Trompette, Piano
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Euphonium, Piano (duo)
9
Trombone et Piano
7
Cor et Piano
5
Cor anglais, Piano
4
2 Trombones (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
2
2 Cors (duo)
2
2 Euphoniums (duo)
2
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle et Piano
1
Trompette
1
2 Trompettes (duo)
1
4 Tubas
1
2 Tubas (duo)
1
+ 13 instrumentations
Retracter
Cordes
Violon et Piano
18
Violoncelle, Piano
14
Alto, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
5
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto seul
1
Harpe
1
Violon, Alto (duo)
1
Contre Basse
1
Violon
1
Violoncelle
1
2 Violoncelles, Piano
1
Violon, Violoncelle (duo)
1
4 Contrebasses
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1
Orchestre
1
Ensemble de cuivres
1
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Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
FILM - TV
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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Vous avez sélectionné:
Prelude No. 2 for Piano
Alto, Piano
Partitions à imprimer
7 partitions trouvées
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Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.36 €
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Alto, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1401537 Composed by Alexander Scri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.32 €
#
Alto, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.32 €
#
Alto, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Go…
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Alto, Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Alto, Piano
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Viola & Piano
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jmsgu3
#
SheetMusicPlus
5 Romantic Songs for Viola and Piano - Book 2
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1273248 Composed by Claude Debussy…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1273248 Composed by Claude Debussy, Franz Schubert, Frederic Chopin, Georges Bizet, and Giacomo Puccini. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 56 pages. Sheet Music To Play Editions #865393. Published by Sheet Music To Play Editions (A0.1273248). The Romantic Era Song Album (Book 2). The Most Famous Romantic Songs. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Bizet - HabaneraPuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
9.19 €
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Alto, Piano
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Claude Debussy, Franz Schubert, Frederic Chopin, Georges Bizet, and Giacomo Puccini
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César Madeira
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5 Romantic Songs for Viola and Piano - Book 2
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Sheet Music To Play Editions
#
SheetMusicPlus
10 Romantic Songs for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1275908 Composed by Various. Arran…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1275908 Composed by Various. Arranged by César Madeira. 19th Century,20th Century,Classical,Film/TV,Romantic Period. Score and part. 99 pages. Sheet Music To Play Editions #867684. Published by Sheet Music To Play Editions (A0.1275908). The Romantic Era Song Album (Book 1&2). The Most Famous Romantic Songs. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Beethoven - Moonlight Sonata Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Schumann - TräumereiSaint-Saens - Le CygneBizet - HabaneraMassenet - MeditationElgar - Pomp and CircumstancePuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
11.95 €
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Alto, Piano
#
Various
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César Madeira
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10 Romantic Songs for Viola and Piano
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Sheet Music To Play Editions
#
SheetMusicPlus
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