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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FLUTE TRAVERSI…
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GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
Salt
Non classifié
215
Piano & claviers
Piano seul
203
Piano, Voix et Guitare
94
Accompagnement Piano
53
Piano, Voix
45
Piano Facile
42
Orgue
22
2 Pianos, 4 mains
22
Instruments en Do
16
1 Piano, 4 mains
5
Clavier
2
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
29
Guitare
18
Ligne De Mélodie, (Paroles) et Accords
16
Paroles et Accords
14
Banjo
9
Ukulele
8
Basse electrique
6
Mandoline
3
2 Guitares (duo)
1
Dobro
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
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Voix
Chorale SATB
277
Chorale
24
Chorale 3 parties
18
Pack Instrumental pour Chorale
17
Chorale TTBB
12
Chorale SSAATTBB
10
Chorale SSAA
9
Chorale 2 parties
7
Chorale SSATB
4
Chorale SSATTB
3
Chorale SSAATB
3
Voix Soprano, Piano
3
Voix Alto, Piano
2
Voix moyenne, Piano
1
Chorale Unison
1
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
Voix basse, Piano
1
+ 13 instrumentations
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Vents
Saxophone Alto
28
Flûte traversière et Piano
15
Saxophone Tenor
12
Clarinette et Piano
11
Quatuor de Saxophones: 4 saxophones
9
Quintette de Saxophone: 5 saxophones
8
Ensemble de saxophones
8
Hautbois, Piano (duo)
7
Flûte traversière
7
Ensemble de Clarinettes
5
Saxophone (partie séparée)
5
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5
Saxophone Alto et Piano
5
Clarinette
4
Saxophone
4
Hautbois (partie séparée)
4
Saxophone Soprano et Piano
4
Clarinette (partie séparée)
3
Ensemble de Flûtes
3
Flute (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûtes traversières (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
2
Ocarina
2
Flûte, Trombone (duo)
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
2 Clarinettes (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Tenor et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Harmonica
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
2 Saxophones (duo)
1
Flûte, Violon
1
Hautbois, Basson (duo)
1
+ 38 instrumentations
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Cuivres
Trompette
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Ensemble de Trombones
5
Trombone
5
2 Trombones (duo)
4
Trombone (partie séparée)
4
Tuba et Piano
3
Tuba (partie séparée)
3
Euphonium, Piano (duo)
2
Ensemble de Trompettes
2
Trompette, Piano
2
Cor
2
Cor et Piano
2
Trompette (partie séparée)
2
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Trombone et Piano
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Cor (partie séparée)
1
+ 20 instrumentations
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Cordes
Violon
29
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
11
Violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
Violoncelle, Piano
7
Harpe
7
Violon (partie séparée)
5
Violon, Violoncelle (duo)
4
Alto seul
3
Alto, Piano
3
Alto (partie séparée)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
2 Violons (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violon, Alto (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes
1
Alto, Violoncelle (duo)
1
2 Contrebasses (duo)
1
2 Violoncelles (duo)
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
97
Ensemble Jazz
36
Fanfare
21
Orchestre à Cordes
17
Orchestre
13
Cloches
4
Orchestre de chambre
3
Percussion (partie séparée)
3
Batterie
2
Ensemble de cuivres
2
Marimba
2
Percussion
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
Jazz combo
1
Instrumentation Flexible
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Salt
Alto, Piano
Partitions à imprimer
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Fascination With You - For Viola
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Alto, Piano
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INTERMÉDIAIRE
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John R
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John R
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Fascination With You - For Vio
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John R. Daniels
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1212112 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contemporary,Jazz,Pop,Wedding. Score and par...
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Piano,Viola - Level 3 - SKU: A0.1212112 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contemporary,Jazz,Pop,Wedding. Score and part. 12 pages. John R. Daniels #809643. Published by John R. Daniels (A0.1212112). “Fascination With You†is a Mysteriously Romantic, Light Jazz Instrumental Solo with Piano Accompaniment for Viola. It has an easy jazz feel without being difficult. It's perfect for weddings, competition, even a church anthem. This arrangement can also be played by other instruments in C Clef. “Fascination With You†is also available for instruments in other keys. Please search this site for “Fascination With You†for other instruments. If you don't see your instrument, email me at CustomMusic@Salt-Cellar-Creations to request a version for you (usually at NO CHARGE).
$8.99
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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