Partitions Numériques de Second To One pour Alto, Piano

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Second To One

Alto, Piano

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Sorry Seems To Be The Hardest Word #Alto, Piano #INTERMÉDIAIRE #Rock #Elton John #Keith Terrett #Sorry Seems To Be The Hardest #Keith Terrett #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Kei...(+)

$9.99

3 ONE MOVEMENT HYMN SONATAS (for Viola and Piano with Score/Parts) #Alto, Piano #INTERMÉDIAIRE #Musique Sacrée #Gary Lanier, Lowell Mason, Tra #Gary Lanier #3 ONE MOVEMENT HYMN SONATAS #The Lanier Company #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.617754 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score ...(+)

$19.99

BRANDENBURG CONCERTO #6 Reduction for one Viola accompanied by Keyboard #Alto, Piano #INTERMÉDIAIRE #Classique #Johann Sebastian Bach #Steve Newman #BRANDENBURG CONCERTO #6 Reduct #steve newman #SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baro...(+)

$4.00

TO GOD BE THE GLORY One Movement Hymn Sonata (for Viola and Piano with Score/Part) #Alto, Piano #INTERMÉDIAIRE #Musique Sacrée #William H #Gary Lanier #TO GOD BE THE GLORY One Moveme #The Lanier Company #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier ...(+)

$8.99

Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola, Violoncello Duet, Piano Accompaniment) #Alto, Piano #INTERMÉDIAIRE #Musique Sacrée #Johann Pachelbel and Richard R #Cathy Stamegna #Set of Parts. #Go to Dark Gethsemane #Cathy Stamegna #SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781123 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cat...(+)

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781123 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794331. Published by Cathy Stamegna (A0.781123). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbelâ€™s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christâ€™s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.

$5.99

Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola Duet, Piano Accompaniment) #Alto, Piano #INTERMÉDIAIRE #Musique Sacrée #Johann Pachelbel and Richard R #Cathy Stamegna #Set of Parts. #Go to Dark Gethsemane #Cathy Stamegna #SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Sta...(+)

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794329. Published by Cathy Stamegna (A0.781122). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbelâ€™s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christâ€™s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.

$5.99

No Time To Die - Viola (with piano accompaniment) #Alto, Piano #FACILE #Pop musique #Billie Eilish #Adam Kempshall #No Time To Die - Viola #Adam Kempshall #SheetMusicPlus

Viola - Early Intermediate - By Billie Eilish. Arranged by Adam Kempshall. Set of Parts. 5 pages. Published by Adam Kempshall...(+)

Viola - Early Intermediate - By Billie Eilish. Arranged by Adam Kempshall. Set of Parts. 5 pages. Published by Adam Kempshall
"No Time to Die" is a song by American singer Billie Eilish. It is the theme song of the 2020 James Bond film of the same name, and was released through Darkroom and Interscope Records on February 13, 2020. The song was written by Eilish and her brother Finneas O'Connell, and recorded in a bedroom studio. At age 18, Eilish is the youngest artist in history to write and record a James Bond theme song.

"No Time to Die" debuted atop the Irish Singles Chart and the UK Singles Chart. It became Eilish's first number one single in the UK and made her the first artist born in the 21st century to top the chart. Furthermore, the song became the first James Bond theme by a female artist to top the UK chart, as well as only the second Bond theme ever to top that chart.

This viola arrangement is of an early intermediate level, in the key of E minor and going no higher than D5, but containing some tricky semiquaver rhythms. The piano part is also fairly straightforward. Both the viola part and piano accompaniment are included. About 4 minutes in length and great for your next James Bond themed performance!

$4.99

Sonata in a Simple Scale for Viola and Piano #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Daniell Mattern #Sonata in a Simple Scale for V #Daniell Mattern #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...(+)

Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#â€¦) or a half step (C C# D# E F#â€¦); the third scale excludes C entirely (B C# D E Fâ€¦). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.

$8.00

Sullivan: The Lost Chord for Viola & Piano #Alto, Piano #INTERMÉDIAIRE #Sir Arthur Seymour Sullivan #James M #Sullivan: The Lost Chord for V #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...(+)

Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â Â

$26.95

Away In A Manger: for Viola & Piano #Alto, Piano #DÉBUTANT #Noël #the 1880â€™s the cradle s #Mueller #James M #Away In A Manger: for Viola &a #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3...(+)

Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880â€™s the cradle song was being performed in church. By the 1990â€™s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

$24.95

Beethoven: Adagio from Sonata Pathetique for Viola & Piano #Alto, Piano #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...(+)

Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata PathÃ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethovenâ€™s Sonata PathÃ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano.

$24.95

The Skye Boat Song (viola and piano) #Alto, Piano #FACILE #Celtique/Irlandais #Folklorique/Traditionel #Traditional #Colin Kirkpatrick #The Skye Boat Song #Colin Kirkpatrick Publications #SheetMusicPlus

Piano,Viola - Level 2 - SKU: A0.1364535 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and pa...(+)

Piano,Viola - Level 2 - SKU: A0.1364535 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #948827. Published by Colin Kirkpatrick Publications (A0.1364535). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as â€œThe Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland. Â Â The boat in the song (â€œSpeed bonny boatâ€) refers to a small sailing ship that in 1746 â€œcarried the lad who was born to be kingâ€ to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as â€œBonnie Prince Charlie.â€ The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie. Â Â In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers.Â The Skye Boat Song has its roots in a traditional Gaelic melody. In this arrangement for viola and piano much of the piece is playable in first position though in the second half there is a top G (but only once). It is written in the alto clef throughout.

$3.95

Vivaldi - Largo from Winter (The Four Seasons) in A Flat Major - Intermediate #Alto, Piano #INTERMÉDIAIRE #Classique #Antonio Vivaldi #Piacere Music Sheets #Vivaldi - Largo from Winter #Piacere Music Sheets #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1170106 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. ...(+)

Piano,Viola - Level 3 - SKU: A0.1170106 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score and part. 8 pages. Piacere Music Sheets #770479. Published by Piacere Music Sheets (A0.1170106). Opus/Catalog Number: Concerto No.4, Op. 8 (The Four Seasons), second movementKey/Tone: A-Flat majorMovements/Sections: LargoYear/Date of Composition: 1723Difficulty: Grade 5/12 (Intermediate)Obs.: This piece is part of Vivaldi's famous Four Seasons (Le quattro stagioni), a series of four concertos part of Il cimento dell'armonia e dell'inventione (The Contest of Harmony and Invention).Each concerto in the Four Seasons is associated to a sonnet probably written by Vivaldi.This piece was originally composed for the violin in the key of E flat Major.This score is an arrangement for Viola and piano, in the key of A-Flat Major.Viola is to be played in the first four positions.Included: Full score and individual parts.

$6.95

Shotgun #Alto, Piano #FACILE #Folklorique/Traditionel #George Ezra #Kevin P Holdgate #Shotgun #Kevin P Holdgate #SheetMusicPlus

Piano,Viola - Level 2 - SKU: A0.791218 By George Ezra. By Fred Gibson, George Barnet, George Barnett, and Joel Laslett Pott. Arranged by Kevin P Holdgat...(+)

Piano,Viola - Level 2 - SKU: A0.791218 By George Ezra. By Fred Gibson, George Barnet, George Barnett, and Joel Laslett Pott. Arranged by Kevin P Holdgate. Folk. Score and part. 12 pages. Kevin P Holdgate #5707947. Published by Kevin P Holdgate (A0.791218). KPHMS 'Solo' CollectionThis is a simple arrangement of a very popular song released in the summer of 2019. The solo is approximately Grade 2/3 ABRSM/Trinity and is a great diversion away from the syllabus.George Ezra is an English singer, songwriter, and guitarist. After releasing two EPs, Did You Hear the Rain? in November 2013 and Cassy O' in March 2014, Ezra rose to prominence with the release of his hit single, Budapest, which reached number one in several countries. His debut studio album, Wanted on Voyage, was released in June 2014, reaching number one in the UK and the top ten in seven other countries. It was also the third best-selling album of 2014 in the UK.His second studio album, Staying at Tamara's, was released in March 2018 and reached number one in the UK and the top ten in eight other countries. The second single from the album, Paradise, reached number two in the UK, while the next single, Shotgun, reached number one, becoming Ezra's first chart-topping single in the UK, Ireland, and Australia. In February 2019, he won the Brit Award for British Male Solo Artist.

$4.99

Applause #Alto, Piano #INTERMÉDIAIRE #Pop musique #Lady Gaga #James M #Applause #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Ste...(+)

Piano,Viola - Level 3 - SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 10 pages. Jmsgu3 #3031059. Published by jmsgu3 (A0.547661). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000â€“225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia

$29.95

Being Alive #Alto, Piano #FACILE #Stephen Sondheim #Rodrigo Ramos #Being Alive #Rodrigo Ramos #SheetMusicPlus

Piano,Viola - Level 2 - SKU: A0.1367009 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Sing...(+)

Piano,Viola - Level 2 - SKU: A0.1367009 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 14 pages. Rodrigo Ramos #951351. Published by Rodrigo Ramos (A0.1367009). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for Viola and piano.

$5.99

Mixtli #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Juan Guerra GonzÃ¡lez #Mixtli #Juan Carlos Guerra Gonzalez #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1137268 Composed by Juan Guerra GonzÃ¡lez. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerr...(+)

Piano,Viola - Level 4 - SKU: A0.1137268 Composed by Juan Guerra GonzÃ¡lez. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerra Gonzalez #737470. Published by Juan Carlos Guerra Gonzalez (A0.1137268). Mixtli (Clouds in Nahuat) is a set of 3 small pieces for Viola and Piano. It was written thanks to a collaboration with costarican pianist Rebeca OrdÃ³Ã±ez RodrÃguez and costarican violinist/violist Erasmo Solerti who were looking for a piece to premiere in a concert dedicated to the Central American bicentennial. Clouds played a vital role in the lives of our ancestors. Thanks to their observation skills, they were able to achieve a deep understanding of the nature surrounding them. As a kid, one of the games I used to play with my cousins and my mom was finding shapes in the clouds. We spent several hours laying on the ground just looking at clouds changing shapes. Each movement represents a mood involving clouds. The first movement is a dance in 5/8 time signature. It begins with a challenging key that will require a skillful violist. The movement explores the range of the Viola, including harmonics and other techniques. The second movement explores the alto range of the Viola while allowing the player to be very expressive, the combination with the piano creates a musical atmosphere representing a gray cloudy day. The third movement is a fast-paced dance that represents a day with different cloud scenes, for example, rain for one moment and sunny the next minute.

$13.99

Heaven Is A Place On Earth #Alto, Piano #INTERMÉDIAIRE #Belinda Carlisle #Kevin P Holdgate #Heaven Is A Place On Earth #Kevin P Holdgate #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1386963 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/...(+)

Piano,Viola - Level 3 - SKU: A0.1386963 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #970849. Published by Kevin P Holdgate (A0.1386963). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date.Â A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).

$5.99

Wonderwall #Alto, Piano #INTERMÉDIAIRE #Rock #Oasis #Austin Ralphson #Wonderwall #Austin Ralphson #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.563785 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 10 pages. Austin Ralphson #500140...(+)

Piano,Viola - Level 3 - SKU: A0.563785 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 10 pages. Austin Ralphson #5001403. Published by Austin Ralphson (A0.563785). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com

$7.99

'Immer leiser wird mein Schlummer (Ever deeper down)' Op.105-2 in B-flat Major for Viola & Piano #Alto, Piano #INTERMÉDIAIRE #Classique #Brahms, Johannes #Kamada, Mikio #'Immer leiser wird mein Schlum #ACORDO Sheet Music #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.778007 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 5 pages. AC...(+)

Piano,Viola - Level 3 - SKU: A0.778007 Composed by Brahms, Johannes (1833-1897). Arranged by Kamada, Mikio. Romantic Period. Score and part. 5 pages. ACORDO Sheet Music #4796815. Published by ACORDO Sheet Music (A0.778007). Immer leiser wird mein Schlummer (Ever deeper down) is the second one in FÃ¼nf Lieder, Op.105. The melody is beautiful and melancholic. The original key is E Major, however, B-flat major was selected for Viola performance in this music. In the bars, No. 15, 17, 19, 21, 42, 44, 45, 48, and 49, piano part plays syncopated rhythm. Not so skillful solo players might be difficult to synchronize with piano in this region. For such players, appropriate cue notes, which make clear the relationship between viola and piano, are added on the viola part note. However as a result, it is not so clear to read the viola part notes because of many cue notes. To bypass the problem, we prepare two types of solo part notes, one is full of cue notes, the other is simplified. Please use the former for studying.

$5.20

Five Lost Highland Tales 2: Barcarolle #Alto, Piano #INTERMÉDIAIRE #Joanna Borrett #Five Lost Highland Tales 2: Ba #Joanna Borrett #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1515846 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090144. Published by Joann...(+)

Piano,Viola - Level 3 - SKU: A0.1515846 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090144. Published by Joanna Borrett (A0.1515846). Barcarolle is the second movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Barcarolle is the second of these stories.Please note that the recording is of the cello and piano arrangement.

$5.99

The Little Drummer Boy #Alto, Piano #DÉBUTANT #Contemporain #Wilson Phillips #K #The Little Drummer Boy #K L Phillips #SheetMusicPlus

Piano,Viola - Level 1 - SKU: A0.751635 By Wilson Phillips. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by K.L. Philllips. Contempo...(+)

Piano,Viola - Level 1 - SKU: A0.751635 By Wilson Phillips. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by K.L. Philllips. Contemporary. Score and part. 8 pages. K L Phillips #6072491. Published by K L Phillips (A0.751635). This arrangement of The Little Drummer Boy for a beginner violist with piano accompaniment would be a lovely addition to a Christmas event or would make a fun recital piece. The first verse features the viola as the drum playing open string double stops. In the second verse, the violist plays the melody and the piano becomes the accompanying drum.

$4.99

Symphony No. 7 by Beethoven for Viola and Piano #Alto, Piano #FACILE #Classique #Classique #Ludwig van Beethoven #Ander #Symphony No. 7 by Beethoven fo #Woods Only, Arrangements #SheetMusicPlus

Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....(+)

Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..

$1.99

TAKE MY LIFE AND LET IT BE Hymn Sonata (for Viola and Piano with Score/Part) #Alto, Piano #INTERMÉDIAIRE #Musique Sacrée #HENRI A #Gary Lanier #TAKE MY LIFE AND LET IT BE Hym #The Lanier Company #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.617692 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier...(+)

Piano,Viola - Level 3 - SKU: A0.617692 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #6011949. Published by The Lanier Company (A0.617692). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.

$8.99

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