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--INSTRUMENTS--
ACCORDEON
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Sleep Thou, Sleep
Non classifié
81
Piano & claviers
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27
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25
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9
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8
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2
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1
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1
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5
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2
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2
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1
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1
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1
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Chorale SATB
38
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9
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9
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6
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3
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3
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1
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1
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1
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1
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6
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4
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4
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4
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4
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3
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2
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2
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2
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2
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2
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2
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1
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1
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1
2 Flûtes traversières, Guitare
1
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1
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1
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1
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1
Ensemble de Flûtes
1
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1
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1
2 Flûtes traversières, Piano
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Clarinette et Alto
1
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1
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Trombone et Piano
5
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4
Cor et Piano
3
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2
Euphonium
2
Trompette, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Euphonium, Piano (duo)
2
Trompette (partie séparée)
2
Trompette, Trombone (duo)
2
2 Tubas (duo)
1
3 Trompettes (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Piano
1
Tuba et Orgue
1
+ 10 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
14
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8
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7
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5
Alto, Piano
5
Violoncelle, Piano
3
Violon
3
Trio à Cordes: violon, alto, violoncelle
3
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3
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2
Trio à Cordes: 2 violons, violoncelle
2
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1
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1
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1
2 Violons, Piano
1
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1
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1
Harpe
1
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Orchestre d'harmonie
8
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5
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3
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Vous avez sélectionné:
Sleep Thou, Sleep
Alto, Piano
Partitions à imprimer
5 partitions trouvées
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Be Thou My Vision (Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Irish Melody
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John A
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Be Thou My Vision
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1242758 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Praise & Worship,Sacre...
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Piano,Viola - Level 3 - SKU: A0.1242758 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #837849. Published by John A. Dempsey (A0.1242758). Arranged as a prayerful, serene duet for viola and piano, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Key: D major.  9 pages of music (that includes a separate two-page viola part)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$6.99
Be Thou My Vision (Trio for Viola, Cello and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Irish Melody
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John A
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Be Thou My Vision
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John A. Dempsey
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SheetMusicPlus
Piano Trio Cello,Piano,Viola - Level 3 - SKU: A0.1247977 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacre...
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Piano Trio Cello,Piano,Viola - Level 3 - SKU: A0.1247977 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Traditional,Wedding. 18 pages. John A. Dempsey #842541. Published by John A. Dempsey (A0.1247977). Arranged as a prayerful, serene trio for viola, cello and piano, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Key: D major.  14 pages of music (that includes separate two-page parts for viola and cello)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$11.99
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Won't Stand Down
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Alto, Piano
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FACILE
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Matthew Bellamy
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Adam Kempshall
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Won't Stand Down
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Adam Kempshall
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1139309 Composed by Matthew Bellamy. Arranged by Adam Kempshall. Grunge,Rock. Score and part. 8 pages. Adam Kempshall #7...
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Piano,Viola - Level 2 - SKU: A0.1139309 Composed by Matthew Bellamy. Arranged by Adam Kempshall. Grunge,Rock. Score and part. 8 pages. Adam Kempshall #739595. Published by Adam Kempshall (A0.1139309). Won't Stand Down is a song by British rock band Muse. Released as a single on 13 January 2022, it is their first single from Will of the People, their ninth studio album. It topped the UK Rock & Metal chart and reached number 56 on the UK Singles Chart. The song was a sleeper hit in the United States, reaching number 1 on Billboard's Mainstream Rock Airplay chart in May 2022, becoming the first Muse song to do so. This Viola arrangement is of an easy-intermediate level, though is in B minor and has some sections in 12/8 time. It aims to faithfully recreate the feel of the original whilst remaining pleasing in its own right. Approx. 3m30s in length, the piano part is also included. Great for your next rock performance!
$4.99
Away In A Manger: for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for Viola &a
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3...
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Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
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