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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Something - Trombone 1
Non classifié
451
Piano & claviers
Piano seul
129
Piano Facile
64
Piano, Voix
47
Piano, Voix et Guitare
38
1 Piano, 4 mains
18
Instruments en Do
13
Ligne De Mélodie, Piano
3
Orgue
3
+ 3 instrumentations
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Guitares
Basse electrique
28
Guitare notes et tablatures
27
Ligne De Mélodie, (Paroles) et Accords
26
Guitare
13
Ukulele
4
Dulcimer
3
Paroles et Accords
2
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
Banjo
1
Basse électrique (partie séparée)
1
+ 6 instrumentations
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Voix
Chorale SATB
26
Chorale 3 parties
13
Chorale 2 parties
7
Chorale TTBB
7
Chorale Unison
6
Pack Instrumental pour Chorale
3
Voix duo, Piano
3
Voix Alto, Piano
2
Chorale SSAA
1
Voix haute
1
Voix seule
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
+ 8 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
Ensemble de saxophones
59
Flûte traversière
23
Saxophone (partie séparée)
22
Clarinette
20
Saxophone Alto
17
Saxophone Tenor
15
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
10
Hautbois (partie séparée)
9
2 Flûtes traversières (duo)
9
Ensemble de Clarinettes
8
2 Saxophones (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
2 Clarinettes (duo)
7
3 Saxophones (trio)
5
Ensemble de Flûtes
5
Flûte à Bec
5
Hautbois, Piano (duo)
4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
4
Clarinette (partie séparée)
3
Clarinette et Piano
3
Flûte traversière et Piano
3
Saxophone Alto et Piano
2
Trio de Flûtes: 3 flûtes
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo
1
Flûte et Guitare
1
Flûte, Clarinette (duo)
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Ocarina
1
Flute (partie séparée)
1
Saxophone Soprano
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Flûtes à bec
1
Clarinette Basse, Piano
1
Saxophone Tenor et Piano
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
+ 40 instrumentations
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Cuivres
Trompette (partie séparée)
19
Trompette
16
Cor
13
Tuba
8
Ensemble de Trompettes
4
2 Tubas (duo)
3
Trompette, Piano
3
2 Cors (duo)
3
Tuba et Piano
2
2 Euphoniums (duo)
2
Cor (partie séparée)
2
2 Trompettes (duo)
2
Euphonium, Tuba (duo)
1
Cor et Piano
1
Bass Clef Instruments
1
Tuba (partie séparée)
1
Euphonium
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Basson (duo)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon
24
Violoncelle
20
Alto seul
11
Harpe
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
6
Violon et Piano
6
2 Violons (duo)
6
Alto (partie séparée)
6
Contre Basse
5
2 Violoncelles (duo)
5
Violon, Alto (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Violoncelle, Piano
4
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Alto, Violoncelle (duo)
2
2 Altos (duo)
2
2 Harpes (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles, Piano
1
Contrebasse, Piano (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
172
Orchestre à Cordes
28
Batterie
9
Orchestre
8
Orchestre de chambre
8
Cloches
5
Ensemble de cuivres
3
Percussion (partie séparée)
2
Ensemble Jazz
2
Ensemble de Percussions
2
Jazz combo
2
Percussion
1
Fanfare
1
Timbales
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
Something - Trombone 1
Alto, Piano
Partitions à imprimer
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1
COMPLETE Book of 10 Beautiful Viola Solos for Fun - various levels with FREE BACKING TRACKS
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1178832 Composed by Puccini, Saint…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1178832 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 78 pages. Austin Ralphson #778800. Published by Austin Ralphson (A0.1178832). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.
$14.99
13.82 €
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Alto, Piano
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Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel
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Austin Ralphson
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COMPLETE Book of 10 Beautiful Viola Solos for Fun - various levels with FREE BACKING TRACKS
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Austin Ralphson
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SheetMusicPlus
Two Thanksgiving Hymns for Young String Players
Alto, Piano
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 1 - Digital Download
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.784728 Arranged by settings by P. F. Tillen. Christian,Concert,Holiday,Sacred. Score and parts. 13 pages. PFTMusic #6620591. Published by PFTMusic (A0.784728). Two favorite hymns, Now Thanks We All Our God & We Gather Together, arranged here as duets for a young viola and cello player, with piano accompaniment. These arrangements are accessible to players with 1-2 years of experience, yet sound full and pleasing. A wonderful way to enable young music students to contribute something beautiful to worship. Included: score as well as individual viola and cello parts. Suitable for general worship at Thanksgiving time or throughout the year, or as recital selections.Please check for more arrangements for instrumental ensembles, piano music, & sacred and secular choral and vocal selections.
$8.99
8.29 €
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Alto, Piano
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settings by P
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Two Thanksgiving Hymns for Young String Players
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PFTMusic
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SheetMusicPlus
Renaissance Hits for Viola and Keyboard from Terpsichore (Praetorius)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arran…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1064696. Published by Colin Kirkpatrick Publications (A0.1487758). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary viola repertoire and the music is in the alto clef throughout. The highest note is the F above the alto staff and this appears in only one of the movements..By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for viola (or violas) and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.
$11.99
11.05 €
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Alto, Piano
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Viola and Keyboard from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
We Three Kings of Orient Are
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1290059 Composed by John Henry Hop…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1290059 Composed by John Henry Hopkins Jr. Arranged by Wendy Hellmann. Christian,Christmas,Holiday,Traditional. Score and part. 4 pages. Gwendolyn Hellmann #880762. Published by Gwendolyn Hellmann (A0.1290059). This arrangement of We Three Kings of Orient Are is for solo viola with piano accompaniment. It is written in the key of E minor and is an excellent tool for teaching beginners about low 2nd fingers. The piano part doubles the melody and has helpful eighth notes to facilitate counting the half note/quarter note rhythms. This is a great solo for beginner violists who want something to play for the holidays! Â The PDF download contains both a full score and a set of individual parts - Viola and Piano. Both individual parts are formatted on a single page to avoid page turns.
$4.99
4.6 €
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Alto, Piano
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John Henry Hopkins Jr
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Wendy Hellmann
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We Three Kings of Orient Are
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Gwendolyn Hellmann
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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