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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata
Non classifié
2 560
Piano & claviers
Piano seul
4 385
Piano Facile
285
Orgue
150
1 Piano, 4 mains
66
Accompagnement Piano
44
Piano, Voix
34
2 Pianos, 4 mains
23
Clavecin
16
Piano Trio: piano, violon, violoncelle
14
Piano, Voix et Guitare
14
Instruments en Do
13
Piano grosses notes
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Trompette (duo)
4
Accordéon
4
Instrument seul et Orgue
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
Accordéon, Corde(s)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
521
Guitare notes et tablatures
156
2 Guitares (duo)
90
Ukulele
22
3 Guitares (trio)
17
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
9
Paroles et Accords
8
Ligne De Mélodie, (Paroles) et Accords
7
Mandoline
4
Ensemble de guitares
3
Banjo
3
Mandoline, Piano (duo)
2
Basse electrique
2
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
2 Mandolines (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
19
Chorale 2 parties
8
Chorale 3 parties
6
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
2
Voix duo, Piano
2
Chorale SSAA
1
Chorale Unison
1
Chorale
1
Chorale TTBB
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière
440
Flûte traversière et Piano
395
Clarinette et Piano
224
2 Flûtes traversières (duo)
163
Saxophone Alto et Piano
138
Clarinette
124
Hautbois, Piano (duo)
121
Flûte et Guitare
121
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Flûte à Bec
111
3 Flûtes à bec (trio)
105
3 Clarinettes (trio)
101
2 Saxophones (duo)
96
2 Clarinettes (duo)
94
3 Saxophones (trio)
88
2 Flûte à bec (duo)
75
Flûte, Hautbois, Clarinette (trio)
70
Saxophone Tenor et Piano
67
Saxophone Soprano et Piano
65
Quatuor de Saxophones: 4 saxophones
65
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Basson
56
Flûte, Hautbois, Clarinette, Basson
51
Trio de Flûtes: 3 flûtes
51
Quatuor de Clarinettes: 4 clarinettes
50
Flûte à bec Alto, Basse continue
46
2 Hautbois (duo)
40
Saxophone Baryton, Piano
40
Flûte, Violon et Violoncelle
37
Clarinette Basse, Piano
31
Flûte traversière, Basse continue
31
Saxophone Alto
30
Flûte, Clarinette (duo)
30
Ensemble de Clarinettes
29
Hautbois, Basson (duo)
29
2 Clarinettes, Basson
28
Flûte, Violoncelle
26
Quintette de Saxophone: 5 saxophones
24
Quatuor de Flûtes : 4 flûtes
21
Clarinette (partie séparée)
20
Clarinette et Alto
20
Flûte à bec Alto, Piano
19
Quintette de Clarinettes: 5 clarinettes
19
Clarinette, Violoncelle (duo)
19
Hautbois, Clarinette (duo)
18
Saxophone
18
Clarinette, Violon (duo)
18
Cor anglais, Piano
18
Quatuor de Flûtes à bec
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette, Basson (duo)
17
Flûte à Bec, Piano
16
Ensemble de saxophones
16
Flûte, Alto (duo)
16
Ensemble à vent
14
Clarinette, Guitare (duo)
13
Saxophone (partie séparée)
13
Ensemble de Flûtes
12
Hautbois (partie séparée)
11
Flute (partie séparée)
11
Flûte à bec Soprano
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Saxophone Tenor
9
Ensemble De Flûte à bec
9
Hautbois
9
Piccolo, Piano
9
Flûte à bec Soprano, Piano
8
2 Flûtes traversières, Piano
8
Flûte à bec Soprano, Basse continue
7
Flûte, Violon
6
Flute, harpe et violon
6
Flûte, Violon, Piano
6
2 Cors Anglais Et Pianoforte
6
Flûte à bec Alto
5
Saxophone, Clarinette (duo)
5
Flûte, Alto et Violoncelle
4
Flûte, Hautbois, Piano (trio)
4
Cor anglais, Guitare (duo)
4
Flûte à bec Tenor
4
2 Hautbois et Basson
4
2 Flûtes, Basse continue
4
Quintette de Flûte : 5 flûtes
4
5 Flûtes à bec
4
Harmonica
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Clarinette, Harpe (duo)
2
Flûte, alto et harpe
2
Instruments en Mib
2
Hautbois, Violoncelle
2
Flûte à bec, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Trompette (duo)
2
Saxophone et Orgue
2
Clarinette, Orchestre
2
Saxophone et Guitare
2
2 Flûtes à bec, Piano
1
Hautbois, Harpe
1
Cor Anglais
1
Hautbois, violon (duo)
1
Flûte irlandaise
1
Saxophone Baryton
1
4 Hautbois
1
Flûte traversière, Orgue (duo)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Basson et Piano
1
Saxophone et Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Tuba (duo)
1
3 Hautbois
1
Hautbois, Guitare (duo)
1
Saxophone Soprano
1
+ 110 instrumentations
Retracter
Cuivres
Trombone et Piano
99
Trompette, Piano
98
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
94
Cor et Piano
77
Tuba et Piano
66
Euphonium, Piano (duo)
59
Trompette
56
2 Trompettes (duo)
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
2 Cors (duo)
34
Trombone
32
2 Trombones (duo)
30
Cor
26
Trompette (partie séparée)
19
Cor anglais, Piano
18
Quatuor de Cuivres
16
2 Euphoniums (duo)
16
Quatuor de cuivres: 4 cors
15
Quatuor de cuivres: 4 trombones
13
2 Tubas (duo)
12
Ensemble de Cors
9
Ensemble de Trombones
8
Tuba
8
Trompette, Trombone (duo)
8
4 Tubas
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trio de Cuivres
7
2 Euphoniums et 2 Tubas
6
Trombone basse et Piano
6
2 Cors Anglais Et Pianoforte
6
Trombone (partie séparée)
5
Cor (partie séparée)
5
Euphonium, Tuba (duo)
5
3 Trombones (trio)
4
Euphonium
4
Cor anglais, Guitare (duo)
4
Ensemble de Trompettes
4
Bass Clef Instruments
2
3 Euphoniums
2
Tuba (partie séparée)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Instruments en Sib
2
3 Cors (trio)
2
Ensemble de Tubas
2
3 Trompettes (trio)
2
Trompette, Harpe
1
Cor Anglais
1
Cor et Harpe
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Cor, Orchestre
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
589
Violon
548
Violoncelle, Piano
369
Quatuor à cordes: 2 violons, alto, violoncelle
311
Alto, Piano
219
Violoncelle
168
2 Violons (duo)
130
Alto seul
110
Trio à Cordes: violon, alto, violoncelle
85
Violon (partie séparée)
82
Violon, Alto (duo)
80
Violon, Violoncelle (duo)
76
2 Violoncelles (duo)
72
Trio à Cordes: 2 violons, violoncelle
67
Harpe
61
2 Altos (duo)
61
Violon, Basse continue
42
Violoncelle, Basse continue
38
2 Violons et Basse continue
36
Contrebasse, Piano (duo)
27
Trio à cordes: 3 violins
25
Alto (partie séparée)
25
Violon, Guitare (duo)
24
Alto, Violoncelle (duo)
23
Violoncelle (partie séparée)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violoncelle, Contrebasse (duo)
18
Violoncelle , Guitare (duo)
15
Contre Basse
14
Trio à Cordes: 3 violoncelles
14
2 Violons, Piano
13
Violon, Basson (duo)
12
Alto, Guitare (duo)
10
Contrebasse (partie séparée)
10
4 Violoncelles
10
2 Contrebasses (duo)
10
Harpe, Flûte (duo)
7
Trio à cordes
7
Trio à Cordes: 2 violons, alto
6
Violoncelle, Orchestre
5
Flûte, Contrebasse (duo)
5
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
3
Ensemble de Violoncelles
3
Trio à cordes: 3 altos
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Violoncelle, Orgue
2
4 Contrebasses
1
Alto, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
Ensemble de Violons
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
397
Orchestre
113
Orchestre de chambre
75
Orchestre d'harmonie
69
Ensemble de cuivres
30
Ensemble Jazz
6
Quintette à Vent
5
Percussion (partie séparée)
4
Ensemble de Percussions
3
Cloches
3
2 Xylophones
2
Xylophone
2
Batterie
1
Percussion
1
Marimba
1
Orchestre, Violon
1
Voix Mezzo-Soprano, Orchestre
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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15 Concertos and Sonatas 'Book
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Santino Cara
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pa...
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Piano,Viola - Level 4 - SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pages. Santino Cara #887557. Published by Santino Cara (A0.1297515). Complete scores and part of 15 Concertos and Sonata - BOOK 1  for Viola and Piano. Composed by: Bach C.P.E - H. Casadesus - J.W. Kallivoda - A. Rolla - R. Schumann. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com 1.   Viola Sonata in G minor H542.5 2.   Viola Sonata in G major H550 3.   Viola Sonata in E minor H551 4.   Viola Sonata in G major H564 5.   Handel-Casadesus - Viola Concerto in B minor 6.   JCBach-Casadesus - Viola Concerto in C minor 7.   Nocturne No.1 in A flat major Op.186 8.   Nocturne No.2 in C major Op.186 9.   Nocturne No.3 in F major Op.18610.   Nocturne No.4 in G major Op.18611.   Nocturne No.5 in E flat major Op.18612.   Nocturne No.6 in D minor Op.18613.   Divertimento in F major BI 33014.   Variazioni Brillanti in F major Op.1315.   Märchenbilder Op.113 - Four Pieces11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
$38.40
Vivaldi: Sonata No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550416 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pa...
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Piano,Viola - Level 3 - SKU: A0.550416 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632175. Published by jmsgu3 (A0.550416). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
Vivaldi: Sonata No. 6 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550518 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Piano,Viola - Level 3 - SKU: A0.550518 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719615. Published by jmsgu3 (A0.550518). Sonata da Chiesa No. 6 in Bb Major for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550394 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pa...
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Piano,Viola - Level 3 - SKU: A0.550394 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628261. Published by jmsgu3 (A0.550394). Sonata da Chiesa in Bb for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550493 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Piano,Viola - Level 3 - SKU: A0.550493 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715609. Published by jmsgu3 (A0.550493). Sonata da Chiesa No. 5 in E Minor for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550468 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Piano,Viola - Level 3 - SKU: A0.550468 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640579. Published by jmsgu3 (A0.550468). Sonata da Chiesa No. 4 in Bb Major for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550442 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Piano,Viola - Level 3 - SKU: A0.550442 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634577. Published by jmsgu3 (A0.550442). Sonata da Chiesa No. 3 in A Minor for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
BACH: Sonata in C Major BWV 1033 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551568 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Sco...
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Piano,Viola - Level 4 - SKU: A0.551568 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317551. Published by jmsgu3 (A0.551568). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Sonata for Viola and Piano
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Alto, Piano
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Verne Reynolds
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and Barry Snyder, piano
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Sonata for Viola and Piano
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Imagine Music - Digital
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SheetMusicPlus
Viola & piano - SKU: IZ.PDP174 Composed by Verne Reynolds. Thomas Jöstlein. Score and Parts. 49 pages. Imagine Music - Digital #PDP174. Published by ...
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Viola & piano - SKU: IZ.PDP174 Composed by Verne Reynolds. Thomas Jöstlein. Score and Parts. 49 pages. Imagine Music - Digital #PDP174. Published by Imagine Music - Digital (IZ.PDP174). 9 x 12 inches.Although Reynolds is best known for his contributions to the brass literature, especially that of the horn, he did compose several works for stringed instruments. There is an early Sonatina for Violin and Piano dating from his time at Cincinnati, as well as mature sonatas with piano for violin, viola, and cello. The Sonata for Viola and Piano was composed in 1999 and is characteristic of Reynolds' s later style, employing a rather complex harmonic language. The first movement includes an extensive unmetered passage and the third movement is a virtuoso tour de force-an exercise in perpetual motion for both performers. Reynolds stated that the pedaling in the piano part should be followed exactly as notated in order to create the timbres he wanted. The first performance of the Sonata for Viola and Piano was presented by Melissa Matson, viola; and Barry Snyder, piano; on a recital in Kilbourn Hall at the Eastman School of Music, Rochester, NY, on 13 September 1999. I would like to thank Melissa Matson and Barry Snyder for their help in preparing this first publication of the Reynolds Sonata for Viola and Piano. No one knows this piece as intimately as these two virtuosi, and their input has been invaluable.
$30.00
3 ONE MOVEMENT HYMN SONATAS (for Viola and Piano with Score/Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gary Lanier, Lowell Mason, Tra
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Gary Lanier
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3 ONE MOVEMENT HYMN SONATAS
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617754 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score ...
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Piano,Viola - Level 3 - SKU: A0.617754 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6049303. Published by The Lanier Company (A0.617754). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Viola and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Santino Cara
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Santino Cara
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11 Concertos and Sonatas 'Book
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Santino Cara
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1297519 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Romantic Period. Score and part. 300 pages. Santi...
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Piano,Viola - Level 4 - SKU: A0.1297519 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Romantic Period. Score and part. 300 pages. Santino Cara #887562. Published by Santino Cara (A0.1297519). Complete scores and Part of 11 Concertos and Sonatas - BOOK 2 for Viola and Piano. Composed by: G.P. Telemann - H. Vieuxtemps - A. Vivaldi. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com16. Â Â Viola Concerto in G major TWV 51-G917. Â Â Ouverture (Suite) in D major TWV 55-D618. Â Â Viola Concerto in D major TWV 51D119. Â Â Sonata in E minor TWV 41-e520. Â Â Elegy in F minor Op.3021. Â Â Viola Concerto in G major RV39222. Â Â Viola Concerto in F minor RV39323. Â Â Viola Concerto in F sharp minor RV39424. Â Â Viola Concerto in F sharp minor RV39525. Â Â Viola Concerto in C major RV39626. Â Â Viola Concerto in D minor RV39715 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
$38.40
Sonata in C Major
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Alto, Piano
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INTERMÉDIAIRE
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William Flackton
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Sonata in C Major
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Schott Music - Digital
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SheetMusicPlus
Viola and piano (harpsichord) - intermediate - SKU: S9.Q3237 Composed by William Flackton. This edition: Sheet music. Classical Sonatas Viola & Piano. D...
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Viola and piano (harpsichord) - intermediate - SKU: S9.Q3237 Composed by William Flackton. This edition: Sheet music. Classical Sonatas Viola & Piano. Downloadable. Op. 2/4. Schott Music - Digital #Q3237. Published by Schott Music - Digital (S9.Q3237). Key: C major.The edition is part of the Trinity syllabus 2007 (grade 5).
$6.99
BACH: Six Sonatas BWV 1030-1035 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Six Sonatas BWV 1030-103
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551946 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Sco...
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Piano,Viola - Level 4 - SKU: A0.551946 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 247 pages. Jmsgu3 #5793239. Published by jmsgu3 (A0.551946). J. S. BACH: Sonata BWV 1030
$49.95
Viola Sonata No.1
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Viola Sonata No.2
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. Han-Ki Kim #129616. Published by Han-Ki Kim (A0.518944). Viola Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Attached music file is recorded by Violin, it's just for a reference.
$14.99
Sonata Pathetique, Adagio Cantabile, by Beethoven, for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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David McKeown
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Sonata Pathetique, Adagio Cant
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.587806 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score and part. 9 pages...
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Piano,Viola - Level 4 - SKU: A0.587806 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score and part. 9 pages. David McKeown #4979351. Published by David McKeown (A0.587806). Adagio Cantabile is the second movement of Ludwig van Beethoven’s Piano Sonata No.8, named by his publisher, the Sonata Pathetique. This example of Eighteenth Century marketing was successful! The Sonata was a hit with both critics and the buying public and did much to establish the young composer’s reputation. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There is a separate solo part included with the score. The full length youtube performance is the clarinet version of this arrangement.Soloists at an advanced intermediate level and above will find this ideal for formal and informal performances. The rhythms are mostly straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. Since the main melody is played by the viola, the piano part is easier than the original. The overall performance time is around four and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
AMAZING GRACE Hymn Sonata (for Viola and Piano with Score/Part)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Folk Melody, GARY
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Gary Lanier
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AMAZING GRACE Hymn Sonata
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617707 Composed by Traditional Folk Melody, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 15 pages. The ...
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Piano,Viola - Level 3 - SKU: A0.617707 Composed by Traditional Folk Melody, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 15 pages. The Lanier Company #6018701. Published by The Lanier Company (A0.617707). AMAZING GRACE Hymn Sonata (one movement) is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of God's grace in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune, such as: motifs, secondary themes, variations, recapitulation and other compositional devices. AMAZING GRACE Hymn Sonata is perfect for Church services, recitals or any gathering where hymns of the grace and love of God is desired. The score, including instrumental part and cover is 15 pages long.
$8.99
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Viola and Piano with Score/Part)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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HENRI A
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Gary Lanier
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TAKE MY LIFE AND LET IT BE Hym
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617692 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier...
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Piano,Viola - Level 3 - SKU: A0.617692 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #6011949. Published by The Lanier Company (A0.617692). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.
$8.99
TO GOD BE THE GLORY One Movement Hymn Sonata (for Viola and Piano with Score/Part)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William H
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Gary Lanier
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TO GOD BE THE GLORY One Moveme
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier ...
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Piano,Viola - Level 3 - SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6047177. Published by The Lanier Company (A0.617740). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99
"Moonlight Sonata" for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Lucas Rezende
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"Moonlight Sonata" f
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Lucas Rezende
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SheetMusicPlus
Small Ensemble Piano,Viola,Voice - Level 3 - SKU: A0.918429 Composed by Ludwig van Beethoven. Arranged by Lucas Rezende. Romantic Period. Score and part...
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Small Ensemble Piano,Viola,Voice - Level 3 - SKU: A0.918429 Composed by Ludwig van Beethoven. Arranged by Lucas Rezende. Romantic Period. Score and parts. 18 pages. Lucas Rezende #6405553. Published by Lucas Rezende (A0.918429). Moonlight Sonata by Ludwig van Beethoven arranged for Viola and Piano duo, appropriate for intermediate level students or Beethoven's lovers.The arrangement is the first movement of the Moonlight Sonata (Sonata No. 14, Op.27 No. 2, 1. Adagio sostenuto).
$6.99
Moonlight Sonata by Beethoven for Viola and Piano
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Alto, Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. ...
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Piano,Viola - Level 2 - SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #836027. Published by Woods Only, Arrangements (A0.1240641). This arrangement adapted for viola and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
"Moonlight Sonata" - Piano Sonata Op. 27, No. 2 - - 2 Violas and Piano
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Alto, Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Pietro Prugna
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"Moonlight Sonata" -
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Pietro Prugna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 2 - SKU: A0.760879 Composed by Ludwig van Beethoven. Arranged by Pietro Prugna. Classical,...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 2 - SKU: A0.760879 Composed by Ludwig van Beethoven. Arranged by Pietro Prugna. Classical,Romantic Period,Standards,Traditional. Score and parts. 14 pages. Pietro Prugna #368579. Published by Pietro Prugna (A0.760879). This is an arrangement of the popular Moonlight Sonata, for 2 violas and piano. The melody is played by Viola I and harmonised by Viola II. The piano accompanies them and plays the bass parts. The PDF contains the Full Score and Set of Parts (Viola I, Viola II and Piano).
$1.99
Moonlight Sonata
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Alto, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Rodrigo Faleiros
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Moonlight Sonata
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1086926 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pag...
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Piano,Viola - Level 1 - SKU: A0.1086926 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pages. Rodrigo Faleiros #691116. Published by Rodrigo Faleiros (A0.1086926). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the viola and the accompainment by the piano.
$4.99
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