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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
THIRD
Non classifié
1 323
Piano & claviers
Piano seul
964
Piano, Voix et Guitare
355
Piano Facile
263
Piano, Voix
172
Orgue
85
Instruments en Do
54
2 Pianos, 4 mains
20
1 Piano, 4 mains
18
Accompagnement Piano
18
Piano Trio: piano, violon, violoncelle
14
Accordéon
13
Piano (partie séparée)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Orgue, Piano (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano grosses notes
5
Clavecin
4
Clavier
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
263
Guitare
112
Ligne De Mélodie, (Paroles) et Accords
84
Guitare (partie séparée)
28
Ukulele
17
Paroles et Accords
15
Basse electrique
14
2 Guitares (duo)
9
Mandoline
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Dulcimer
2
Banjo
1
Guitare, Orchestre
1
3 Guitares (trio)
1
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
440
Chorale 3 parties
117
Chorale 2 parties
115
Chorale TTBB
87
Chorale Unison
67
Voix duo, Piano
29
Chorale SSAA
27
Voix duo
13
Voix Soprano, Piano
11
Pack Instrumental pour Chorale
9
Voix haute
6
Voix seule
6
Voix Tenor, Piano
5
Chorale
3
Voix Baryton, Piano
3
Chorale SSAATTBB
3
Voix Alto, Piano
3
Voix basse
2
Voix basse, Piano
2
Voix moyenne, Piano
2
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
106
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
Quatuor de Saxophones: 4 saxophones
96
Flûte traversière et Piano
78
Quatuor de Clarinettes: 4 clarinettes
71
2 Saxophones (duo)
64
Clarinette et Piano
55
Flûte, Hautbois, Clarinette, Basson
55
Flûte traversière
51
Saxophone Alto et Piano
48
Quintette de Saxophone: 5 saxophones
45
Trio de Flûtes: 3 flûtes
44
3 Saxophones (trio)
43
Saxophone Alto
41
2 Flûtes traversières (duo)
40
Hautbois, Piano (duo)
39
Quatuor de Flûtes : 4 flûtes
38
Saxophone Tenor
36
Saxophone Tenor et Piano
35
3 Clarinettes (trio)
34
2 Clarinettes (duo)
28
Ensemble de Clarinettes
27
Clarinette
27
Ensemble de Flûtes
22
Clarinette (partie séparée)
21
Saxophone Soprano et Piano
20
Flûte et Guitare
20
Quintette de Clarinettes: 5 clarinettes
17
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Clarinette (duo)
17
Ensemble de saxophones
16
Saxophone Baryton, Piano
16
Flûte, Clarinette et Basson
15
Flûte, Hautbois, Basson
13
Saxophone, Clarinette (duo)
13
Clarinette Basse, Piano
13
Cor anglais, Piano
12
Quintette de Flûte : 5 flûtes
12
Clarinette, Violon (duo)
11
Quatuor de Flûtes à bec
10
Clarinette, Trompette (duo)
9
2 Clarinettes, Basson
9
Clarinette, Guitare (duo)
9
Hautbois (partie séparée)
9
2 Hautbois (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
2 Flûte à bec (duo)
8
Flute (partie séparée)
7
Flûte, Saxophone (duo)
7
Hautbois, Basson (duo)
6
Clarinette et Alto
6
Clarinette, Basson (duo)
6
5 Flûtes à bec
6
3 Flûtes à bec (trio)
5
Hautbois, Clarinette (duo)
5
Flûte, Violon, Piano
4
Clarinette, Harpe (duo)
4
Ensemble De Flûte à bec
4
Cor anglais, Guitare (duo)
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Flûte à bec Alto
3
Flûte à Bec
3
Flûte, Violoncelle
3
Hautbois, Harpe
3
Saxophone et Guitare
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Hautbois, Flûte
2
Saxophone
2
Ocarina
2
Flûte, Clarinette, Piano (trio)
2
Clarinette Basse
2
Harmonica
2
Cor Anglais
2
Flûte à Bec, Piano
2
Flûte à bec Soprano
2
Hautbois
2
Flûte et Trio à cordes
1
Flûte à bec Tenor
1
Piccolo
1
Flute, harpe et violon
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
Flûte, Violon et Violoncelle
1
Cornemuse
1
Saxophone Soprano
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Basse continue
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
2 Saxophones, Piano
1
Clarinette, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Piano
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Trombone (partie séparée)
89
Trompette (partie séparée)
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Trombone et Piano
54
Trompette
54
Trompette, Piano
44
Trombone
35
Tuba et Piano
34
Cor et Piano
27
2 Trompettes (duo)
23
Quatuor de Cuivres
20
2 Trombones (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Euphonium, Piano (duo)
17
Trompette, Trombone (duo)
16
Cor
15
2 Cors (duo)
13
Cor anglais, Piano
12
Quatuor de cuivres: 4 cors
12
Quatuor de cuivres: 4 trombones
12
Trompette, Saxophone (duo)
10
Ensemble de Trombones
9
Tuba
7
Ensemble de Trompettes
7
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
5
Tuba (partie séparée)
5
Ensemble de Cors
5
2 Tubas (duo)
4
Cor (partie séparée)
4
3 Tubas (trio)
4
Cor anglais, Guitare (duo)
4
Euphonium, Tuba (duo)
4
4 Tubas
3
Trombone, Orgue
3
Trombone basse et Piano
3
3 Trombones (trio)
3
Tuba et Orgue
3
Cornet A Pistons
3
2 Euphoniums et 2 Tubas
3
3 Cors (trio)
2
Trompette, Harpe
2
Trio de Cuivres
2
Cor Anglais
2
Cor et Harpe
2
Trombone, Cor (duo)
2
Bass Clef Instruments
2
2 Cors Anglais Et Pianoforte
1
Trombone basse
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Trompettes (trio)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
290
Violon
130
Violon et Piano
120
Violoncelle, Piano
62
Violoncelle
58
Alto, Piano
57
Harpe
45
Trio à Cordes: violon, alto, violoncelle
43
Violon, Violoncelle (duo)
31
2 Violons (duo)
31
Trio à Cordes: 2 violons, violoncelle
26
Alto seul
25
Contrebasse (partie séparée)
21
Violon, Alto (duo)
21
2 Violoncelles (duo)
18
2 Altos (duo)
18
Contrebasse, Piano (duo)
16
Trio à cordes: 3 violins
14
2 Harpes (duo)
14
Violon (partie séparée)
14
Alto (partie séparée)
13
Trio à Cordes: 3 violoncelles
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
4 Violoncelles
9
Contre Basse
8
Trio à Cordes: 2 violons, alto
7
Violon, Guitare (duo)
7
Harpe, Flûte (duo)
6
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
5
Violoncelle (partie séparée)
5
Trio à cordes: 3 altos
5
Violoncelle, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
3
Alto et Harpe
3
Quatuor à cordes : 4 altos
3
Violoncelle, Orchestre
2
Alto, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Violoncelle, Orgue
2
Ensemble de Violons
2
2 Violons, Piano
2
Harpe, Violon (duo)
2
Alto, Orgue
2
Ensemble d'Altos
2
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Contrebasses (duo)
1
Harpe, Voix
1
Harpe et Piano
1
Alto et Basson
1
Harpe, Trombone (duo)
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
556
Orchestre à Cordes
200
Orchestre
160
Ensemble de cuivres
88
Ensemble Jazz
86
Orchestre de chambre
56
Cloches
55
Jazz combo
18
Batterie (partie séparée)
17
Percussion (partie séparée)
15
Ensemble de Percussions
9
Marimba
7
Vibraphone
7
Batterie
6
Fanfare
5
Timbales (partie séparée)
4
Orchestre, Violon
3
Piano et Orchestre
3
Xylophone, Piano
2
2 Xylophones
1
Big band
1
Marimba, Piano (duo)
1
Percussion
1
Timbales
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
THIRD
Alto, Piano
Partitions à imprimer
57 partitions trouvées
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51
Five Lost Highland Tales 3: Aria
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Alto, Piano
#
INTERMÉDIAIRE
#
Joanna Borrett
#
Five Lost Highland Tales 3: Ar
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Joanna Borrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515850 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090148. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515850 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090148. Published by Joanna Borrett (A0.1515850). Aria is the third movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Aria is the third of these tales.Please note that the recording is of the cello and piano arrangement.
$5.99
Away In A Manger: for Viola & Piano
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Alto, Piano
#
DÉBUTANT
#
Noël
#
the 1880’s the cradle s
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Mueller
#
James M
#
Piano
#
Away In A Manger: for Viola &a
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3...
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Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
I need Thee Every Hour viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry
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Cydney Olson Van Duker
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I need Thee Every Hour viola a
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Cydney Olson Van Duker
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1191096 Composed by Robert Lowry. Arranged by Cydney Olson Van Duker. Christian,Religious,Sacred. Score and part. 4 page...
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Piano,Viola - Level 3 - SKU: A0.1191096 Composed by Robert Lowry. Arranged by Cydney Olson Van Duker. Christian,Religious,Sacred. Score and part. 4 pages. Cydney Olson Van Duker #790613. Published by Cydney Olson Van Duker (A0.1191096). This is a unique arrangement of a beloved hymn with changes in the time signature and key signature several times throughout. The first verse introduces the melody in a simple and comforting manner. The accompaniment is flowing and reverent. The second verse becomes more joyous. In the third verse the piano starts with the melody and the viola plays an obligato. The third verse ends with the viola taking back the melody and finishing the piece as reverently as it began.
$5.00
Minuet by Boccherini for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Viola
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1241492 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. Score and part. 3 pages....
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Piano,Viola - Level 3 - SKU: A0.1241492 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. Score and part. 3 pages. Woods Only, Arrangements #836862. Published by Woods Only, Arrangements (A0.1241492). This simple arrangement adapted for viola and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
Your Summer Dream
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Alto, Piano
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INTERMÉDIAIRE
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Rock
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The Beach Boys
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Wendy Hellmann
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Your Summer Dream
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Gwendolyn Hellmann
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1474208 By The Beach Boys. By Bob Norberg and Brian Wilson. Arranged by Wendy Hellmann. Pop,Rock. Score and part. 9 page...
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Piano,Viola - Level 3 - SKU: A0.1474208 By The Beach Boys. By Bob Norberg and Brian Wilson. Arranged by Wendy Hellmann. Pop,Rock. Score and part. 9 pages. Gwendolyn Hellmann #1051887. Published by Gwendolyn Hellmann (A0.1474208). This poignant song by The Beach Boys is arranged for solo viola and piano. It is in the original key of A Major, and the viola part requires shifting between first and third positions. The piano part is a true accompaniment and does not double the viola melody throughout. Thoughtful bowings and phrasings have been included. This makes a wonderful addition to your popular repertoire and is a great piece to change the mood of the room. The PDF download contains both a full score and a set of individual parts - Viola and Piano. The viola part has been formatted on a single page to avoid any page turns.
$5.99
Impromptu Op. 90, No. 3 for Viola and Piano
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Alto, Piano
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FACILE
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for Vi
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1459811 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. S...
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Piano,Viola - Level 2 - SKU: A0.1459811 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 12 pages. Diego Marani #1038766. Published by Diego Marani (A0.1459811). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for viola with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99
F. Poulenc: Madrigal from 8 Chansons Gaillardes for Viola and Piano
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Alto, Piano
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FACILE
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Francis Poulenc
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Clara Obsidian
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F. Poulenc: Madrigal from 8 Ch
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Clara Obsidian
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1461595 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 4 pages. ...
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Piano,Viola - Level 2 - SKU: A0.1461595 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 4 pages. Clara Obsidian #1040339. Published by Clara Obsidian (A0.1461595). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the third piece of the set has been arranged for Viola and Piano of late beginner - intermediate difficulty.Optional repeat (unindicated) from bar 25 - end is recommended for an increased duration if necessary.Pieces one, two, four to eight are also available individually or as a complete set of 8.Full Score and Parts----------------------------------------------------.
$2.99
Clair de Lune (Debussy) for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1469445 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic P...
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Piano,Viola - Level 3 - SKU: A0.1469445 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047470. Published by SCORE EDITIONS (A0.1469445). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Viola and Piano by Harry Walker.
$5.99
Worthy Is The Lamb (viola solo)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Sandra Zylstra
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Worthy Is The Lamb
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sandra dee zylstra
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1454592 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Easter,Religious,Sacred. Score...
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Piano,Viola - Level 4 - SKU: A0.1454592 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Easter,Religious,Sacred. Score and part. 7 pages. Sandra dee zylstra #1033693. Published by sandra dee zylstra (A0.1454592). Worthy is the lamb that was slain to receive power, and riches, and wisdom, and strength, and honor, and glory, and blessing….. Worthy Is The Lamb is the final song in the third section of Handel's Messiah. This section of the the Messiah focuses on the resurrection of the dead and makes a great addition to Easter music. This piece is arranged as a late intermediate viola solo with piano accompaniment and separate instrument part in the key of D. (Approximately 4 minutes, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$4.25
A WINTER'S LAMENT FOR VIOLA AND PIANO
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Alto, Piano
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INTERMÉDIAIRE
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Garth M
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Garth M
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A WINTER'S LAMENT FOR VIOLA AN
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Garth M. Williams
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1437529 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Baroque,Contest,Festi...
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Piano,Viola - Level 3 - SKU: A0.1437529 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Baroque,Contest,Festival,Instructional. Score and part. 9 pages. Garth M. Williams (Socan) #1017635. Published by Garth M. Williams (Socan) (A0.1437529). This a gracetul melody for viola and piano. The part requires the young musician to be able to work not only in firstposition but also second and third as well. It is a very beautiful piece which the young violist will enjoy playing.
$42.50
Romances Sans Paroles Op. 17, No. 3 for Viola and Piano
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Alto, Piano
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FACILE
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Gabriel Faure
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Diego Marani
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Romances Sans Paroles Op. 17,
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1444983 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Sc...
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Piano,Viola - Level 2 - SKU: A0.1444983 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 6 pages. Diego Marani #1024847. Published by Diego Marani (A0.1444983). The three romances without words, op. 17 by Gabriel Fauré are three pieces for solo piano. They are respectively dedicated to Madame Félix Lévy, Mademoiselle Laure de Leyritz and Madame Florent Saglio.This arrangement of the third romance - the most famous of the collection - for viola with piano accompaniment is suitable for any occasion: repertoire, classroom, recital, weddings or for a touching encore.
$8.99
With a Full Heart
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Alto, Piano
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INTERMÉDIAIRE
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Lawrence H Underwood
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With a Full Heart
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Lawrence H Underwood
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1373677 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and part. 10 ...
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Piano,Viola - Level 3 - SKU: A0.1373677 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival,Jazz. Score and part. 10 pages. Lawrence H Underwood #958067. Published by Lawrence H Underwood (A0.1373677). This original composition by veteran performer and music educator, Lawrence Underwood, is the third installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â With a Full Heart is a jazz-touched exploration of simple joys, tender emotion, and cherished memories. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
The Wedding Album, for Solo Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Various
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David McKeown
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The Wedding Album, for Solo Vi
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.587634 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part...
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Piano,Viola - Level 3 - SKU: A0.587634 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594711. Published by David McKeown (A0.587634). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Viola with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Schubert: Moment Musicaux for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549032 Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 9 pages. Jmsgu3 #3...
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Piano,Viola - Level 2 - SKU: A0.549032 Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 9 pages. Jmsgu3 #3447483. Published by jmsgu3 (A0.549032). Schubert's Moment Musicaux is a collection of six short pieces for solo piano composed by Franz Schubert. They are among the most frequently played of Schubert's piano music and have been recorded many times. The Moments Musicaux are supreme examples of Schubert's ability to suggest the subtlest nuances of emotion, which shift and alter literally in a moment. The composition of the Moments was quite sporadic, with the third and sixth movements appearing in various collections of works compiled by publishers in 1823/24 and the complete collection appearing in 1828, the year of Schubert's death. The Moments Musicaux are short pieces, shorter than his Impromptus, and are collected under the opus number 94. They encompass various moods and moderate difficulty, showcasing Schubert's skill in touching different tonal areas within a single movement. Schubert's Moment Musicaux No. 3 is a significant and popular piece. It is described as energetic, playful, and lyrical. The Moments Musicaux are among Schubert's best-loved works, and No. 3 is known for its whimsical merriment.
$32.95
I Love You Truly-viola/piano
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Alto, Piano
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FACILE
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Phil Beaman
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I Love You Truly-viola/piano
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Phil Beaman
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.844627 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413063....
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Piano,Viola - Level 2 - SKU: A0.844627 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413063. Published by Phil Beaman (A0.844627). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
God Rest Ye Merry, Gentlemen for Solo Viola
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Alto, Piano
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INTERMÉDIAIRE
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Traditional
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Lawrence H
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God Rest Ye Merry, Gentlemen f
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Lawrence H Underwood
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.967541 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and pa...
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Piano,Viola - Level 3 - SKU: A0.967541 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6141135. Published by Lawrence H Underwood (A0.967541). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the third installment in his A Christmas Portfolio series, this modern setting of God Rest Ye Merry, Gentlemen is virtual journey through musical styles! Opening with a haunting statement of the theme, the piece soon takes off in 7/8 before moving through a fugue section and into a driving 3/4 that builds into a final statement of the melody as a 6/8 jig! Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
La Coza for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Daniel Leo Simpson
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La Coza for Viola & Piano
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ScorePerfect
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - SKU: A0.860351 Composed by Daniel Leo Simpson. Classical,Folk,Instructional,Standards,Weddin...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - SKU: A0.860351 Composed by Daniel Leo Simpson. Classical,Folk,Instructional,Standards,Wedding. Score and parts. 10 pages. ScorePerfect #2026723. Published by ScorePerfect (A0.860351). La Coza for Viola & Piano is the very first composition of the San Francisco, award winning composer Daniel Leo Simpson. The 18 year old composer wrote this piece for himself to be played in his Theory & Composition class at the University of Arizona and was performed by him there on the viola with a classmate playing the piano part. It's a great Beginner/Early Intermediate piece staying in first position except for one quick 'flight' into third position. A wonderful performance piece suitable for weddings, church, recitals or simply as an educational instructional piece. The modest piano part is also player friendly making this piece a favorite with teachers and students alike.
$6.99
Silent Night for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Pub...
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Piano,Viola - Level 1 - SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Published by jmsgu3 (A0.548494). Silent Night arranged for Viola & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Chopin: Largo from Op. 65 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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James M
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Chopin: Largo from Op. 65 for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.551989 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and p...
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Piano,Viola - Level 3 - SKU: A0.551989 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050903. Published by jmsgu3 (A0.551989). Score: 5 pages. Duration 3:40This is the third movement of the Sonata in G Minor for Piano & Cello, Op. 65.Chopin performed this sonata on his final recital in 1848.
$32.95
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Bei Mir Bist Du Schon (means That You're Grand)
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Alto, Piano
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AVANCÉ
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Jazz
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Louis Prima & Keely Smith
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Debra E
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Bei Mir Bist Du Schon
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Standard Time
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.761757 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gre...
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Piano,Viola - Level 5 - SKU: A0.761757 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 8 pages. Standard Time #6244555. Published by Standard Time (A0.761757). This classic 1930s swing tune is arranged for viola solo with piano accompaniment. The viola presents the complete melody, followed by a composed piano solo (chord symbols provided for optional improvisation) with viola backgrounds. The third iteration features a composed viola solo (optional improvisation) leading to an exciting conclusion. Please note that the recording features the alto sax version of this arrangement.
$7.99
ARIOSO, by J. S. Bach (sinfonia) - for Viola and accompaniment
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Alto, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.964408 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,Worl...
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Piano,Viola - Level 1 - SKU: A0.964408 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323025. Published by Leyandder Trustworthy (A0.964408). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Viola along with a piano accompaniment that comes with the product.
$4.99
Viola Sonata No.2
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. Han-Ki Kim #129616. Published by Han-Ki Kim (A0.518944). Viola Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Attached music file is recorded by Violin, it's just for a reference.
$14.99
Rameau - Tambourin in D minor - Intermediate
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Alto, Piano
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INTERMÉDIAIRE
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Jean-Philippe Rameau
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Piacere Music Sheets
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Rameau - Tambourin in D minor
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Piacere Music Sheets
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1075938 Composed by Jean-Philippe Rameau. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and p...
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Piano,Viola - Level 3 - SKU: A0.1075938 Composed by Jean-Philippe Rameau. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 11 pages. Piacere Music Sheets #680108. Published by Piacere Music Sheets (A0.1075938). Opus/Catalog Number: RCT 2, No. 8 Key/Tone: D minor Movements/Sections: Vif/Spirited Year/Date of Composition: 1724 Difficulty: Grade 5/12 (Intermediate) Obs.: This piece was originally composed for the harpsichord as part of the Pièces de clavecin. This score is an arrangement for viola with piano accompaniment. The viola part is to be played in the first, second and third positions. Included: Full score and separated parts for each instrument.
$5.95
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