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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten After
Non classifié
1 381
Piano & claviers
Piano seul
702
Piano Facile
155
Piano, Voix
154
Instruments en Do
94
Piano, Voix et Guitare
88
Orgue
72
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
8
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Accordéon
1
Clavier
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
89
Guitare notes et tablatures
57
Guitare (partie séparée)
12
Ligne De Mélodie, (Paroles) et Accords
11
Mandoline
7
Banjo
5
Ukulele
5
2 Guitares (duo)
4
Paroles et Accords
3
Basse electrique
2
Piano, Guitare (duo)
2
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
323
Chorale 3 parties
78
Chorale TTBB
45
Chorale 2 parties
35
Chorale SSAA
33
Chorale Unison
23
Voix duo, Piano
14
Voix Soprano, Piano
14
Voix Alto, Piano
13
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
6
Voix duo
5
Chorale SSAATTBB
4
Voix seule
4
Chorale SSATB
3
Chorale
2
Voix Soprano
2
Voix Mezzo-Soprano, Piano
2
Voix basse, Piano
2
Voix Tenor
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Voix basse
1
+ 20 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
2 Saxophones (duo)
126
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
102
Clarinette et Piano
101
Hautbois, Piano (duo)
82
Saxophone Alto et Piano
74
Saxophone Tenor et Piano
68
Saxophone (partie séparée)
63
2 Clarinettes (duo)
62
Saxophone, Clarinette (duo)
53
Quatuor de Clarinettes: 4 clarinettes
50
2 Flûtes traversières (duo)
48
Flûte traversière
47
Saxophone Tenor
47
Flûte, Hautbois, Clarinette, Basson
47
Saxophone Soprano et Piano
45
Saxophone Alto
45
Clarinette
41
Clarinette, Violon (duo)
37
Ensemble de saxophones
33
Saxophone Baryton, Piano
31
Clarinette, Trompette (duo)
30
Quatuor de Flûtes : 4 flûtes
30
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
26
Cor anglais, Piano
25
2 Hautbois (duo)
22
Hautbois
19
Flûte, Saxophone (duo)
19
Hautbois, Clarinette (duo)
19
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
19
Clarinette et Alto
18
Clarinette Basse, Piano
18
Hautbois, Flûte
18
Flûte, Violon
18
Hautbois (partie séparée)
16
Flûte, Alto (duo)
15
Flûte, Trompette (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
2 Flûte à bec (duo)
13
Ensemble de Flûtes
11
3 Clarinettes (trio)
10
Quintette de Flûte : 5 flûtes
9
Flute (partie séparée)
8
Flûte et Guitare
7
Trio de Flûtes: 3 flûtes
6
Clarinette, Basson (duo)
6
Ocarina
6
Flûte à bec Soprano, Piano
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Soprano
4
Harmonica
4
Ensemble De Flûte à bec
4
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor anglais, Guitare (duo)
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Saxophone et Guitare
2
Saxophone Soprano
2
2 Saxophones, Piano
2
5 Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Baryton
2
Flûte à bec Tenor
2
Clarinette Basse
1
2 Flûtes à bec, Guitare
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Saxophone
1
Cornemuse
1
Flûte à Bec, Piano
1
2 Clarinettes, Basson
1
Hautbois, Harpe
1
Saxophone et Orgue
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trombone et Piano
88
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette
62
Trompette, Piano
60
Cor et Piano
59
Trombone
40
Trompette, Saxophone (duo)
39
Ensemble de Trompettes
39
Tuba et Piano
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
29
Cor
28
Trompette (partie séparée)
27
Quatuor de Cuivres
25
Cor anglais, Piano
25
Tuba
25
2 Trombones (duo)
24
2 Trompettes (duo)
23
Trompette, Trombone (duo)
21
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
Ensemble de Cors
3
4 Tubas
3
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
2 Tubas (duo)
2
3 Tubas (trio)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Ensemble de Tubas
1
3 Cors (trio)
1
Instruments en Sib
1
Trombone basse
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
193
Violon et Piano
156
Violoncelle, Piano
81
Alto, Piano
76
Violoncelle
59
Violon
59
Harpe
51
Violon, Violoncelle (duo)
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Violons (duo)
32
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Contre Basse
26
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Harpe, Voix
3
Violon (partie séparée)
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
Quatuor à cordes : 4 altos
3
2 Contrebasses (duo)
2
2 Harpes (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
2 Altos, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
3 Harpes
1
Violon, Orgue
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
427
Orchestre
128
Ensemble Jazz
105
Orchestre à Cordes
77
Ensemble de cuivres
50
Orchestre de chambre
45
Fanfare
37
Jazz combo
23
Cloches
22
Ensemble de Percussions
12
Batterie (partie séparée)
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
4
Marimba
3
Percussion (partie séparée)
2
Percussion
2
Vibraphone
2
Orchestre, Violon
2
Piano et Orchestre
1
Xylophone, Piano
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Ten After
Alto, Piano
Partitions à imprimer
76 partitions trouvées
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76
Romance, Op. 36
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Alto, Piano
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FACILE
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Camille Saint-Saens
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Steven Nunes
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Romance, Op. 36
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Nagamon Publications
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1510806 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages...
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Piano,Viola - Level 2 - SKU: A0.1510806 Composed by Camille Saint-Saens. Arranged by Steven Nunes. 19th Century,Romantic Period. Score and part. 8 pages. Nagamon Publications #1086011. Published by Nagamon Publications (A0.1510806). Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas.This delightful short work works well as a lyrical exercise, as well as being able to fit into any recital situation.
$8.00
Mussorgsky: Pictures at an Exhibition for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standard...
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Piano,Viola - Level 4 - SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303441. Published by jmsgu3 (A0.549930). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
It Is Well (in the setting of Swan Lake)
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Alto, Piano
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INTERMÉDIAIRE
#
Horatio Spafford, Philip Bliss
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Beka Wilson
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It Is Well
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Beka Wilson
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.786384 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arra...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.786384 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632405. Published by Beka Wilson (A0.786384). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for alto clef instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Alto Sax: S0. 587393Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
Humoresque No. 7 for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Humoresque No. 7 for Viola and
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.528549 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. ...
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Piano,Viola - Level 3 - SKU: A0.528549 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6200321. Published by Diego Marani (A0.528549). Humoresques, Op. 101 (B. 187), is a piano cycle by the Czech composer AntonÃn Dvořák, written during the summer of 1894. One writer says the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise.This arrangement for Viola with Piano Accompaniment reflects faithfully the original for piano solo.
$6.99
I Write The Songs
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Alto, Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pa...
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Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Moonlight Sonata by Beethoven for Viola and Piano
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Alto, Piano
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. ...
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Piano,Viola - Level 2 - SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #836027. Published by Woods Only, Arrangements (A0.1240641). This arrangement adapted for viola and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Aldebaran
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Alto, Piano
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INTERMÉDIAIRE
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Emma Theresa
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Aldebaran
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Emma Theresa
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1143425 Composed by Emma Theresa. Chamber,Classical,Contemporary. 9 pages. Emm...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1143425 Composed by Emma Theresa. Chamber,Classical,Contemporary. 9 pages. Emma Theresa #743758. Published by Emma Theresa (A0.1143425). This score contains the full score and viola part for Aldebaran. My grandmother, Adriana Verdonk-Romijn, was born in 1923, on a ship that was first named Baronie then Spes Salutes. Her family lived on the ship which they used to transport cargo in and around the Netherlands. During World War II, they were carrying a load of straw and were spotted by ally aircraft. The pilots thought that it was a German boat and began firing. The straw caught fire, and to save as much of the boat as possible, the Romijn family pumped it full of water and sunk it. Later, they brought it up again and started to refurbish it. However, the local community was afraid that the Germans would attack via u-boats, and they decided to sink the ship at the mouth of the harbour. After the war, the ship was brought up for a second time and reinhabited by the Romijn family. In 1988 the ship was christened the Aldebaran by a new owner and is now a tourist attraction. This piece is not about these events, but rather, about the ship as it carried my family to various destinations. Although it is only a vessel made of lifeless materials, I almost think of it as a hero and veteran. CREDITS: Performance by Sharon Wei (viola) & Angela Park (piano) Performed on March 4, 2021.
$7.99
Shotgun
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Alto, Piano
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FACILE
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Folklorique/Traditionel
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George Ezra
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Kevin P Holdgate
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Shotgun
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Kevin P Holdgate
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.791218 By George Ezra. By Fred Gibson, George Barnet, George Barnett, and Joel Laslett Pott. Arranged by Kevin P Holdgat...
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Piano,Viola - Level 2 - SKU: A0.791218 By George Ezra. By Fred Gibson, George Barnet, George Barnett, and Joel Laslett Pott. Arranged by Kevin P Holdgate. Folk. Score and part. 12 pages. Kevin P Holdgate #5707947. Published by Kevin P Holdgate (A0.791218). KPHMS 'Solo' CollectionThis is a simple arrangement of a very popular song released in the summer of 2019. The solo is approximately Grade 2/3 ABRSM/Trinity and is a great diversion away from the syllabus.George Ezra is an English singer, songwriter, and guitarist. After releasing two EPs, Did You Hear the Rain? in November 2013 and Cassy O' in March 2014, Ezra rose to prominence with the release of his hit single, Budapest, which reached number one in several countries. His debut studio album, Wanted on Voyage, was released in June 2014, reaching number one in the UK and the top ten in seven other countries. It was also the third best-selling album of 2014 in the UK.His second studio album, Staying at Tamara's, was released in March 2018 and reached number one in the UK and the top ten in eight other countries. The second single from the album, Paradise, reached number two in the UK, while the next single, Shotgun, reached number one, becoming Ezra's first chart-topping single in the UK, Ireland, and Australia. In February 2019, he won the Brit Award for British Male Solo Artist.
$4.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Don't Stop Believin'
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Alto, Piano
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FACILE
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Film/TV
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Rock
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Journey
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Alex Nunes Rodrigues
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Don't Stop Believin'
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Alex Rodrigues
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1277366 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. S...
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Piano,Viola - Level 2 - SKU: A0.1277366 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. Score and part. 4 pages. Alex Rodrigues #869064. Published by Alex Rodrigues (A0.1277366). Don't Stop Believin' became one of Journey's biggest hits and one of the most popular songs in rock history. It has been used in various movies, TV shows, and commercials, and is often played in sports stadiums and arenas around the world. The song features a catchy chorus and a memorable melody. It is an inspiring and exciting song that still resonates with many listeners decades after its original release.
$4.99
Don't Stop Believin'
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Alto, Piano
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FACILE
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Film/TV
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Rock
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Journey
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Alex Nunes Rodrigues
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Don't Stop Believin'
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Alex Rodrigues
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1277367 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. S...
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Piano,Viola - Level 2 - SKU: A0.1277367 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. Score and part. 4 pages. Alex Rodrigues #869065. Published by Alex Rodrigues (A0.1277367). Don't Stop Believin' became one of Journey's biggest hits and one of the most popular songs in rock history. It has been used in various movies, TV shows, and commercials, and is often played in sports stadiums and arenas around the world. The song features a catchy chorus and a memorable melody. It is an inspiring and exciting song that still resonates with many listeners decades after its original release.
$4.99
Waltz in A Minor (Chopin) - Viola and Piano - Chamber music
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.760525 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. S...
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Piano,Viola - Level 3 - SKU: A0.760525 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4616163. Published by Raymond Fenech (A0.760525). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor (Chopin) - 2 Violas and Piano - Chamber music
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.760524 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Clas...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.760524 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4616161. Published by Raymond Fenech (A0.760524). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Symphony No. 7 by Beethoven for Viola and Piano
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Alto, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Autumnal Music
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Alto, Piano
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FACILE
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Barbara Heller
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Autumnal Music
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - easy to intermediate - SKU: S9.Q21610 Duet for Viola and Piano. Composed by Barbara Heller. This edition: Sheet music. Viola Li...
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Viola and piano - easy to intermediate - SKU: S9.Q21610 Duet for Viola and Piano. Composed by Barbara Heller. This edition: Sheet music. Viola Library. Downloadable. Duration 5:30. Schott Music - Digital #Q21610. Published by Schott Music - Digital (S9.Q21610). Autumn Music for viola and piano is dedicated to the pianist Maria Grazyna Kulka. The string part of the original version for cello and piano (Schott CB 265) has been reworked for the Kulka Duo. Autumn Music is of intermediate difficulty and suitable for advanced young string players wishing to extend their contemporary repertoire, as well as for performance in youth music competitions. After the Bb in bar 88 the fermata may be followed by a viola solo cadenza improvised or composed by the performer and ad libitum a little piano solo cadenza too, both leading into bar 89. These cadenzas may well develop musical material from the preceding bars, drawing on motifs and techniques already used in the piece; beyond that, no limits should be set to the performer’s inventive inspiration. The rhythm, tempo and length of the cadenza may be improvised afresh each time it is played.
$11.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
You Are The Reason
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Alto, Piano
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FACILE
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1238305 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part...
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Piano,Viola - Level 2 - SKU: A0.1238305 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833770. Published by Milanov (A0.1238305). You are the reason by Calum Scott for Viola and Piano. Easy Intermediate. Chords. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
You Are The Reason
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Alto, Piano
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FACILE
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1238309 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part...
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Piano,Viola - Level 2 - SKU: A0.1238309 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833775. Published by Milanov (A0.1238309). You are the reason by Calum Scott for Viola and Piano. Easy Intermediate. Chords. C Major. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
You Are The Reason
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Alto, Piano
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FACILE
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1238310 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part...
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Piano,Viola - Level 2 - SKU: A0.1238310 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833776. Published by Milanov (A0.1238310). You are the reason by Calum Scott for Viola and Piano. Easy Intermediate. C Major.You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
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