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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Church
Non classifié
6 418
Piano & claviers
Piano seul
3 181
Piano, Voix
2 409
Orgue
909
Piano, Voix et Guitare
794
Piano Facile
412
Accompagnement Piano
201
Piano Trio: piano, violon, violoncelle
151
Piano Quatuor: piano, 2 violons, violoncelle
108
Instruments en Do
90
1 Piano, 4 mains
70
Orgue, Piano (duo)
59
Piano Quatuor: piano, violon, alto, violoncelle
41
Orgue, Trompette (duo)
33
2 Pianos, 4 mains
30
Accordéon
30
Piano grosses notes
28
Clavecin
22
Orgue, Voix
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
Fake Book
2
Piano (partie séparée)
1
+ 17 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
106
Guitare notes et tablatures
66
Guitare
45
Piano, Guitare (duo)
29
Ukulele
28
Paroles et Accords
14
4 Guitares (Quatuor)
9
3 Guitares (trio)
8
2 Guitares (duo)
7
Mandoline
4
Dulcimer
4
Guitare (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
1
Basse electrique
1
Banjo
1
+ 10 instrumentations
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Voix
Chorale SATB
3 481
Chorale 2 parties
3 130
Chorale 3 parties
1 474
Voix duo, Piano
1 413
Chorale Unison
1 215
Voix duo
536
Chorale TTBB
176
Chorale SSAA
74
Voix Soprano, Piano
52
Voix haute
46
Voix moyenne, Piano
31
Voix seule
29
Pack Instrumental pour Chorale
26
Voix Alto, Piano
17
Chorale
14
Voix Tenor, Piano
13
Voix Baryton, Piano
12
Voix basse, Piano
10
Voix basse
8
Chorale SSATTB
6
Chorale SSATB
4
Chorale SSAATTBB
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
2
Chorale, Orgue
1
Chorale SATTBB A Cappella
1
+ 21 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
624
Saxophone Alto et Piano
547
Saxophone Soprano et Piano
545
Flûte traversière et Piano
517
Clarinette et Piano
474
Quatuor de Saxophones: 4 saxophones
418
Hautbois, Piano (duo)
405
2 Saxophones (duo)
368
Flûte, Hautbois, Clarinette, Basson
348
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
218
Flûte, Clarinette (duo)
192
Quintette de Saxophone: 5 saxophones
182
Saxophone Baryton, Piano
178
2 Flûtes traversières (duo)
147
Flûte traversière
137
Quatuor de Clarinettes: 4 clarinettes
120
3 Saxophones (trio)
116
Saxophone Alto
112
Clarinette
111
2 Clarinettes (duo)
104
Ensemble de saxophones
101
Ensemble de Clarinettes
87
Saxophone Tenor
64
Saxophone (partie séparée)
62
3 Clarinettes (trio)
60
Clarinette Basse, Piano
58
Quatuor de Flûtes : 4 flûtes
57
Trio de Flûtes: 3 flûtes
55
Flûte, Violon, Piano
53
Cor anglais, Piano
48
Ensemble de Flûtes
47
Hautbois (partie séparée)
43
Flûte, Clarinette, Piano (trio)
39
Quintette de Flûte : 5 flûtes
38
Hautbois
36
Quintette de Clarinettes: 5 clarinettes
36
Saxophone et Orgue
31
2 Flûtes traversières, Piano
30
2 Hautbois (duo)
29
Flûte, Clarinette et Basson
29
Clarinette, Violon (duo)
28
Flûte, Violon et Violoncelle
28
Flûte, Violoncelle, Piano (trio)
27
Hautbois, Basson (duo)
25
2 Clarinettes, Piano
24
Flûte, trombone et piano
23
Saxophone Soprano
21
Clarinette, Violoncelle, Piano (trio)
21
Flûte, Alto et Piano
21
Flûte, Hautbois, Basson
20
Flute (partie séparée)
19
Clarinette (partie séparée)
18
Hautbois, Clarinette (duo)
16
Flûte, Hautbois, Piano (trio)
16
Flûte, Basson et Piano
16
Saxophone, Clarinette (duo)
16
Flûte à Bec
16
Flûte, Violon
16
Flûte, Trombone (duo)
14
2 Saxophones, Piano
14
Flûte, Violoncelle
14
Flûte et Guitare
13
Hautbois, Flûte
13
4 Hautbois
12
3 Hautbois
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violon, Violoncelle et Piano
10
Clarinette, Basson (duo)
10
Saxophone Baryton
9
Clarinette, trompette et piano
9
Clarinette et Alto
8
Clarinette, Basson, Piano (trio)
8
Cor Anglais
7
Flûte, Saxophone (duo)
6
Clarinette, Trompette (duo)
6
Piccolo, Piano
6
2 Flûte à bec (duo)
5
Flûte, Hautbois (duo)
5
Flute, Cor (duo)
5
Flûte, Alto (duo)
5
Harmonica
5
Quatuor de Flûtes à bec
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Orgue
4
Clarinette, Violoncelle (duo)
4
Flûte, Violoncelle, Guitare
4
Clarinette, Alto et Piano (trio)
4
Flûte à bec Soprano
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette et Piano (Trio)
3
Flûte traversière, Orgue (duo)
3
Flûte, Violon, Guitare
3
Clarinette, Harpe (duo)
3
Hautbois, Harpe
3
Hautbois, Violoncelle
3
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Violon
2
Ensemble de Hautbois
2
3 Flûtes à bec (trio)
2
Flûte à bec Tenor
2
Flûte, Clarinette, Violon (trio)
1
Hautbois, violon (duo)
1
Flûte traversière, Basse continue
1
Flûte à bec Alto
1
Hautbois, Basson et Piano
1
Piccolo
1
Clarinette, Guitare (duo)
1
Hautbois, Violoncelle et Piano
1
Clarinette Basse
1
Hautbois et alto (duo)
1
Clarinette, Saxophone, Piano
1
2 Clarinettes, Basson
1
Flute, harpe et violon
1
Saxophone
1
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Instruments en Mib
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 114 instrumentations
Retracter
Cuivres
Trombone et Piano
691
Trompette, Piano
542
Cor et Piano
350
Quatuor de Cuivres: 2 trompettes, Cor, trombone
263
Trompette
258
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
238
Quatuor de Cuivres : 2 trompettes, trombone, tuba
228
2 Trompettes (duo)
155
Trompette, Cor (duo)
147
2 Trombones (duo)
114
Trompette, Trombone (duo)
96
Trombone
89
Euphonium, Piano (duo)
77
Cor
69
Tuba et Piano
62
Quatuor de Cuivres
60
Ensemble de Trompettes
56
2 Cors (duo)
56
Quatuor de cuivres: 2 trompettes, 2 trombones
49
Cor anglais, Piano
48
Ensemble de Trombones
44
Trompette (partie séparée)
39
Quatuor de cuivres: 4 trombones
34
Tuba
26
Quatuor de cuivres: 4 cors
25
Quatuor de cuivres: 4 trompettes
22
Trombone, Orgue
22
Trompette, Violoncelle et Piano
18
Trombone (partie séparée)
17
Trompette, Saxophone (duo)
12
Trio de Cuivres
11
Cor et Orgue
11
Trompette, Trombone, Piano
9
2 Trompettes, Clavier (piano ou orgue)
8
3 Trombones (trio)
8
Ensemble de Cors
7
Cor Anglais
7
3 Trompettes (trio)
7
2 Trombones, Piano
5
2 Tubas (duo)
5
Trompette et Guitare
4
Euphonium
4
Cor (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
Bass Clef Instruments
3
Tuba et Orgue
3
4 Tubas
2
Trombone basse
2
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
Cor, Trompette, Trombone (trio)
1
Instruments en Fa
1
Trombone basse et Piano
1
Instruments en Sib
1
Trombone, Violon (duo)
1
4 Euphoniums
1
Cor, Violoncelle et Piano
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
+ 57 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
737
Violon et Piano
589
Violoncelle, Piano
556
Alto, Piano
504
Violon, Violoncelle (duo)
319
Violon
250
Trio à Cordes: violon, alto, violoncelle
228
Piano Trio: Violon, Alto, Piano
170
2 Violoncelles (duo)
156
Violoncelle
127
Violon, Alto (duo)
100
2 Violons (duo)
96
Harpe
86
Alto seul
79
Contrebasse, Piano (duo)
66
Trio à Cordes: 2 violons, violoncelle
49
Quintette à cordes: 2 violons, alto, violoncelle, basse
47
2 Altos (duo)
41
Trio à cordes: 3 violins
39
4 Violoncelles
31
Ensemble de Violons
30
Contre Basse
26
Ensemble d'Altos
26
Trio à Cordes: 3 violoncelles
25
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
23
Alto (partie séparée)
18
Harpe, Flûte (duo)
16
Harpe, Violon (duo)
15
Violon (partie séparée)
15
Violon, Basson (duo)
14
2 Harpes (duo)
13
Violoncelle, Orgue
12
Harpe, Violoncelle (duo)
11
Trio à Cordes: 2 violons, alto
10
Alto et Harpe
10
Violon, Clarinette, Piano (trio)
10
Violoncelle (partie séparée)
6
Violon, Orgue
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à cordes: 3 altos
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
3
Alto, Orgue
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
3
Violon, Trompette et Piano
3
2 Contrebasses (duo)
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
2
Harpe (partie séparée)
2
2 Violoncelles, Piano
2
4 Harpes
2
Contrebasse (partie séparée)
2
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 51 instrumentations
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Orchestre & Percussions
Jazz combo
314
Cloches
283
Ensemble de cuivres
280
Orchestre à Cordes
174
Orchestre d'harmonie
145
Orchestre
125
Orchestre de chambre
69
Ensemble Jazz
56
Ensemble de Percussions
23
Xylophone, Piano
18
Marimba
7
Xylophone
4
Fanfare
4
Batterie
3
3 Marimbas
2
Percussion
2
Instrumentation Flexible
1
Timbales
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
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Alto, Piano
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Luther: Out of the Depths for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...
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Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
The First Noel for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Viola &
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu...
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Piano,Viola - Level 1 - SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Hark The Herald Angels Sing
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Alto, Piano
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FACILE
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Felix Bartholdy Mendelssohn
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Bruno Monteferrante
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Hark The Herald Angels Sing
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Bruno Monteferrante
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1485717 Composed by Felix Bartholdy Mendelssohn. Arranged by Bruno Monteferrante. Advent,Christmas,Classical,Holiday,Rel...
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Piano,Viola - Level 2 - SKU: A0.1485717 Composed by Felix Bartholdy Mendelssohn. Arranged by Bruno Monteferrante. Advent,Christmas,Classical,Holiday,Religious. Score and part. 3 pages. Bruno Monteferrante #1062788. Published by Bruno Monteferrante (A0.1485717). Immerse yourself in the festive spirit with our delightful arrangement of Hark the Herald Angels Sing for viola solo and piano accompaniment. Composed by the legendary Felix Mendelssohn, this piece is meticulously tailored for beginner to intermediate viola and piano players, blending ease of play with rich musicality.Key Features:Designed for Beginner to Intermediate Musicians: This arrangement caters specifically to the needs of beginner to intermediate viola and piano players, offering a harmonious balance between accessibility and musical satisfaction.Authentic and Melodic: Retaining the majestic charm of Mendelssohn's original composition, this arrangement brings the heartwarming essence of the classic Christmas carol to life.Clear and Readable Notation: Both the viola and piano parts are presented with clear, easy-to-read notation, aiding musicians in developing their sight-reading skills and ensuring a smooth performance.Educational and Engaging: This piece not only provides a delightful playing experience but also serves as an educational tool, helping musicians improve their technical abilities and musical expression.Festive Storytelling: Let the uplifting melodies of Hark the Herald Angels Sing tell a festive story, bringing joy and holiday cheer to any setting, whether it's a recital, a family gathering, or personal practice.Unique Selling Points:Perfect Duo Arrangement: This sheet music uniquely combines the expressive tones of the viola with the harmonic richness of the piano, creating a captivating musical dialogue between the two instruments.Ideal for Various Settings: Whether you're preparing for a holiday concert, looking for a beautiful piece for a church service, or simply want to add a festive touch to your practice repertoire, this arrangement is an excellent choice.Crafted for Enjoyment and Growth: With its focus on beginner to intermediate players, this arrangement ensures that musicians can enjoy the process of learning and performing without feeling overwhelmed, making it a perfect addition to music education programs.Order Your Copy Today!Elevate your holiday music collection with our viola solo and piano accompaniment arrangement of Hark the Herald Angels Sing. Dive into the magical world of Mendelssohn's music and spread the joy of the season. Order now and let your performance shine with festive brilliance! Enhance your search for the perfect holiday sheet music with this engaging arrangement, designed to make your Christmas celebrations musically memorable. Happy playing!
$5.99
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
When I Survey the Wondrous Cross--viola solo
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Alto, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Isaac Watts, Lowell Mason
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Beka Wilson
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When I Survey the Wondrous Cro
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Beka Wilson
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.786550 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 4...
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Piano,Viola - Level 2 - SKU: A0.786550 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 4 pages. Beka Wilson #6253757. Published by Beka Wilson (A0.786550). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement for early intermediate instrumental solo is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
I Write The Songs
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Alto, Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pa...
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Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Christ the Lord is Risen Today--viola solo
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Alto, Piano
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AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Charles Wesley, Robert William
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Beka Wilson
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Christ the Lord is Risen Today
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Beka Wilson
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.786617 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and p...
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Piano,Viola - Level 5 - SKU: A0.786617 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 7 pages. Beka Wilson #6322547. Published by Beka Wilson (A0.786617). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)7 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
TO GOD BE THE GLORY One Movement Hymn Sonata (for Viola and Piano with Score/Part)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William H
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Gary Lanier
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TO GOD BE THE GLORY One Moveme
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier ...
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Piano,Viola - Level 3 - SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6047177. Published by The Lanier Company (A0.617740). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99
There's Something About That Name
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Alto, Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.630741 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #647...
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Piano,Viola - Level 2 - SKU: A0.630741 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473923. Published by Exultet Music (A0.630741). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
The Water is Wide (Trio for Viola, Cello and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Celtic Melody
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John A
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#
The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Cello,Piano,Viola - Level 3 - SKU: A0.523949 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Tradition...
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Cello,Piano,Viola - Level 3 - SKU: A0.523949 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 16 pages. John A. Dempsey #4361677. Published by John A. Dempsey (A0.523949). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant Celtic tradition comes The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic trio for viola, cello and piano is recommended for recitals, concerts, weddings, ceilidhs and other Celtic-themed music events. As wedding music, The Water is Wide stirs the heart as a prelude, unity candle music, a bridal march or a bridesmaid processional. As sacred music, this trio is also effective as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, since this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 12 pages of music (that includes separate two-page pullout parts for viola and cello). Concert Key: G major .
$11.99
The Water is Wide (Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Scottish Melody
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John A
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#
The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.524770 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,W...
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Piano,Viola - Level 3 - SKU: A0.524770 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. Score and part. 11 pages. John A. Dempsey #6319217. Published by John A. Dempsey (A0.524770). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic duet for viola and piano is perfect for weddings, ceilidhs (or any Celtic-themed music event), concerts and recitals. As wedding music, The Water is Wide stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Because this melody (O Waly Waly) has been used in multiple hymn settings, including The Gift of Love, Though I May Speak of Bravest Fire, and as an alternate melody for When I Survey the Wondrous Cross, this music is effective for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment. 7 pages of music (that includes a separate two-page pullout viola part). Key: G major
$6.99
The Water is Wide (Trio for Clarinet, Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.523889 Composed by Traditional Celtic Melody. Arranged by John A. Dem...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.523889 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 16 pages. John A. Dempsey #4298935. Published by John A. Dempsey (A0.523889). Give me a boat that can carry two and both shall row, my love and I. From a rich, vibrant Celtic tradition comes the memorable tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes and rolling green hills (you can almost smell the heather). This unabashedly romantic trio for Bb clarinet, viola and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. As wedding music, it's recommended as a prelude, bridal march, bridesmaid processional or unity candle accompaniment. Also makes touching sacred music (a prelude, an offertory, silent prayer accompaniment or special music) for church services and other worship events, as its melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 12 pages of music (that includes separate two-page pullout parts for clarinet and viola). Concert Key: F major.
$11.99
The Water is Wide (Trio for Oboe, Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Celtic Melody
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John A
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#
The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Oboe,Piano,Viola - Level 3 - SKU: A0.525144 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditiona...
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Oboe,Piano,Viola - Level 3 - SKU: A0.525144 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 16 pages. John A. Dempsey #4301419. Published by John A. Dempsey (A0.525144). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic trio for oboe, viola and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as concerts and recitals. As wedding music, it's recommended as a prelude, bridal march, bridesmaid processional or unity candle music. This arrangement also is effective as sacred music, including a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for church services and other worship events, as this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 12 pages of music (that includes separate two-page pullout parts for oboe and viola). Concert Key: G major.
$11.99
TAKE THE NAME OF JESUS WITH YOU (for Viola and Piano with Score/Part)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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William H
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Gary Lanier
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TAKE THE NAME OF JESUS WITH YO
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617654 Composed by William H. Doane. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. ...
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Piano,Viola - Level 3 - SKU: A0.617654 Composed by William H. Doane. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #5989705. Published by The Lanier Company (A0.617654). TAKE THE NAME OF JESUS WITH YOU is an arrangement by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is about the joy, comfort and power found in the Name of Jesus. This arrangement is perfect for Church or any gathering where there is a longing for instrumental hymns about Jesus. The score, including cover and instrumental part is 12 pages long.
$5.99
TELL ME THE STORY OF JESUS (for Viola and Piano with Score/Part)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John R
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Gary Lanier
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TELL ME THE STORY OF JESUS
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617801 Composed by John R. Sweney. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 11 pages. The Lanie...
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Piano,Viola - Level 3 - SKU: A0.617801 Composed by John R. Sweney. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 11 pages. The Lanier Company #6206591. Published by The Lanier Company (A0.617801). TELL ME THE STORY OF JESUS is an arrangement by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is about the ministry of Christ from His birth to His victory over death and the story of His love for mankind. This arrangement is perfect for Church or any gathering where there is a longing for instrumental hymns about Jesus. The score, including cover and instrumental part is 11 pages long.
$6.99
To God Be the Glory (Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Fanny J
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John A
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To God Be the Glory
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.524302 Composed by Fanny J. Crosby, William H. Doane, Scott Joplin. Arranged by John A. Dempsey. Christian,Praise & Wors...
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Piano,Viola - Level 3 - SKU: A0.524302 Composed by Fanny J. Crosby, William H. Doane, Scott Joplin. Arranged by John A. Dempsey. Christian,Praise & Worship,Ragtime,Sacred,Traditional. Score and part. 14 pages. John A. Dempsey #5286739. Published by John A. Dempsey (A0.524302). In this joyful, vibrant arrangement, a ragtime mood and style infuse the endearing and enduring hymn To God Be the Glory. Â This lively duet for viola and piano contains bursts of Scott Joplin's classic Bethena and is recommended for recitals and concerts as well as church services, youth rallies, praise gatherings and other worship events, as a prelude, postlude, an offertory or special music. Â Concert Key: G major. Â 10 pages of music (that includes a two-page viola part).
$6.99
I LOVE THEE (Duet – Viola & Piano with Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Anonymous
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Gary Lanier
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I LOVE THEE
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.614807 Composed by Anonymous. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 7 pages. The Lanier Comp...
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Piano,Viola - Level 3 - SKU: A0.614807 Composed by Anonymous. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 7 pages. The Lanier Company #2081967. Published by The Lanier Company (A0.614807). I LOVE THEE is a hymn arrangement for Viola & Piano of one of our most cherished Hymns. The score, including cover and Viola part is 7 pages long. This arrangement is perfect for any Church or gathering where hymns of commitment are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: I LOVE THEE (Piano Accompaniment for Viola).
$6.99
We Gather Together
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Alto, Piano
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FACILE
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Adrianus Valerius
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Lori Archer Sutherland
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We Gather Together
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Lori Archer Sutherland
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.765073 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score and part. 6...
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Piano,Viola - Level 2 - SKU: A0.765073 Composed by Adrianus Valerius. Arranged by Lori Archer Sutherland. Contemporary,Holiday,Sacred. Score and part. 6 pages. Lori Archer Sutherland #6131597. Published by Lori Archer Sutherland (A0.765073). For viola and piano Celebrate Thanksgiving and the holiday season with the well-loved hymn, We Gather Together, a song of Dutch origin.Set for intermediate solo with piano accompaniment, this hymn is a nice addition to church worship and holiday services. After a brief introduction, the instrumentalist has the first turn at the melody. As the piano takes over the hymn, the instrumentalist plays a descant line. Both come together at the end to finish out the piece.
$4.99
Mighty Fortress is Our God by Luther for Viola and Piano
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Alto, Piano
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DÉBUTANT
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Martin Luther
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Ander
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Mighty Fortress is Our God by
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1136203 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. Score and part. 6 ...
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Piano,Viola - Level 1 - SKU: A0.1136203 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. Score and part. 6 pages. Woods Only, Arrangements #736226. Published by Woods Only, Arrangements (A0.1136203). This easy arrangement for viola and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
Here I Am To Worship (light Of The World)
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Alto, Piano
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FACILE
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Musique Sacrée
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Phillips, Craig & Dean
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Stephen DeCesare
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.518991 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacr...
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Piano,Viola - Level 2 - SKU: A0.518991 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and part. 11 pages. Exultet Music #129659. Published by Exultet Music (A0.518991). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged for a Viola solo with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
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