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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
DIDGERIDOO
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The New Song We Sing
Non classifié
177
Piano & claviers
Piano seul
82
Piano, Voix et Guitare
58
Piano, Voix
47
Piano Facile
25
Instruments en Do
14
Orgue
6
Accompagnement Piano
3
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
6
Guitare
5
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
77
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26
Chorale 2 parties
16
Voix Alto, Piano
11
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8
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5
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4
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4
Chorale
2
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix Tenor
1
Voix Soprano, Piano
1
+ 9 instrumentations
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Quintette de Saxophone: 5 saxophones
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Hautbois, Piano (duo)
14
Quatuor de Saxophones: 4 saxophones
6
Ensemble de Clarinettes
6
Flûte traversière et Piano
5
Clarinette
5
Clarinette et Piano
5
Flûte traversière
5
Saxophone Alto
4
Quintette de Flûte : 5 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Alto et Piano
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
3
Flûte à Bec
2
Ensemble de Flûtes
2
5 Flûtes à bec
2
Hautbois (partie séparée)
2
Saxophone Tenor
2
Quintette de Clarinettes: 5 clarinettes
2
3 Saxophones (trio)
1
Saxophone (partie séparée)
1
Saxophone Soprano
1
Saxophone Soprano et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
2 Flûtes traversières (duo)
1
+ 24 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor et Piano
6
Trompette
6
Trombone
5
Ensemble de Trompettes
4
Ensemble de Trombones
4
Trombone et Piano
4
Quatuor de cuivres: 4 cors
2
Cor
2
Tuba
2
Ensemble de Cors
2
Trompette, Piano
1
Trompette, Euphonium (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle
5
Harpe
4
Ensemble de Violons
4
Ensemble d'Altos
4
Violoncelle, Piano
3
Alto, Piano
3
Violon, Violoncelle (duo)
2
2 Harpes (duo)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon et Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Voix
1
Alto seul
1
2 Violoncelles (duo)
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
+ 15 instrumentations
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Orchestre d'harmonie
11
Orchestre
8
Ensemble de cuivres
8
Orchestre à Cordes
8
Jazz combo
3
Orchestre de chambre
2
Cloches
2
Fanfare
2
Batterie
1
Instrumentation Flexible
1
Marimba
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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Vous avez sélectionné:
The New Song We Sing
Alto, Piano
Partitions à imprimer
3 partitions trouvées
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O Come All Ye Faithful for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Vio
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Publi...
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Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Silent Night for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Pub...
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Piano,Viola - Level 1 - SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Published by jmsgu3 (A0.548494). Silent Night arranged for Viola & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
A Night In Tunisia
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Alto, Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
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The New Song We Sing
