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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Night We Met
Non classifié
36
Piano & claviers
Piano seul
45
Piano Facile
11
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9
Piano, Voix et Guitare
9
Instruments en Do
4
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3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
4
Guitare notes et tablatures
2
Paroles et Accords
2
Ukulele
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
16
Chorale 3 parties
6
Chorale TTBB
2
Chorale SSAA
2
Voix Soprano, Piano
1
Chorale 2 parties
1
+ 1 instrumentations
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Vents
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7
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5
Flûte traversière et Piano
5
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4
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3
Saxophone Soprano et Piano
3
2 Flûtes traversières (duo)
3
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3
Hautbois (partie séparée)
2
Flûte traversière
2
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Clarinette
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Tenor
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
Quintette de Saxophone: 5 saxophones
1
3 Saxophones (trio)
1
Clarinette Basse, Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
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1
Flûte, Clarinette (duo)
1
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2
Trompette
2
2 Tubas (duo)
1
Trompette (partie séparée)
1
Cor (partie séparée)
1
Tuba et Piano
1
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1
Cor
1
Instruments en Sib
1
Tuba (partie séparée)
1
+ 10 instrumentations
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Cordes
Harpe
5
Alto, Piano
4
Violon (partie séparée)
3
Violoncelle, Piano
3
Violon et Piano
3
2 Violons (duo)
2
Violon
2
Contrebasse (partie séparée)
1
Violoncelle
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
Harpe, Voix
1
Alto seul
1
+ 9 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre
10
Ensemble de cuivres
2
Orchestre de chambre
1
Percussion (partie séparée)
1
Xylophone, Piano
1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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Vous avez sélectionné:
The Night We Met
Alto, Piano
Partitions à imprimer
4 partitions trouvées
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The Night We Met
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Alto, Piano
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FACILE
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Lord Huron
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César Madeira
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The Night We Met
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1183186 By Lord Huron. By Ben Schnieder. Arranged by César Madeira. Children,Contemporary,Film/TV,Multicultural,Pop,W...
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Piano,Viola - Level 2 - SKU: A0.1183186 By Lord Huron. By Ben Schnieder. Arranged by César Madeira. Children,Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 11 pages. Sheet Music To Play Editions #782867. Published by Sheet Music To Play Editions (A0.1183186). The Night We Met by Lord Huron. Arrangement for Viola and Piano. Full Score and Individual Parts with Chords. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
O Come All Ye Faithful for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Vio
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Publi...
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Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
8 Swinging Xmas Carols for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Noël
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Vio
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise &...
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Piano,Viola - Level 3 - SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise & Worship,World. Score and part. 30 pages. Keith Terrett #903870. Published by Keith Terrett (A0.1315127). Eight jazzy xmas carols arranged for Viola & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
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