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1541
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351
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240
1 Piano, 4 mains
158
Piano Trio: piano, violon, violoncelle
54
2 Pianos, 4 mains
52
Piano grosses notes
42
Accordéon
22
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano (partie séparée)
12
Orgue, Piano (duo)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano Quatuor: piano, 2 violons, violoncelle
8
Clavecin
7
1 Piano, 6 mains
5
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
2
Clavier
2
Fake Book
1
2 Pianos, 8 mains
1
Accordéon, Voix
1
Ensemble de Pianos
1
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Guitare notes et tablatures
890
Guitare
416
Ligne De Mélodie, (Paroles) et Accords
287
Ukulele
164
Basse electrique
154
Paroles et Accords
146
2 Guitares (duo)
69
Mandoline
26
Piano, Guitare (duo)
26
Dulcimer
22
Guitare (partie séparée)
20
Banjo
17
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14
4 Guitares (Quatuor)
13
Ensemble de guitares
5
Ukulele Baryton
3
Mandoline, Guitare (duo)
3
Basse électrique (partie séparée)
2
Guitare, Flûte, Clarinette
2
2 Ukuleles
1
Guitare Pedal Steel
1
Orchestre à Plectres
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
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3018
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562
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412
Chorale TTBB
281
Chorale Unison
271
Chorale SSAA
162
Voix duo, Piano
121
Voix Soprano, Piano
102
Voix Alto, Piano
91
Voix Tenor, Piano
76
Voix Baryton, Piano
67
Voix seule
58
Voix duo
49
Voix haute
48
Voix Tenor
35
Chorale
29
Voix Soprano
26
Pack Instrumental pour Chorale
19
Voix moyenne, Piano
16
Voix Mezzo-Soprano, Piano
9
Voix basse, Piano
8
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6
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
3
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2
Chorale SSAB, Piano
2
Voix basse
2
Chorale SSAATB
1
Voix, Guitare
1
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VENTS
Flûte traversière et Piano
453
Clarinette et Piano
411
Quatuor de Saxophones: 4 saxophones
377
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
368
2 Saxophones (duo)
314
Hautbois, Piano (duo)
304
Saxophone Alto et Piano
292
Flûte traversière
289
Flûte, Hautbois, Clarinette, Basson
259
Clarinette
236
Saxophone Alto
215
Saxophone (partie séparée)
194
Quatuor de Clarinettes: 4 clarinettes
193
2 Flûtes traversières (duo)
192
Saxophone Tenor et Piano
181
2 Clarinettes (duo)
177
Saxophone Soprano et Piano
163
Hautbois (partie séparée)
143
Quintette de Saxophone: 5 saxophones
141
Saxophone Tenor
132
Saxophone Baryton, Piano
107
Flûte, Clarinette (duo)
82
3 Saxophones (trio)
81
Ensemble de Flûtes
76
Cor anglais, Piano
76
Quatuor de Flûtes : 4 flûtes
72
Ensemble de Clarinettes
72
2 Hautbois (duo)
68
3 Clarinettes (trio)
64
Hautbois, Basson (duo)
55
Flûte et Guitare
55
Saxophone, Clarinette (duo)
49
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46
Clarinette Basse, Piano
44
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44
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42
Quintette de Clarinettes: 5 clarinettes
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Flûte à bec Soprano
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Hautbois
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Quintette de Flûte : 5 flûtes
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Trio de Flûtes: 3 flûtes
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Flûte à Bec
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Cor Anglais
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Clarinette et Alto
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Clarinette, Trompette (duo)
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5 Flûtes à bec
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Saxophone
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Flute (partie séparée)
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Flûte, Hautbois, Clarinette (trio)
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18
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Flûte à bec Alto
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16
Flûte, Violoncelle
16
Flûte, Alto (duo)
16
Harmonica
15
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette et Basson
11
3 Flûtes à bec (trio)
11
Flûte, Hautbois (duo)
10
Hautbois, Violoncelle
10
Flûte, Clarinette, Piano (trio)
9
Flûte à bec Alto, Piano
9
Flûte, Violon, Piano
8
Flûte à bec Soprano, Piano
8
Cor anglais, Guitare (duo)
8
Ocarina
7
Ensemble De Flûte à bec
7
2 Clarinettes, Piano
7
2 Flûtes traversières, Piano
6
Flûte à bec, Guitare (duo)
6
Flûte à bec Tenor
6
Flûte irlandaise
6
Piccolo, Piano
5
Flûte, Hautbois, Piano (trio)
5
Saxophone et Guitare
5
Flûte, Basson et Piano
5
Saxophone et Harpe
4
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4
Hautbois, violon (duo)
4
Saxophone et Orgue
4
Clarinette, Harpe (duo)
4
2 Cors Anglais Et Pianoforte
3
4 Hautbois
3
Flûte, Clarinette, Violon (trio)
3
Hautbois, Basson et Piano
3
Clarinette Basse
3
Hautbois et alto (duo)
3
2 Hautbois, Piano
3
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3
Cornemuse
2
Flûte à Bec, Piano
2
3 Hautbois
2
Flûte, Hautbois, Basson
2
Clarinette, Trombone (duo)
2
2 Saxophones, Piano
2
Flute, harpe et violon
2
Hautbois, Clarinette et Piano (Trio)
2
2 Clarinettes, Basson
2
Flûte à bec Alto, Basse continue
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Harpe
2
Flûte, Trombone (duo)
2
Clarinette, Basson, Piano (trio)
1
Piccolo
1
Flûte, Violon et Violoncelle
1
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1
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes à bec, Piano
1
Flûte, Hautbois, Violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, alto et harpe
1
Flûte, trombone et piano
1
Cor anglais et Harpe (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
374
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247
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217
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208
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96
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95
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84
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76
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75
2 Trombones (duo)
70
2 Cors (duo)
57
Trompette, Trombone (duo)
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Quatuor de Cuivres
40
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34
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32
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28
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25
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20
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20
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20
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19
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18
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16
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15
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12
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12
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12
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11
4 Tubas
9
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8
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8
Euphonium
7
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7
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3
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Trombone basse
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Cor et Harpe
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2
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2
3 Tubas (trio)
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Trompette et Guitare
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3 Cors (trio)
1
Trompette, violon (duo)
1
4 Euphoniums
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1
Cor et Orgue
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Tuba ou Euphonium ou Saxhorn
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3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
928
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575
Violon
481
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388
Alto, Piano
316
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307
Harpe
295
Alto seul
195
Violon, Violoncelle (duo)
171
2 Violons (duo)
170
Trio à Cordes: violon, alto, violoncelle
156
2 Violoncelles (duo)
109
Contre Basse
100
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98
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92
2 Altos (duo)
88
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
Alto (partie séparée)
57
Trio à Cordes: 2 violons, violoncelle
53
Violon, Guitare (duo)
41
Alto, Violoncelle (duo)
40
Violon (partie séparée)
37
4 Violoncelles
34
Contrebasse (partie séparée)
32
Violoncelle , Guitare (duo)
23
Trio à cordes: 3 violins
22
Trio à Cordes: 3 violoncelles
21
Alto, Guitare (duo)
20
Harpe, Violon (duo)
19
Quatuor à cordes : 4 altos
19
Harpe, Voix
19
Violon, Basson (duo)
18
2 Contrebasses (duo)
15
Piano Trio: Violon, Alto, Piano
15
Quatuor à cordes: 4 violons
14
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14
Trio à cordes: 3 altos
13
Violoncelle (partie séparée)
11
Harpe, Flûte (duo)
9
Violoncelle, Contrebasse (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Alto et Basson
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 2 violons, alto
4
2 Violoncelles, Piano
4
Alto et Harpe
4
4 Contrebasses
4
Violoncelle, Orgue
3
Ensemble de Violons
3
2 Violons, Piano
3
Ensemble de Violoncelles
3
3 Harpes
3
Alto et orchestre
2
5 Harpes
2
Harpe (partie séparée)
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Harpe, Violon, Violoncelle
1
Harpe, Quatuor à cordes
1
Ensemble d'Altos
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
2 Altos, Piano
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1919
Orchestre à Cordes
408
Orchestre
388
Ensemble Jazz
241
Ensemble de cuivres
229
Cloches
172
Orchestre de chambre
169
Batterie
136
Fanfare
90
Jazz combo
82
Ensemble de Percussions
50
Percussion (partie séparée)
24
Batterie (partie séparée)
20
Marimba
16
Ensemble d'École
6
2 Xylophones
6
Percussion
6
Vibraphone
6
Xylophone
6
Xylophone, Piano
5
Timbales (partie séparée)
3
Quintette à Vent
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
1
Conga
1
Instrumentation Flexible
1
Xylophone (partie séparée)
1
2 Marimbas
1
Piano et Orchestre
1
Bongos
1
Marimba, Piano (duo)
1
Marimba et Orgue
1
Bodhran
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
4
Formation musicale - Solfège
3
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
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Alto, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.95 €
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Alto, Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 47 pages. Jmsgu3 #3545591. Published by jmsgu3 (A0.549814). Duration: 6:12, Score: 29 pages, Solo part: 5 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.12 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538867. Published by jmsgu3 (A0.549792). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.12 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.12 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.12 €
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Alto, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.64 €
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Alto, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
In the Hall of the Mountain King - Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1387649 Composed by Edvard Grieg. …
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Piano,Viola - Level 2 - Digital Download SKU: A0.1387649 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971506. Published by Glauco Fernandes (A0.1387649). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been carefully crafted to cater to musicians ranging from easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring teaching material, and professionals seeking to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value practicality without compromising quality. With a clear and easy-to-follow formatting, musicians of all levels can benefit, making learning this classical masterpiece accessible and gratifying. Whether you're a student refining your techniques, a teacher looking for teaching resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classic piece that is guaranteed to be a success at any event, our sheet music is the solution you're looking for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an exciting journey through music. Our sheet music makes performing this iconic work easier while maintaining the essence and dynamics of Grieg's original composition, but adapted to make it accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable teaching resource, helping to develop technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression while becoming familiar with one of the most thrilling works in the classical repertoire.Get your copy of the In the Hall of the Mountain King arrangement today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining practicality, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational, professional settings, or memorable performances.
$6.99
6.39 €
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Alto, Piano
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain King - Viola & Piano
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Glauco Fernandes
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SheetMusicPlus
In the Hall of the Mountain King - Viola & Piano with Chord Notation
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1387647 Composed by Edvard Grieg. …
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Piano,Viola - Level 2 - Digital Download SKU: A0.1387647 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Film/TV,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #971503. Published by Glauco Fernandes (A0.1387647). Discover the magic and enchantment of classical music with our exclusive sheet music arrangement of the famous composition In the Hall of the Mountain King by Edvard Grieg. This arrangement has been carefully crafted to cater to musicians ranging from easy to intermediate levels, ensuring a rewarding and enjoyable learning experience. Perfect for students looking to enhance their musical skills, teachers in search of inspiring teaching material, and professionals seeking to add an impressive piece to their repertoire for various events, including weddings.Our sheet music is the ideal choice for those who value practicality without compromising quality. With a clear and easy-to-follow formatting, musicians of all levels can benefit, making learning this classical masterpiece accessible and gratifying. Whether you're a student refining your techniques, a teacher looking for teaching resources that captivate and motivate your students, or a professional seeking to diversify your repertoire with a classic piece that is guaranteed to be a success at any event, our sheet music is the solution you're looking for.In the Hall of the Mountain King is one of the most recognized and beloved pieces in the classical repertoire, known for its ability to capture the listener's imagination, taking them on an exciting journey through music. Our sheet music makes performing this iconic work easier while maintaining the essence and dynamics of Grieg's original composition, but adapted to make it accessible to non-advanced musicians.In addition to being an excellent addition to the repertoire of musicians performing at weddings and various events, this sheet music serves as a valuable teaching resource, helping to develop technical and expressive skills in music students. Through this piece, students can explore themes such as dynamics, articulation, and musical expression while becoming familiar with one of the most thrilling works in the classical repertoire.Get your copy of the In the Hall of the Mountain King arrangement today and dive into the beauty of this timeless composition. We offer an unforgettable musical experience, combining practicality, accessibility, and the highest quality. Ideal for musicians looking to enrich their musical journey, whether in educational, professional settings, or memorable performances.
$6.99
6.39 €
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Alto, Piano
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Edvard Grieg
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Glauco Fernandes
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In the Hall of the Mountain King - Viola & Piano with Chord Notation
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Glauco Fernandes
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SheetMusicPlus
Birds Of A Feather
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1464388 By Billie Eilish. By Billi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1464388 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,Wedding. Score and part. 11 pages. Glauco Fernandes #1043110. Published by Glauco Fernandes (A0.1464388). Introducing the exclusive arrangement of Billie Eilish's song Birds Of A Feather, now available for purchase on major online sheet music platforms. This arrangement has been carefully crafted to provide a rich and engaging musical experience, ideal for musicians of various levels and purposes.If you are an instrument student, this arrangement is perfect for enhancing your technical and interpretive skills with a modern and relevant piece. Music teachers will find this material an excellent option to motivate and engage their students with a contemporary and popular song. Additionally, professional or amateur musicians who perform at events, such as weddings, will discover that Birds Of A Feather is a charming and emotional addition to their repertoire, capable of captivating any audience.The sheet music has been created with attention to detail, ensuring a faithful and accessible transcription of the original work. This arrangement offers an authentic and exciting performance, preserving the essence of Billie Eilish's music and providing a unique experience for both players and listeners.Don't miss the opportunity to acquire this unique piece and enrich your musical collection with one of Billie Eilish's most remarkable songs. Take advantage of this high-quality sheet music to create unforgettable moments in your performances and lessons.Tags: sheet music, arrangement, modern music, Billie Eilish, Birds Of A Feather, sheet music for students, teaching material, music lessons, professional musicians, amateur musicians, events, weddings, musical transcription, online sheet music, sheet music purchase, contemporary sheet music, popular sheet music.
$7.99
7.3 €
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Alto, Piano
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Billie Eilish
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Glauco Fernandes
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Birds Of A Feather
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Glauco Fernandes
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SheetMusicPlus
Birds Of A Feather
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1464389 By Billie Eilish. By Billi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1464389 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Pop,Wedding. Score and part. 11 pages. Glauco Fernandes #1043111. Published by Glauco Fernandes (A0.1464389). Introducing the exclusive arrangement of Billie Eilish's song Birds Of A Feather, now available for purchase on major online sheet music platforms. This arrangement has been carefully crafted to provide a rich and engaging musical experience, ideal for musicians of various levels and purposes.If you are an instrument student, this arrangement is perfect for enhancing your technical and interpretive skills with a modern and relevant piece. Music teachers will find this material an excellent option to motivate and engage their students with a contemporary and popular song. Additionally, professional or amateur musicians who perform at events, such as weddings, will discover that Birds Of A Feather is a charming and emotional addition to their repertoire, capable of captivating any audience.The sheet music has been created with attention to detail, ensuring a faithful and accessible transcription of the original work. This arrangement offers an authentic and exciting performance, preserving the essence of Billie Eilish's music and providing a unique experience for both players and listeners.Don't miss the opportunity to acquire this unique piece and enrich your musical collection with one of Billie Eilish's most remarkable songs. Take advantage of this high-quality sheet music to create unforgettable moments in your performances and lessons.Tags: sheet music, arrangement, modern music, Billie Eilish, Birds Of A Feather, sheet music for students, teaching material, music lessons, professional musicians, amateur musicians, events, weddings, musical transcription, online sheet music, sheet music purchase, contemporary sheet music, popular sheet music.
$7.99
7.3 €
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Alto, Piano
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Billie Eilish
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Glauco Fernandes
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Birds Of A Feather
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Glauco Fernandes
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SheetMusicPlus
I Write The Songs
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce …
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Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.52 €
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Alto, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.85 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Joy To The World for viola solo - with FREE BACKING TRACK and piano accompaniment to play along with
Alto, Piano
Small Ensemble Piano,Viola - Level 3 - Digital Download SKU: A0.564383 Composed by …
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Small Ensemble Piano,Viola - Level 3 - Digital Download SKU: A0.564383 Composed by Lowell Mason. Arranged by Austin Ralphson. Christmas,Praise & Worship,Standards. Score and part. 7 pages. Austin Ralphson #6516639. Published by Austin Ralphson (A0.564383). This is a solo arrangement with piano accompaniment (or backing track). It is of an intermediate standard and sounds great in practice, in concert or in a play-along with friends and family at Christmas! A solo part and a piano accompaniment is provided, along with a backing track on YouTube (printed in the front of the book for future use). Have a listen to the mp3 file to get an idea of how it sounds. Please note that the viola part is written in alto clef as would be expected.Please also have a look at the 5 other pieces in this Christmas series, or purchase the whole collection of 6 pieces in one handy book at a reduced price! Simply search 'Solos for fun' on my publisher page.
$2.99
2.73 €
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Alto, Piano
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Lowell Mason
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Austin Ralphson
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Joy To The World for viola solo - with FREE BACKING TRACK and piano accompaniment to play along with
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Austin Ralphson
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SheetMusicPlus
He's Got the Whole World in His Hands, Gospel Song for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.592807 Composed by Traditional. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.592807 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6413055. Published by David McKeown (A0.592807). He’s Got the Whole World in His Hands is a beautiful gospel song arranged here for Solo Viola and Piano.He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.
$2.49
2.28 €
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Alto, Piano
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Traditional
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David McKeown
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He's Got the Whole World in His Hands, Gospel Song for Viola and Piano
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David McKeown
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SheetMusicPlus
"He's Got the Whole World In His Hands" (Wlth Improvisation) for Viola and Piano-Video
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.636511 Composed by Spiritual. Arra…
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Piano,Viola - Level 3 - Digital Download SKU: A0.636511 Composed by Spiritual. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Traditional. Score and part. 7 pages. F & N Enterprise #6463337. Published by F & N Enterprise (A0.636511). An excellent arrangement of the famous Song He's Got the Whole World In His Hands (Spiritual) for Viola and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/slVt-0JN9Js
$1.99
1.82 €
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Alto, Piano
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Spiritual
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Fishel Pustilnik
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"He's Got the Whole World In His Hands"
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F & N Enterprise
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SheetMusicPlus
He's Got The Whole World in His Hands for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1394911 Composed by Traditional. A…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1394911 Composed by Traditional. Arranged by Tim Curd. Jazz,Religious,Spiritual. Score and part. 3 pages. Tim Curd #978395. Published by Tim Curd (A0.1394911). He's Got The Whole World in His Hands for Viola and Piano.
$3.99
3.65 €
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Alto, Piano
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Traditional
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Tim Curd
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He's Got The Whole World in His Hands for Viola and Piano
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Tim Curd
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SheetMusicPlus
"He's Got the Whole World In His Hands"-Piano Background Track (Wlth Improvisation) for Viola and Pi
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.636522 Composed by Spiritual. Arra…
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Piano,Viola - Level 3 - Digital Download SKU: A0.636522 Composed by Spiritual. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Traditional. Score and part. 7 pages. F & N Enterprise #6466125. Published by F & N Enterprise (A0.636522). Piano Background Track of famous song He's Got the Whole World In His Hands for Viola and Piano
$1.99
1.82 €
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Alto, Piano
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Spiritual
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Fishel Pustilnik
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"He's Got the Whole World In His Hands"-Piano Background Track
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F & N Enterprise
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SheetMusicPlus
He's Got The Whole World In His Hands (Viola solo and Piano)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.676646 By Stephen DeCesare. By Tra…
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Piano,Viola - Level 2 - Digital Download SKU: A0.676646 By Stephen DeCesare. By Traditional, Anna Bartlett Warner. Arranged by Stephen DeCesare. Christmas,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 8 pages. Exultet Music #285590. Published by Exultet Music (A0.676646). The joyous, traditional hymn has been freshly arranged to also incorporate the hymns Jesus Loves Me and All Things Bright And Beautiful. Scored for a Viola solo with Piano accompaniment. An accompaniment track is also available.
$4.99
4.56 €
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Alto, Piano
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Stephen DeCesare
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Stephen DeCesare
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He's Got The Whole World In His Hands
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Exultet Music
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.12 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
A Whole New World
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1458266 Composed by Alan Menken an…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1458266 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037246. Published by SCORE EDITIONS (A0.1458266). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Viola and Piano by Harry Walker.
$5.99
5.48 €
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Alto, Piano
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Alan Menken and Tim Rice
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Harry Walker
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A Whole New World
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SCORE EDITIONS
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SheetMusicPlus
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