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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time over
Non classifié
2 361
Piano & claviers
Piano seul
5 082
Piano, Voix
2 717
Piano, Voix et Guitare
584
Piano Facile
493
Orgue
165
Instruments en Do
82
1 Piano, 4 mains
65
Piano grosses notes
58
Accompagnement Piano
27
Piano Trio: piano, violon, violoncelle
24
Accordéon
12
Piano Quatuor: piano, violon, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Pianos, 4 mains
7
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Ensemble d'Accordéons
1
Clavier
1
+ 16 instrumentations
Retracter
Guitares
Guitare
165
Guitare notes et tablatures
85
Basse electrique
48
Ligne De Mélodie, (Paroles) et Accords
44
Ukulele
32
2 Guitares (duo)
24
Mandoline
12
Banjo
10
Dulcimer
9
Paroles et Accords
8
Piano, Guitare (duo)
7
Guitare (partie séparée)
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
1
Dobro
1
Cithare
1
Mandoline, Guitare (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 129
Chorale Unison
322
Chorale 3 parties
130
Chorale SSAA
77
Chorale TTBB
65
Chorale 2 parties
59
Voix seule
54
Voix Baryton, Piano
49
Voix Soprano, Piano
48
Voix Alto, Piano
45
Voix Tenor, Piano
44
Voix duo, Piano
18
Voix haute
12
Voix duo
9
Voix Tenor
4
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Chorale SATBB
1
Voix basse, Piano
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
371
Clarinette
223
Quatuor de Saxophones: 4 saxophones
218
Clarinette et Piano
194
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
192
Flûte traversière
183
Flûte traversière et Piano
182
Hautbois, Piano (duo)
177
Saxophone
175
Flûte, Hautbois, Clarinette, Basson
173
2 Clarinettes (duo)
157
2 Flûtes traversières (duo)
153
Saxophone, Clarinette (duo)
152
Saxophone Alto et Piano
144
Saxophone Alto
137
Quintette de Saxophone: 5 saxophones
117
Saxophone Tenor et Piano
114
Clarinette, Violon (duo)
102
Saxophone Tenor
100
Quatuor de Clarinettes: 4 clarinettes
99
Saxophone Soprano et Piano
93
Flûte, Clarinette (duo)
86
2 Hautbois (duo)
81
Hautbois, Clarinette (duo)
77
Clarinette, Trompette (duo)
73
Saxophone Baryton, Piano
72
Hautbois, Basson (duo)
64
Ensemble de saxophones
61
Saxophone (partie séparée)
61
3 Saxophones (trio)
60
Flûte, Violon
58
Hautbois (partie séparée)
55
Hautbois
55
Hautbois, Flûte
53
Clarinette et Alto
49
Flûte, Saxophone (duo)
45
Quatuor de Flûtes : 4 flûtes
43
Ensemble de Clarinettes
39
Flûte, Trompette (duo)
38
Saxophone Soprano
37
Cor anglais, Piano
36
Flûte, Alto (duo)
34
3 Clarinettes (trio)
33
Clarinette Basse, Piano
31
Flûte à bec Soprano
27
Saxophone Baryton
27
2 Flûte à bec (duo)
25
Trio de Flûtes: 3 flûtes
23
Quintette de Clarinettes: 5 clarinettes
22
Hautbois, Violoncelle
20
Flûte et Guitare
19
Ensemble de Flûtes
19
Hautbois, Clarinette, Basson (trio d'anches)
17
Quintette de Flûte : 5 flûtes
16
Flûte, Hautbois, Clarinette (trio)
15
Clarinette, Violoncelle (duo)
13
Flûte, Clarinette et Basson
13
Clarinette, Basson (duo)
12
Flûte, Hautbois (duo)
12
Flûte à Bec
11
Flûte à bec Alto
11
Flûte, Violoncelle
10
Flûte, Hautbois, Basson
10
Quatuor de Flûtes à bec
9
Cor Anglais
9
Flûte, Violon, Piano
8
Harmonica
8
Clarinette, Guitare (duo)
8
Flûte, Hautbois, Piano (trio)
7
5 Flûtes à bec
6
Hautbois, violon (duo)
6
Flûte, Violon et Violoncelle
4
Clarinette (partie séparée)
4
2 Flûtes traversières, Piano
4
Flute (partie séparée)
4
Piccolo, Piano
4
Flûte irlandaise
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Basson et Piano
3
Cor anglais, Guitare (duo)
3
Hautbois et alto (duo)
3
Clarinette Basse
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
2
Saxophone et Guitare
2
Flûte traversière, Basse continue
2
Hautbois, Violoncelle et Piano
2
Ocarina
2
Clarinette, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Tuba
2
Flûte, Trombone (duo)
2
Clarinette, Harpe (duo)
2
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Hautbois, trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo
1
2 Cors Anglais Et Pianoforte
1
Cornemuse
1
2 Hautbois, Piano
1
Flute, Cor (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Harpe
1
Flûte traversière, Orchestre
1
Clarinette, Trombone (duo)
1
Flûte, trombone et piano
1
Flûte, Tuba (duo)
1
Ensemble à vent
1
Flûte traversière, Orgue (duo)
1
+ 111 instrumentations
Retracter
Cuivres
Trompette
234
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
227
Trompette, Piano
160
Trombone
154
Trombone et Piano
127
Cor et Piano
112
Trompette, Saxophone (duo)
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
86
2 Trombones (duo)
82
Tuba et Piano
79
2 Trompettes (duo)
79
Trompette, Trombone (duo)
69
Cor
68
Tuba
61
Quatuor de Cuivres: 2 trompettes, Cor, trombone
59
Euphonium, Piano (duo)
46
Quatuor de Cuivres
42
2 Cors (duo)
36
Cor anglais, Piano
36
Trompette (partie séparée)
25
Trombone (partie séparée)
23
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
13
Ensemble de Trompettes
13
2 Tubas (duo)
12
Quatuor de cuivres: 4 cors
12
Trompette, Cor (duo)
11
Quatuor de cuivres: 4 trompettes
9
3 Trombones (trio)
9
Cor Anglais
9
Trombone, Cor (duo)
6
Ensemble de Cors
6
Trio de Cuivres
5
Trombone basse et Piano
5
3 Tubas (trio)
4
Trombone basse
4
Trompette, Tuba (duo)
4
Cor (partie séparée)
4
Cor, Violoncelle (duo)
3
Euphonium
3
Cor anglais, Guitare (duo)
3
Tuba (partie séparée)
3
4 Tubas
3
Trompette, Basson (duo)
3
Cor, Tuba (duo)
2
Cor et Basson (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Violoncelle (duo)
2
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
Trombone, Violon (duo)
1
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
3 Euphoniums
1
Tuba et Orgue
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
419
Violon et Piano
220
Violon
200
Alto, Piano
178
Violoncelle
161
Violoncelle, Piano
152
Violon, Violoncelle (duo)
148
2 Violons (duo)
117
Alto seul
110
2 Altos (duo)
93
Violon, Alto (duo)
90
2 Violoncelles (duo)
83
Quintette à cordes: 2 violons, alto, violoncelle, basse
79
Trio à Cordes: violon, alto, violoncelle
70
Harpe
67
Trio à Cordes: 2 violons, violoncelle
61
Contre Basse
59
Contrebasse, Piano (duo)
58
Alto, Violoncelle (duo)
25
Trio à Cordes: 3 violoncelles
15
4 Violoncelles
15
Piano Trio: Violon, Alto, Piano
12
Trio à cordes: 3 violins
12
2 Contrebasses (duo)
12
Violon (partie séparée)
11
Alto (partie séparée)
9
Quatuor à cordes: 4 violons
9
Trio à Cordes: 2 violons, alto
7
Harpe, Flûte (duo)
7
Contrebasse (partie séparée)
6
Quatuor à cordes : 4 altos
5
Violon, Basson (duo)
5
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
Violoncelle (partie séparée)
3
2 Harpes (duo)
3
Trio à cordes: 3 altos
3
2 Altos, Piano
2
Violon, Tuba (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Flûte, Contrebasse (duo)
2
Ensemble de Violons
2
Ensemble d'Altos
2
2 Violoncelles, Piano
1
Violon, Violoncelle, Clarinette
1
2 Violons, Piano
1
Alto, Guitare (duo)
1
3 Harpes
1
Alto et Basson
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violon (duo)
1
Violoncelle, Orgue
1
4 Harpes
1
Alto et Harpe
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
492
Orchestre à Cordes
159
Orchestre
128
Ensemble Jazz
90
Batterie
80
Ensemble de cuivres
69
Orchestre de chambre
47
Jazz combo
44
Fanfare
41
Cloches
29
Ensemble de Percussions
19
Marimba
5
Batterie (partie séparée)
3
Xylophone
3
Percussion (partie séparée)
3
Ensemble d'École
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Vibraphone
1
+ 17 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Time over
Alto, Piano
Partitions à imprimer
178 partitions trouvées
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51
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176
Part-time Lover
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Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Soul/R&B
#
Stevie Wonder
#
Fishel Pustilnik
#
Part-time Lover
#
F & N Enterprise
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.636377 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and part. 7 pages. F & N Enterp...
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Piano,Viola - Level 4 - SKU: A0.636377 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and part. 7 pages. F & N Enterprise #6418853. Published by F & N Enterprise (A0.636377). An excellent arrangement of the famous Song Part Time Loverfor Viola and Piano-Jazz/Pop Version.
$4.99
It's Been A Long, Long Time
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Alto, Piano
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INTERMÉDIAIRE
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Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371....
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Piano,Viola - Level 3 - SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371. Published by David McKeown (A0.592556). It’s Been a Long Long Time is arranged as a solo for one Viola with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Tchaikovsky: Overture from Nutcracker Suite for Viola & Piano
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Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
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Tchaikovsky: Overture from Nut
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Sta...
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Piano,Viola - Level 3 - SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3514625. Published by jmsgu3 (A0.549613). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
Five Ragtime Solos by Scott Joplin for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
#
Ragtime
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Scott Joplin
#
David McKeown
#
Five Ragtime Solos by Scott Jo
#
David McKeown
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1118324 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David ...
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Piano,Viola - Level 3 - SKU: A0.1118324 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719842. Published by David McKeown (A0.1118324). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Viola with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Jesus, Lover of My Soul for Violin or Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Joseph P
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Hyrum Kohler
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Jesus, Lover of My Soul for Vi
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Hyrum Kohler
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Sc...
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Piano,Viola - Level 4 - SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 8 pages. Hyrum Kohler #824692. Published by Hyrum Kohler (A0.1228636). I wanted to play a hymn in church without simply playing the same thing three times in a row. And, without words, I wanted to express the tension and pain that occasionally and inevitably accompanies trying one's best to live a good life. This arrangement is simultaneously fresh, familiar, and reasonably challenging for the performer. This is my go-to for playing in a church setting, but it can also fit right in to a pedagogical or classical recital scenario. The traditional tune wears different clothes throughout the piece, having variance in time signature, key signature, and mode (dipping into minor). This is a simplification and compression of my original arrangment for string quartet. I originally intended this to be for viola, but it just so happened to fit in the violin's range; I left the part in treble clef to accommodate both options. The piano part is somewhat easier to play than the violin/viola part (evidenced by how I can kind of play it), but it still serves a collaborative or duet role, sharing and passing the melody betwen parts.
$4.99
Over The Rainbow (from The Wizard Of Oz)
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Alto, Piano
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Joseph Hasper
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Over The Rainbow
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Joseph Hasper
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.734807 By Judy Garland. By Harold Arlen. Arranged by Joseph Hasper. Film/TV. Score and part. 11 pages. Joseph Hasper #35...
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Piano,Viola - Level 3 - SKU: A0.734807 By Judy Garland. By Harold Arlen. Arranged by Joseph Hasper. Film/TV. Score and part. 11 pages. Joseph Hasper #3541051. Published by Joseph Hasper (A0.734807). The perfect wedding song, and one of the best loved songs of the past 100 years! Scored for viola and piano, this is a uniquely modern classical piece that will satisfy audiences and performers alike. Key of F major, with viola range to F4 (octave and a fourth above middle C).Over the Rainbowwas written for the movie The Wizard of Oz and was sung by actress Judy Garland, in her starring role as Dorothy Gale. It won the Academy Award for Best Original Song and became Garland's signature song, as well as one of the most enduring standards of the 20th century. The song is number one on the Songs of the Century list compiled by the Recording Industry Association of America and the National Endowment for the Arts. The American Film Institute also ranked the song the greatest movie song of all time on the list of AFI's 100 Years...100 Songs.For more solos like this, please visit our publisher page on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Joseph-Hasper/1563
$9.98
Over The Rainbow
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Alto, Piano
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FACILE
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Comédie Musicale
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Film/TV
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Judy Garland
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Robert Fisco
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Over The Rainbow
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Robert Fisco
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.803439 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #...
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Piano,Viola - Level 2 - SKU: A0.803439 By Judy Garland. By Harold Arlen. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #6232749. Published by Robert Fisco (A0.803439). Solo arrangement for Viola of the famous song Over The Rainbow from The Wizard of Oz. This arrangement comes with piano accompaniment and is just as fun to play along with the accompaniment as it is to play alone. Recommended level: high school and above (advanced middle school could work it up too!). The piano part is at an intermediate level, primarily because of the last time through the melody at the end. Approximate length: 2 minutes and 45 seconds.
$5.00
Christmas Time
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Alto, Piano
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INTERMÉDIAIRE
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Noël
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Bryan Adams
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Raymond Fenech
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Christmas Time
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.760039 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. ...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.760039 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Contemporary. Score and parts. 16 pages. Raymond Fenech #3487829. Published by Raymond Fenech (A0.760039). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This aria is arranged for Viola and Piano . The Duration is approx. 3.56 minutes and the level is Intermediate.
$4.99
Over The Rainbow (from The Wizard Of Oz)
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Alto, Piano
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INTERMÉDIAIRE
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Film/TV
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Film/TV
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Judy Garland
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Nick Lacanski
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Over The Rainbow
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theupperstaff
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.647751 By Judy Garland. By Harold Arlen. Arranged by Nick Lacanski. Film/TV. Score and part. 7 pages. Theupperstaff #289...
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Piano,Viola - Level 3 - SKU: A0.647751 By Judy Garland. By Harold Arlen. Arranged by Nick Lacanski. Film/TV. Score and part. 7 pages. Theupperstaff #2898969. Published by theupperstaff (A0.647751). Here's a jazzy arrangement of an all-time classic.
$6.99
Lover
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Alto, Piano
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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K
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Lover
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K L Phillips
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.751779 By Taylor Swift. By Jack Antinoff and Taylor Swift. Arranged by K.L. Phillips. Pop. Score and part. 8 pages. K L ...
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Piano,Viola - Level 3 - SKU: A0.751779 By Taylor Swift. By Jack Antinoff and Taylor Swift. Arranged by K.L. Phillips. Pop. Score and part. 8 pages. K L Phillips #6381869. Published by K L Phillips (A0.751779). Arranged for viola solo with piano accompaniment, Lover is a good choice for weddings, cocktail hours, dinners, receptions and other gigs. Performance time - 3:40.
$4.99
Time To Say Goodbye
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Alto, Piano
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INTERMÉDIAIRE
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Andrea Bocelli & Sarah Brightm
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John A
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Cello,Piano,Viola - Level 3 - SKU: A0.524305 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Clas...
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Small Ensemble Cello,Piano,Viola - Level 3 - SKU: A0.524305 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Film/TV,Multicultural,Opera,World. Score and parts. 19 pages. John A. Dempsey #5287613. Published by John A. Dempsey (A0.524305). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as a trio for viola, cello and piano.  The piano part (richer now, due to embellishments and a varied accompaniment for each chorus) compliments the soaring melody.  Also known as Con Te Partiró, this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find much to love.  Recommended for concerts, recitals and other multiple venues.  15 pages of music (that includes separate two-page parts for viola and cello).  Key: D major.
$12.99
Time To Say Goodbye
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Alto, Piano
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INTERMÉDIAIRE
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Andrea Bocelli & Sarah Brightm
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John A
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.523422 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Mu...
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Piano,Viola - Level 3 - SKU: A0.523422 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Multicultural,Opera,Pop,World. Score and part. 14 pages. John A. Dempsey #3472759. Published by John A. Dempsey (A0.523422). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as an instrumental duet for viola and piano.  The piano part (richer now due to ornamentation, embellishments and a varied accompaniment for each chorus) compliments the melody of the viola.  Also known as Con Te Partiró, this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find something to love in this instrumental.  Concert Key: G major / modulates to A major.  10 pages of music (that includes a separate two-page viola part).  Viola Level: Intermediate.  Piano Level: Late Intermediate .
$7.99
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
I'm Getting Sentimental Over You
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Alto, Piano
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INTERMÉDIAIRE
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George Bassman and Ned Washing
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Jirka Kadlec
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I'm Getting Sentimental Over Y
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Editions Marc Reift - Digital
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SheetMusicPlus
Viola & Piano - Grade 3 - SKU: R0.43298 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Viola & Piano. Score and parts. 6 pages...
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Viola & Piano - Grade 3 - SKU: R0.43298 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Viola & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43298. Published by Editions Marc Reift - Digital (R0.43298).
$11.95
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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Alto, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Luther: Out of the Depths for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...
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Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Handel: Largo (from Xerxes) for viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kir...
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Piano,Viola - Level 3 - SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #6637577. Published by Colin Kirkpatrick Publications (A0.522292). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the top note is the G above the alto clef (G5) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the viola fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a viola recital.
$7.95
Wichita Lineman
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Alto, Piano
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FACILE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1077826 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and par...
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Piano,Viola - Level 2 - SKU: A0.1077826 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682011. Published by jmsgu3 (A0.1077826). Wichita Lineman for Viola and Piano. SCore: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
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