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ACCORDEON
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AUTOHARPE
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We Are America
Non classifié
163
Piano & claviers
Piano, Voix
217
Piano seul
75
Piano, Voix et Guitare
48
2 Pianos, 4 mains
24
Piano Facile
16
Orgue
13
1 Piano, 4 mains
5
Accompagnement Piano
3
Instruments en Do
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
+ 7 instrumentations
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Guitares
Guitare
8
Guitare notes et tablatures
6
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele Baryton
2
Paroles et Accords
1
Ukulele
1
+ 2 instrumentations
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Voix
Chorale SATB
113
Chorale 3 parties
16
Chorale 2 parties
14
Voix duo, Piano
13
Chorale TTBB
8
Chorale SSAA
8
Chorale Unison
3
Voix haute
2
Voix seule
2
Voix Soprano, Piano
1
Voix basse
1
Pack Instrumental pour Chorale
1
Chorale
1
+ 8 instrumentations
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Vents
2 Saxophones (duo)
17
Quatuor de Saxophones: 4 saxophones
8
Ocarina
6
Harmonica
6
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
Flûte traversière et Piano
5
Saxophone, Clarinette (duo)
5
Saxophone Soprano et Piano
5
Clarinette, Violon (duo)
5
Clarinette et Piano
4
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4
Flûte, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Flûte à bec Soprano
3
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3
3 Clarinettes (trio)
3
Flûte, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Violon
2
2 Clarinettes, Piano
2
Saxophone Alto et Piano
2
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
2 Hautbois (duo)
2
Ensemble de Flûtes
2
Saxophone Tenor et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Alto
2
Hautbois (partie séparée)
2
Hautbois, Piano (duo)
2
Quatuor de Clarinettes: 4 clarinettes
1
Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Ensemble de Clarinettes
1
Flute (partie séparée)
1
Hautbois, Flûte
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
Flûte traversière
1
Flûte et Guitare
1
Flûte, Hautbois, Violon
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Baryton, Piano
1
Ensemble de saxophones
1
2 Flûtes traversières, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Clarinette
1
Quintette de Flûte : 5 flûtes
1
5 Flûtes à bec
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
7
2 Trombones (duo)
6
Trompette (partie séparée)
4
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor
3
Trompette, Piano
2
Cor et Piano
2
Trombone
2
Trompette, Cor (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
4 Tubas
1
3 Trombones (trio)
1
Trombone (partie séparée)
1
2 Euphoniums (duo)
1
Tuba
1
Euphonium, Piano (duo)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Ensemble de Cors
1
Euphonium
1
Trio de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
+ 26 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
21
Trio à Cordes: 2 violons, violoncelle
7
Harpe
6
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
Violoncelle, Piano
4
2 Harpes (duo)
4
Violon et Piano
4
2 Violons (duo)
4
Violoncelle
4
Violon
3
Violon, Violoncelle (duo)
3
2 Altos (duo)
3
Alto, Piano
2
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Alto seul
1
Contrebasse (partie séparée)
1
2 Violoncelles, Piano
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
4 Contrebasses
1
Contre Basse
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: violon, alto, violoncelle
1
+ 22 instrumentations
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Orchestre d'harmonie
44
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21
Ensemble de cuivres
9
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7
Cloches
4
Fanfare
2
Orchestre de chambre
2
Piano et Orchestre
1
Ensemble Jazz
1
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1
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Vibraphone
1
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--INSTRUMENTS--
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We Are America
Alto, Piano
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Jingle Bells for Viola & Piano
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Alto, Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408...
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Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
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