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--INSTRUMENTS--
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Who Opera
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182
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330
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190
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34
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15
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5
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3
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2
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4 Guitares (Quatuor)
1
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1
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41
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40
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39
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29
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28
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8
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4
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27
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26
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25
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24
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20
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19
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17
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16
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13
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13
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12
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11
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10
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10
Cor anglais, Piano
8
2 Clarinettes (duo)
7
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6
5 Flûtes à bec
6
Saxophone Baryton, Piano
5
2 Flûte à bec (duo)
5
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5
Quatuor de Flûtes à bec
5
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4
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4
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4
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4
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4
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3
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3
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3
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3
3 Clarinettes (trio)
3
Saxophone Tenor
3
Flûte à bec Alto
3
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Guitare (duo)
2
Ensemble de saxophones
2
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2
Ensemble de Flûtes
2
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1
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1
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1
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1
2 Hautbois (duo)
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1
Hautbois, Flûte
1
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1
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1
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1
Piccolo, Piano
1
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26
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13
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11
Trombone
10
Trombone et Piano
10
Tuba
9
Trompette, Piano
9
Cor
8
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8
Cor anglais, Piano
8
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7
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7
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6
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5
2 Trompettes (duo)
5
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5
Quatuor de cuivres: 4 trompettes
5
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3
2 Cors (duo)
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65
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34
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23
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20
Violon
19
Alto, Piano
17
Alto seul
16
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15
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9
Harpe
8
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5
Contre Basse
5
2 Violons (duo)
5
2 Altos (duo)
5
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5
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4
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4
4 Violoncelles
4
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4
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4
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3
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
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3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 altos
3
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
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1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
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40
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34
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16
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14
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Vous avez sélectionné:
Who Opera
Alto, Piano
Partitions à imprimer
17 partitions trouvées
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Handel: Largo (from Xerxes) for viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kir...
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Piano,Viola - Level 3 - SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #6637577. Published by Colin Kirkpatrick Publications (A0.522292). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the top note is the G above the alto clef (G5) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the viola fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a viola recital.
$7.95
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Largo al Factotum - Viola and Piano (Individual Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Viola and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1455626 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. ...
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Piano,Viola - Level 3 - SKU: A0.1455626 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 16 pages. Sheet Music To Play Editions #1034720. Published by Sheet Music To Play Editions (A0.1455626). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Largo al Factotum - Viola and Piano (Full Score and Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Viola and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1455625 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Multicultural,Opera,Wor...
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Piano,Viola - Level 3 - SKU: A0.1455625 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Multicultural,Opera,World. Score and part. 33 pages. Sheet Music To Play Editions #1034719. Published by Sheet Music To Play Editions (A0.1455625). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Largo al Factotum - Viola and Piano (Full Score)
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Alto, Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Viola and
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1455627 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. ...
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Piano,Viola - Level 3 - SKU: A0.1455627 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 15 pages. Sheet Music To Play Editions #1034721. Published by Sheet Music To Play Editions (A0.1455627). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Viola and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Wedding March (Bridal Chorus) - Viola and Piano (Full Score and Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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César Madeira
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Wedding March
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1283576 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Pe...
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Piano,Viola - Level 3 - SKU: A0.1283576 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Period,World. Score and part. 8 pages. Sheet Music To Play Editions #874767. Published by Sheet Music To Play Editions (A0.1283576). Wedding March (Bridal Chorus from Lohengrin) by Wagner. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Wedding March (Bridal Chorus) - Viola and Piano - W/Chords (Full Score and Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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César Madeira
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Wedding March
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1283594 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. ...
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Piano,Viola - Level 3 - SKU: A0.1283594 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #874784. Published by Sheet Music To Play Editions (A0.1283594). Wedding March (Bridal Chorus from Lohengrin) by Wagner. Arrangement for Viola and Piano. With Full Score and Individual Parts with Chords. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Agnus Dei for Viola Duet and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Francois Clement Theodore Dubo
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Lisa Ochoco
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Agnus Dei for Viola Duet and P
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Lisa L Ochoco
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1285739 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco....
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1285739 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 19th Century,Romantic Period. 15 pages. Lisa L Ochoco #876834. Published by Lisa L Ochoco (A0.1285739). Théodore Dubois was a French composer and organist who was well-known in the Paris music scene, due to his position as a professor of harmony at the Paris Conservatoire.  Most of his works were religious ones.  He had hoped for a successful opera career, but that unfortunately did not happen.Agnus Dei was originally a vocal duet with piano, which translates well as an instrumental duet.  I extended the piece to include some key changes to add interest.  Otherwise, the piece remains mostly as the composer wrote it.This arrangement is suitable for musicians with intermediate music skills.Scored for 2 violas and piano.Duration: 4.25 minutes.
$12.00
Andante JB 1:62 for Viola Duet and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Bedrich Smetana
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Lisa Ochoco
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Andante JB 1:62 for Viola Duet
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Lisa L Ochoco
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.559848 Composed by Bedrich Smetana. Arranged by Lisa Ochoco. Concert,Romantic ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.559848 Composed by Bedrich Smetana. Arranged by Lisa Ochoco. Concert,Romantic Period,Wedding. Score and parts. 10 pages. Lisa L Ochoco #5221899. Published by Lisa L Ochoco (A0.559848). Bedrich Smetana was a Czech composer who is mostly known for his opera, The Bartered Bride.
$10.00
Ode to Joy by Beethoven for Viola and Piano
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Alto, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Vi
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1241139 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pa...
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Piano,Viola - Level 1 - SKU: A0.1241139 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836535. Published by Woods Only, Arrangements (A0.1241139). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
Symphony No. 5 by Beethoven for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1207892 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. ...
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Piano,Viola - Level 3 - SKU: A0.1207892 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #806002. Published by Woods Only, Arrangements (A0.1207892). This adaptation was intended for a small group of viola and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
Symphony No. 7 by Beethoven for Viola and Piano
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Alto, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Golliwogg's Cakewalk
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Alto, Piano
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Classique
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Claude Debussy
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Wolfgang Birtel
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Golliwogg's Cakewalk
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - SKU: S9.Q25346 From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Sheet music. Edit...
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Viola and piano - SKU: S9.Q25346 From Children's Corner. Composed by Claude Debussy. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. The popular piece by Debussy now available in a version for melodic instrument with piano accompaniment. Downloadable. Schott Music - Digital #Q25346. Published by Schott Music - Digital (S9.Q25346). The famous Golliwogg’s Cakewalk is the final piece from Debussy's cycle Children’s Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.
$5.99
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