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Who Will I Be
Alto, Piano
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I Write The Songs
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce …
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Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
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Alto, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
What Was I Made For?
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1273330 By Billie Eilish. By Billi…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1273330 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865483. Published by Milanov (A0.1273330). What Was I Made For? From Barbie by Billie Eilish for viola and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.49 €
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Alto, Piano
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1273331 By Billie Eilish. By Billi…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1273331 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865484. Published by Milanov (A0.1273331). What Was I Made For? From Barbie by Billie Eilish for viola and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.49 €
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Alto, Piano
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.22 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Faded
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1263562 By Alan Walker. By Alan Wa…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1263562 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 4 pages. Benzaiten Editions #856525. Published by Benzaiten Editions (A0.1263562). Hey! Are you a viola player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Viola Sheet Music with Piano Accompaniment with chords The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate viola arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your viola. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$5.99
5.49 €
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Alto, Piano
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Faded
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1263561 By Alan Walker. By Alan Wa…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1263561 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 4 pages. Benzaiten Editions #856524. Published by Benzaiten Editions (A0.1263561). Hey! Are you a viola player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Viola Sheet Music with Piano Accompaniment The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate viola arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your viola. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$5.99
5.49 €
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Alto, Piano
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
8 Swinging Xmas Carols for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1315127 By Keith Terrett. By Vario…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise & Worship,World. Score and part. 30 pages. Keith Terrett #903870. Published by Keith Terrett (A0.1315127). Eight jazzy xmas carols arranged for Viola & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.67 €
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Alto, Piano
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Viola & Piano
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Keith Terrett
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SheetMusicPlus
Arirang (For Viola and Piano)
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.511794 Composed by Korean Traditio…
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Piano,Viola - Level 4 - Digital Download SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6245737. Published by Han-Ki Kim (A0.511794). Folksong can be said to be music that contains the life and soul of the country and ancestors, and “Arirang†has a very important meaning in that it is a folk song representing Korea.Following the fast introduction of 4 bars in 3/4 time, it is connected in the form of 5 variations in 6/8 time. The main melody of “Arirang†is exchanged with each other as if having a conversation with violin and Piano, And followed by a cadenza that boasts the splendid skills of the solo Violin, and after the wide and solemn finale, the same 3/4 time as the beginning. It ends with a short four-bar coda. Han-Ki Kim’s works give the value of artistic literature to children's songs and folk songs, which are familiar to everyone, so that the audience feels Musical sympathy, and because he is a performer, his works are characterized by a good harmony between theory and practice. This Music is dedicated to Professor Kim Nam-yoon, who left great achievements in the field of violin education in Korea. 1. This piece is composed based on Korean traditional Bird, Bird, Blue Bird.2. It’s very suitable for Concert and for Educational material.3. Shown Bowing sign and Fingering will be very helpful to player.4. Composer is, also as a Violinist, very experienced(with I Musici), and his works are loved world widely.5. Attached Music file is recorded with Violin and Piano, just for a reference.
$4.50
4.13 €
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Alto, Piano
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Korean Traditional
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Mixtli
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1137268 Composed by Juan Guerra Go…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1137268 Composed by Juan Guerra González. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerra Gonzalez #737470. Published by Juan Carlos Guerra Gonzalez (A0.1137268). Mixtli (Clouds in Nahuat) is a set of 3 small pieces for Viola and Piano. It was written thanks to a collaboration with costarican pianist Rebeca Ordóñez RodrÃguez and costarican violinist/violist Erasmo Solerti who were looking for a piece to premiere in a concert dedicated to the Central American bicentennial. Clouds played a vital role in the lives of our ancestors. Thanks to their observation skills, they were able to achieve a deep understanding of the nature surrounding them. As a kid, one of the games I used to play with my cousins and my mom was finding shapes in the clouds. We spent several hours laying on the ground just looking at clouds changing shapes. Each movement represents a mood involving clouds. The first movement is a dance in 5/8 time signature. It begins with a challenging key that will require a skillful violist. The movement explores the range of the Viola, including harmonics and other techniques. The second movement explores the alto range of the Viola while allowing the player to be very expressive, the combination with the piano creates a musical atmosphere representing a gray cloudy day. The third movement is a fast-paced dance that represents a day with different cloud scenes, for example, rain for one moment and sunny the next minute.
$13.99
12.83 €
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Alto, Piano
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Juan Guerra González
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Mixtli
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
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