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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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expert
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Non classifié
591
PIANO & CLAVIERS
Piano seul
534
Piano, Voix et Guitare
382
Piano, Voix
273
Piano Facile
123
Instruments en Do
52
Piano grosses notes
40
1 Piano, 4 mains
14
Orgue
12
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Clavier
1
Clavecin
1
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GUITARES
Guitare notes et tablatures
163
Ligne De Mélodie, (Paroles) et Accords
87
Guitare
61
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56
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47
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32
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4
2 Guitares (duo)
4
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4
Banjo
3
Mandoline
2
Dulcimer
2
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
223
Chorale 3 parties
220
Chorale TTBB
51
Chorale 2 parties
34
Pack Instrumental pour Chorale
30
Chorale SSAA
29
Chorale Unison
16
Voix haute
9
Voix seule
8
Voix duo
6
Voix Soprano, Piano
5
Chorale
4
Voix Soprano
3
Voix Baryton, Piano
3
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
1
Voix duo, Piano
1
Voix, Guitare
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Chorale SSAATB
1
Voix basse
1
Voix Tenor
1
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VENTS
Clarinette
55
Flûte traversière
51
Saxophone (partie séparée)
47
Quatuor de Saxophones: 4 saxophones
43
Saxophone Alto
40
Saxophone Tenor
37
Flûte traversière et Piano
27
Hautbois (partie séparée)
23
2 Flûtes traversières (duo)
21
Saxophone Alto et Piano
21
Flûte, Hautbois, Clarinette, Basson
20
Clarinette et Piano
19
Saxophone Tenor et Piano
19
Quatuor de Clarinettes: 4 clarinettes
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Hautbois, Piano (duo)
17
Saxophone
15
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14
2 Saxophones (duo)
12
2 Clarinettes (duo)
11
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone Soprano et Piano
8
Flûte et Guitare
8
Ensemble de Clarinettes
7
Quintette de Clarinettes: 5 clarinettes
7
Flute (partie séparée)
6
Ensemble de Flûtes
5
Saxophone Soprano
5
Flûte, Clarinette (duo)
5
Flûte, Clarinette et Basson
5
Cor anglais, Guitare (duo)
4
Cor anglais, Piano
4
Clarinette, Guitare (duo)
4
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4
Saxophone et Guitare
3
Clarinette, Violon (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone, Clarinette (duo)
3
3 Clarinettes (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon, Piano
2
Hautbois, Basson (duo)
2
5 Flûtes à bec
2
Flûte, Violon
2
Saxophone Baryton, Piano
2
2 Hautbois (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Violon et Violoncelle
2
Clarinette, Harpe (duo)
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
3 Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Clarinette et Alto
1
Clarinette, trompette et piano
1
Flûte à bec Soprano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
Clarinette (partie séparée)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Guitare (duo)
1
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CUIVRES
Trompette
47
Trombone
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette (partie séparée)
24
Trombone et Piano
17
Trombone (partie séparée)
15
Trompette, Piano
13
Cor et Piano
9
Tuba
9
Tuba et Piano
5
Euphonium
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Guitare (duo)
4
Cor anglais, Piano
4
Instruments en Sib
4
Ensemble de Trompettes
4
2 Trompettes (duo)
3
Bass Clef Instruments
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Cor (partie séparée)
2
Ensemble de Trombones
2
Tuba (partie séparée)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
Trompette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Quatuor de Cuivres
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violon
92
Violoncelle
47
Violon et Piano
36
Alto seul
33
Harpe
33
Violoncelle, Piano
22
Violon, Violoncelle (duo)
20
Alto, Piano
19
Trio à Cordes: violon, alto, violoncelle
14
2 Violons (duo)
12
2 Violoncelles (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
6
2 Harpes (duo)
5
Alto (partie séparée)
5
Violon, Alto (duo)
4
Violoncelle , Guitare (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
2
Violon (partie séparée)
2
Alto et Harpe
2
Contre Basse
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
157
Orchestre
39
Orchestre à Cordes
32
Batterie
28
Ensemble Jazz
27
Ensemble de cuivres
15
Fanfare
13
Orchestre de chambre
12
Cloches
10
Ensemble de Percussions
7
Jazz combo
6
Batterie (partie séparée)
3
Marimba
3
2 Percussions
1
Orchestre, Violon
1
Percussion
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
You Say
Alto, Piano
Partitions à imprimer
19 partitions trouvées
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1
You Say
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1182457 By Lauren Daigle. By Bebo …
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Piano,Viola - Level 4 - Digital Download SKU: A0.1182457 By Lauren Daigle. By Bebo Norman, Jason Ingram, Lauren Daigle, Michael Donehey, and Paul Mabury. Arranged by Fabio Britto. Christian,Pop,Praise & Worship,Religious,Wedding. Score and part. 13 pages. Fabio Britto #782203. Published by Fabio Britto (A0.1182457). Arrangement of the song You Say (Lauren Daigle) for Viola Solo and Piano Accompaniment with Chords.
$8.99
8.22 €
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Alto, Piano
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Lauren Daigle
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Fabio Britto
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You Say
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Fabio Britto
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SheetMusicPlus
I Love You Truly-viola/piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.844627 Composed by Phil Beaman. 20…
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Piano,Viola - Level 2 - Digital Download SKU: A0.844627 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413063. Published by Phil Beaman (A0.844627). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.48 €
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Alto, Piano
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Phil Beaman
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I Love You Truly-viola/piano
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Phil Beaman
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SheetMusicPlus
I Just Called To Say I Love You
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.634302 By Stevie Wonder. By Stevie…
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Piano,Viola - Level 4 - Digital Download SKU: A0.634302 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and part. 10 pages. F & N Enterprise #3578709. Published by F & N Enterprise (A0.634302). An excellent arrangement of famous Song I Just Called To Say I Love You for Viola and Piano-Jazz/Pop Version (With Improvisation).
$4.99
4.56 €
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Alto, Piano
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Stevie Wonder
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Fishel Pustilnik
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I Just Called To Say I Love You
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F & N Enterprise
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SheetMusicPlus
Say Something
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1246092 By A Great Big World. By C…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1246092 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by César Madeira. Children,Contemporary,Lent,Pop,Wedding. Score and part. 4 pages. Sheet Music To Play Editions #840958. Published by Sheet Music To Play Editions (A0.1246092). Say Something by A Great Big World. Arrangement for Viola and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.56 €
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Alto, Piano
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A Great Big World
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César Madeira
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Say Something
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Sheet Music To Play Editions
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SheetMusicPlus
Say Something
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1246090 By A Great Big World. By C…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1246090 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by César Madeira. Contemporary,Lent,Multicultural,Pop,Wedding,World. Score and part. 4 pages. Sheet Music To Play Editions #840956. Published by Sheet Music To Play Editions (A0.1246090). Say Something by A Great Big World. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.56 €
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Alto, Piano
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A Great Big World
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César Madeira
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Say Something
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Sheet Music To Play Editions
#
SheetMusicPlus
Say Something
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1186879 By A Great Big World. By C…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1186879 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by César Madeira. Children,Contemporary,Film/TV,Multicultural,Pop,World. Score and part. 7 pages. Sheet Music To Play Editions #786502. Published by Sheet Music To Play Editions (A0.1186879). Say Something by A Great Big World. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.3 €
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Alto, Piano
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A Great Big World
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César Madeira
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Say Something
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Sheet Music To Play Editions
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SheetMusicPlus
When You Say Nothing At All
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1081012 By Alison Krauss & Union S…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1081012 By Alison Krauss & Union Station. By Don Schlitz and Paul Overstreet. Arranged by K.L. Phillips. Contemporary,Country,Film/TV,Pop,Wedding. Score and part. 8 pages. K L Phillips #685166. Published by K L Phillips (A0.1081012). Arranged for viola solo with piano accompaniment, this piece is a popular selection for wedding, dinner, cocktail hour or other event music. Included with the sheet music are the piano accompaniment score and viola solo part. The viola stays in first position throughout. Performance Time - 3:00.
$4.99
4.56 €
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Alto, Piano
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Alison Krauss & Union Station
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K
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When You Say Nothing At All
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K L Phillips
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.85 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
You Don't Have To Say You Love Me
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.642475 By Dusty Springfield. By P.…
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Piano,Viola - Level 3 - Digital Download SKU: A0.642475 By Dusty Springfield. By P. Donaggio. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 6 pages. Kaiserin Rebecca #6510863. Published by Kaiserin Rebecca (A0.642475). For viola solo and piano accompaniment with chords.
$7.99
7.3 €
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Alto, Piano
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Dusty Springfield
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Kaiserin Rebecca
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You Don't Have To Say You Love Me
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Kaiserin Rebecca
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SheetMusicPlus
I Just Called To Say I Love You
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1238649 By Stevie Wonder. By Stevi…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1238649 By Stevie Wonder. By Stevie Wonder. Arranged by Kaiserin Rebecca. Comedy,Contemporary,Pop,Wedding. Score and part. 4 pages. Kaiserin Rebecca #834085. Published by Kaiserin Rebecca (A0.1238649). For viola solo and piano accompaniment with chords.Key: C major. Duration: 1'38.
$8.99
8.22 €
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Alto, Piano
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Stevie Wonder
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Kaiserin Rebecca
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I Just Called To Say I Love You
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Kaiserin Rebecca
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SheetMusicPlus
I'll Have To Say I Love You In A Song
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1181201 By Jim Croce. By Jim Croce…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1181201 By Jim Croce. By Jim Croce. Arranged by Kaiserin Rebecca. Comedy,Contemporary,Instructional,Pop. Score and part. 4 pages. Kaiserin Rebecca #781036. Published by Kaiserin Rebecca (A0.1181201). For viola solo and piano accompaniment with chords.Key: D major. Duration: 1'37.
$8.99
8.22 €
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Alto, Piano
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Jim Croce
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Kaiserin Rebecca
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I'll Have To Say I Love You In A Song
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Kaiserin Rebecca
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SheetMusicPlus
A Night In Tunisia
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.22 €
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Alto, Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.81 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Christ the Lord is Risen Today (Viola and Piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.524674 Composed by Charles Wesley,…
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Piano,Viola - Level 3 - Digital Download SKU: A0.524674 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 15 pages. John A. Dempsey #6197105. Published by John A. Dempsey (A0.524674). Ours the cross, the grave, the skies, Alleluia. Â Arranged as a lively duet for viola and piano, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship. Â 11 pages of music (that includes a separate two-page viola part). Â Key: G major. Â Viola Level: Intermediate. Â Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia Â
$6.99
6.39 €
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Alto, Piano
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Christ the Lord is Risen Today (Trio for Violin, Viola and Piano)
Alto, Piano
Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.522879 Compo…
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Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.522879 Composed by Charles Wesley and Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #3000043. Published by John A. Dempsey (A0.522879). Ours the cross, the grave, the skies, Alleluia. Â Arranged as a trio for violin, viola and piano, this jubilant hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude or special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship. Â 17 pages of music (that includes separate two-page parts for violin and viola). Â Concert Key: C major. Â Violin/Viola Level: Intermediate. Â Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia Â
$11.99
10.96 €
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Alto, Piano
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Charles Wesley and Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Christ the Lord is Risen Today (Trio for Clarinet, Viola and Piano)
Alto, Piano
Small Ensemble B-Flat Clarinet,Piano,Viola - Level 3 - Digital Download SKU: A0.523896
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Small Ensemble B-Flat Clarinet,Piano,Viola - Level 3 - Digital Download SKU: A0.523896 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #4302013. Published by John A. Dempsey (A0.523896). Ours the cross, the grave, the skies, Alleluia.  Arranged as a lively  trio for Bb clarinet, viola and piano, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship.  17 pages of music (that includes separate two-page parts for clarinet and viola).  Concert Key: F major.  Clarinet/Viola Level: Intermediate.  Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia Â
$11.99
10.96 €
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Alto, Piano
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Impromptu
Alto, Piano
Viola and piano - intermediate - Digital Download SKU: S9.Q6907 Composed by Hans Ga…
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Viola and piano - intermediate - Digital Download SKU: S9.Q6907 Composed by Hans Gal. Arranged by Julia Mueller-Runte. This edition: Sheet music. Viola Library. Downloadable. Duration 3 minutes. Schott Music - Digital #Q6907. Published by Schott Music - Digital (S9.Q6907). Key: C major.Hans Gál wrote 'Impromptu' in Edinburgh in August 1940 for his then 15-year-old son Peter. His son had already taken several violin lessons and now wanted to try to play the viola in order to join a youth orchestra. As a consequence, 'Impromptu' is easy to play, and its Romantic harmonies in the equally easy piano accompaniment make the piece a well sounding duo that can even be performed by beginners. The Austrian composer and musicologist Hans Gál (1890-1987) composed operas, orchestral works, concertos, vocal music and, especially in the last decades of his life, numerous chamber music works. In addition, he published books (Brahms, Schubert, Verdi) and essays. When Gál was forced to leave Germany in 1933, he first moved to Vienna and finally settled in Edinburgh where he composed and taught at the university until his death.
$11.99
10.96 €
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Alto, Piano
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Hans Gal
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Julia Mueller-Runte
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Impromptu
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Schott Music - Digital
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.12 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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