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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
piano choir score
Non classifié
2 738
Piano & claviers
Piano, Voix
641
Piano, Voix et Guitare
478
Piano seul
332
Accompagnement Piano
111
Piano Facile
78
Orgue
25
Piano Trio: piano, violon, violoncelle
12
1 Piano, 4 mains
9
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Instruments en Do
1
Fake Book
1
Clavier
1
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
4
Guitare notes et tablatures
3
2 Guitares (duo)
3
Basse electrique
2
Ukulele
1
Dulcimer
1
Mandoline, Piano (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
4 206
Chorale 2 parties
3 064
Chorale 3 parties
2 122
Chorale Unison
1 024
Chorale
1 011
Chorale TTBB
385
Chorale SSAA
172
Pack Instrumental pour Chorale
42
Voix d'Enfants
30
Voix duo, Piano
30
Voix Soprano, Piano
22
Soli, choeur mixte et accompagnement
18
Voix haute
7
Chorale SSAB, Piano
7
Chorale SSATTB
7
Chorale SSATB
6
Voix duo
4
Chorale SSAATTBB
3
Chorale SSAATB
3
Voix Alto, Piano
3
Voix d'Enfants, Piano
2
Voix moyenne, Piano
1
Voix seule
1
Voix basse, Piano
1
Voix Tenor, Piano
1
Chorale SATTBB A Cappella
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
65
Clarinette et Piano
62
Hautbois, Piano (duo)
47
Ensemble de Flûtes
41
Saxophone Alto et Piano
41
Ensemble de Clarinettes
33
Saxophone Tenor et Piano
27
Saxophone Soprano et Piano
20
Saxophone Baryton, Piano
14
Cor anglais, Piano
13
Quatuor de Clarinettes: 4 clarinettes
11
2 Clarinettes (duo)
9
2 Saxophones (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Saxophones: 4 saxophones
7
Clarinette Basse, Piano
6
3 Saxophones (trio)
6
Clarinette
5
Quatuor de Flûtes : 4 flûtes
5
3 Clarinettes (trio)
5
Flûte, Violon, Piano
5
2 Flûtes traversières (duo)
5
Flûte, Clarinette (duo)
3
Hautbois, Flûte
2
Flute, harpe et violon
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Clarinette, Piano (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto, Piano
1
Clarinette, Trombone (duo)
1
Ensemble à vent
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Saxophone, Clarinette (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Tuba
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
2 Clarinettes, Piano
1
Harmonica
1
+ 39 instrumentations
Retracter
Cuivres
Trompette, Piano
55
Trombone et Piano
40
Cor et Piano
26
Trompette
14
Euphonium, Piano (duo)
14
Cor anglais, Piano
13
3 Trombones (trio)
10
Tuba et Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone (partie séparée)
3
2 Trombones (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 cors
2
Trompette (partie séparée)
2
Trio de Cuivres
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
Tuba et Orgue
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
+ 21 instrumentations
Retracter
Cordes
Alto, Piano
44
Violon et Piano
39
Violoncelle, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
26
Contrebasse, Piano (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violon
6
Piano Trio: Violon, Alto, Piano
5
Violon, Alto (duo)
4
Violoncelle, Contrebasse (duo)
3
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Violoncelle (duo)
2
Harpe
2
2 Violoncelles (duo)
2
Flûte, Contrebasse (duo)
1
Contre Basse
1
Trio à Cordes: 2 violons, alto
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
2 Violons, Piano
1
Harpe et mandoline
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Violoncelle
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Cloches
276
Orchestre d'harmonie
195
Orchestre
176
Orchestre de chambre
74
Orchestre à Cordes
62
Ensemble Jazz
59
Ensemble de cuivres
26
Jazz combo
18
Batterie
3
Ensemble de Percussions
1
Instrumentation Flexible
1
Voix et Orchestre
1
Fanfare
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
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Vous avez sélectionné:
piano choir score
Alto, Piano
Partitions à imprimer
44 partitions trouvées
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1
26
Siciliano for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Mark Reeves
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Siciliano for Viola and Piano
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Mark Reeves
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.748707 Composed by Johann Sebastian Bach. Arranged by Mark Reeves. Baroque,Multicultural,Wedding,World. Score and part. ...
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Piano,Viola - Level 3 - SKU: A0.748707 Composed by Johann Sebastian Bach. Arranged by Mark Reeves. Baroque,Multicultural,Wedding,World. Score and part. 7 pages. Mark Reeves #5322639. Published by Mark Reeves (A0.748707). Siciliano by J S Bach arranged for Viola and PianoMost arrangements of this music (the 2nd movement of J.S. Bach’s Sonata in E Flat for Flute and Cembalo BWV1031) repeat the first 22 bars of the original score, thus creating a lengthier piece suitable for a concert program. In this new arrangement, however, the repeated section is made more interesting by reversing the roles of the solo and accompaniment parts: the piano now plays the melodic line (along with the bass line as before) whilst the soloist provides the accompanying counterpoint. Bach’s original manuscript contains no performance directions other than a fermata (pause) at the very end. All performance directions in this version are suggestions only. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850 Further InformationWeb: https://www.markreeves.co.ukEmail: info@markreeves.co.ukFacebook: https://www.facebook.com/markreevespianistYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReevesPianoInstagram: @mark.reeves.pianist
$7.99
Jingle Bells for Viola & Piano
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Alto, Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408...
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Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Fauré: Élégie Op. 24 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
IN THE QUIETNESS (For SATB Choir with Viola & Piano - separate Octavo, Choir & Viola Part included)
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Alto, Piano
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FACILE
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Musique Sacrée
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Gary Lanier
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Gary Lanier
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Piano
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IN THE QUIETNESS
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.617379 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Holiday,Praise & Worship,Sacred. Score and part. 13 p...
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Piano,Viola - Level 2 - SKU: A0.617379 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Holiday,Praise & Worship,Sacred. Score and part. 13 pages. The Lanier Company #4898851. Published by The Lanier Company (A0.617379). IN THE QUIETNESS is a worship song composed and arranged by Gary Lanier for Choir with Viola & Piano. It works great for congregational worship, special music, Thanks Giving or for the joy of singing and playing in any situation where worship music is desired (13 pages with cover).
$2.25
ALL THE WAY MY SAVIOR LEADS ME (SATB Choir with Viola & Piano - Octavo plus Viola & Choir Part inclu
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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ROBERT LOWERY
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Gary Lanier
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ALL THE WAY MY SAVIOR LEADS ME
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.617408 Composed by ROBERT LOWERY. Arranged by Gary Lanier. Sacred. Score and part. 17 pages. The Lanier Company #4979377...
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Piano,Viola - Level 3 - SKU: A0.617408 Composed by ROBERT LOWERY. Arranged by Gary Lanier. Sacred. Score and part. 17 pages. The Lanier Company #4979377. Published by The Lanier Company (A0.617408). ALL THE WAY MY SAVIOR LEADS ME is an arrangement for SATB Choir with Viola & Piano of a popular old gospel hymn. It works great for offertories, worship services, concerts, special occasions or for the joy of singing in any situation where gospel music is desired (17 pages).
$2.50
Amazing Grace (viola solo and piano) - Score & parts
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Alto, Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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Amazing Grace
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Whole Tone Press
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.773774 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred,Standards. Score and part. 11 pages. Whole To...
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Piano,Viola - Level 3 - SKU: A0.773774 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred,Standards. Score and part. 11 pages. Whole Tone Press #5298911. Published by Whole Tone Press (A0.773774). Amazing Grace is beautifully arranged for viola solo and piano. The viola has the melody throughout with slight variations, playable by an intermediate level violinist. The captivating piano accompaniment creates a distinctive mood with unexpected harmonies that give new life to the beloved hymn. A wonderful addition to the sacred repertoire for solo instrument and piano, this piece will make a lasting impression on your congregation or concert audience. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$4.99
Grieg: Morning Mood from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Sc...
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Piano,Viola - Level 3 - SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502223. Published by jmsgu3 (A0.549506). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Piano,Viola - Level 3 - SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507495. Published by jmsgu3 (A0.549550). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Piano,Viola - Level 3 - SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Piano,Viola - Level 3 - SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Down by the Riverside, Gospel Song for Viola and Piano
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Alto, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.592732 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and...
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Piano,Viola - Level 2 - SKU: A0.592732 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411833. Published by David McKeown (A0.592732). Down by the Riverside is a beautiful gospel song arranged here for Solo Viola and Piano.Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.
$2.49
Gary Lanier: IN OUR MIDST (Worship - For Voice, Viola and Piano with Parts)
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Alto, Piano
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FACILE
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Musique Sacrée
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Gary Lanier
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Gary Lanier
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Gary Lanier: IN OUR MIDST
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The Lanier Company
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SheetMusicPlus
Small Ensemble Choir,Piano,Viola,Voice - Level 2 - SKU: A0.614579 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sa...
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Small Ensemble Choir,Piano,Viola,Voice - Level 2 - SKU: A0.614579 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 10 pages. The Lanier Company #1892639. Published by The Lanier Company (A0.614579). 2016 Arrangement New Release. IN OUR MIDST is a worship song composed and arranged by Gary Lanier for Voice, Viola and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (10 pages with cover). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: HERE I AM (Piano Accompaniment for Voice & Viola).
$5.99
Grieg: Peer Gynt Suite Complete for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Ave verum corpus for viola and piano (easy)
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Alto, Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Daniel C
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Ave verum corpus for viola and
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Daniel C. M.
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1043933 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages....
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Piano,Viola - Level 2 - SKU: A0.1043933 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages. Daniel C. M. #648630. Published by Daniel C. M. (A0.1043933). This is a very easy arrangement for viola and piano. The main voice of the sopranos has been left for the viola to play. The choir and orchestra have been arranged for the piano in an easy way, but keeping the harmony the same as the original.
$4.00
SERENATA - viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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SERENATA - viola and piano
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Whole Tone Press
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.862341 Composed by Anthony Giamanco. Contemporary,Contest,Festival,New Age,Wedding. Score and part. 11 pages. Whole Tone...
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Piano,Viola - Level 3 - SKU: A0.862341 Composed by Anthony Giamanco. Contemporary,Contest,Festival,New Age,Wedding. Score and part. 11 pages. Whole Tone Press #468841. Published by Whole Tone Press (A0.862341). A wistful 'serenade' for viola and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
$4.25
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.594427 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. Davi...
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Piano,Viola - Level 3 - SKU: A0.594427 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658369. Published by David McKeown (A0.594427). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Viola with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Pomp and Circumstance March No. 1 for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1036227 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards....
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Piano,Viola - Level 3 - SKU: A0.1036227 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #641333. Published by Diego Marani (A0.1036227). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for viola with piano is suitable for classroom, repertoire and recital.
$9.99
Ode to Joy by Beethoven for Viola and Piano
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Alto, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Vi
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1241139 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pa...
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Piano,Viola - Level 1 - SKU: A0.1241139 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836535. Published by Woods Only, Arrangements (A0.1241139). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
Bourree 1 & 2 from Suite No 1, BWV 1066 for viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree 1 & 2 from Suite N
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Amadeus Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.530997 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 4 pages. Amadeus M...
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Piano,Viola - Level 3 - SKU: A0.530997 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 4 pages. Amadeus Music #2028025. Published by Amadeus Music (A0.530997). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$4.95
Sarabande Suite 2 BWV 1067 for viola and piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Sarabande Suite 2 BWV 1067 for
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Amadeus Music
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.532269 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Concert. Score and part. 4 pages. Amadeus Mus...
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Piano,Viola - Level 4 - SKU: A0.532269 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Concert. Score and part. 4 pages. Amadeus Music #4367070. Published by Amadeus Music (A0.532269). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity
$4.95
Menuet Suite 2 BWV 1067 for viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Menuet Suite 2 BWV 1067 for vi
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Amadeus Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.532271 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 4 pages. Amadeus M...
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Piano,Viola - Level 3 - SKU: A0.532271 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 4 pages. Amadeus Music #4367626. Published by Amadeus Music (A0.532271). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$3.95
Bist du bei mir, Be thou with me BWV 508 for viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Bist du bei mir, Be thou with
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Amadeus Music
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.532554 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 4 pages. A...
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Piano,Viola - Level 3 - SKU: A0.532554 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 4 pages. Amadeus Music #6457473. Published by Amadeus Music (A0.532554). Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$4.95
Adagio BWV 974 from Concerto in D Minor after Marcello for viola and piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
#
BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.532623 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and...
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Piano,Viola - Level 4 - SKU: A0.532623 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and part. 6 pages. Amadeus Music #6629299. Published by Amadeus Music (A0.532623). Unornamented easy viola part included.Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$5.95
Bourree Suite 2 BWV 1067 for viola and piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Klas Krantz
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Bourree Suite 2 BWV 1067 for v
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Amadeus Music
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.532264 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 5 pages. Amadeus M...
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Piano,Viola - Level 4 - SKU: A0.532264 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 5 pages. Amadeus Music #4364568. Published by Amadeus Music (A0.532264). Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
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piano choir score
