English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
38
Partitions
Numériques
347
Librairie
Musicale
32
Matériel
de Musique
20 800
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
5232
PIANO & CLAVIERS
Piano seul
5950
Piano, Voix
1783
Piano, Voix et Guitare
1131
Piano Facile
1011
Orgue
865
Instruments en Do
334
1 Piano, 4 mains
78
Piano grosses notes
76
Piano (partie séparée)
74
Accompagnement Piano
73
Accordéon
61
Piano Trio: piano, violon, violoncelle
37
Piano Quatuor: piano, violon, alto, violoncelle
36
2 Pianos, 4 mains
27
Orgue, Piano (duo)
22
2 Accordéons
7
Orgue, Trompette (duo)
7
Ligne De Mélodie, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
2
1 Piano, 6 mains
2
Clavecin
2
Accordéon, Voix
1
Instrument seul et Orgue
1
Clavier
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
22857
Guitare
875
Guitare notes et tablatures
576
Paroles et Accords
123
Ukulele
112
Basse electrique
87
2 Guitares (duo)
29
Guitare (partie séparée)
21
Piano, Guitare (duo)
18
4 Guitares (Quatuor)
18
Mandoline
9
Ensemble de Ukulélés
8
Banjo
5
Basse électrique (partie séparée)
3
Dulcimer
3
Guitare, Violon, Violoncelle (trio)
3
3 Guitares (trio)
2
Ukulele Baryton
2
2 Ukuleles
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
Guitare Pedal Steel
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1670
Chorale 3 parties
560
Chorale TTBB
276
Chorale 2 parties
230
Chorale SSAA
165
Voix seule
159
Chorale Unison
100
Chorale
46
Voix duo, Piano
40
Voix haute
18
Voix duo
14
Voix basse, Piano
12
Voix Soprano, Piano
9
Voix Moyenne
8
Voix moyenne, Piano
8
Chorale SSAATTBB
6
Voix Tenor, Piano
6
Chorale SSATB
6
Chorale SSATTB
3
Voix Alto, Piano
3
Voix basse
2
Voix Tenor
2
Voix Soprano
2
Chorale SSAATB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATBB
1
Soli, choeur mixte et accompagnement
1
Chorale SATBB
1
Voix Baryton, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
1001
Hautbois, Piano (duo)
621
Clarinette et Piano
350
Clarinette
297
Saxophone Alto et Piano
267
Saxophone (partie séparée)
249
Flûte traversière
214
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
200
Quatuor de Saxophones: 4 saxophones
192
Clarinette (partie séparée)
169
Quintette de Saxophone: 5 saxophones
161
Cor anglais, Piano
153
Saxophone Tenor et Piano
145
2 Saxophones (duo)
129
Saxophone Alto
129
Ensemble de saxophones
118
Saxophone Soprano et Piano
118
Flute (partie séparée)
115
2 Flûtes traversières (duo)
114
Hautbois (partie séparée)
104
Flûte, Hautbois, Clarinette, Basson
103
Saxophone Baryton, Piano
91
Quatuor de Clarinettes: 4 clarinettes
90
2 Clarinettes (duo)
83
Clarinette Basse, Piano
68
Ensemble de Clarinettes
67
Saxophone
63
Quatuor de Flûtes : 4 flûtes
53
Hautbois
50
Saxophone Tenor
46
Ensemble de Flûtes
39
3 Saxophones (trio)
36
Flûte à Bec
35
3 Clarinettes (trio)
29
2 Hautbois (duo)
28
2 Flûtes traversières, Piano
28
Trio de Flûtes: 3 flûtes
27
Quintette de Flûte : 5 flûtes
26
Flûte, Clarinette (duo)
23
Flûte et Guitare
23
2 Flûte à bec (duo)
22
Flûte à bec Soprano
21
Hautbois, Basson (duo)
20
Flûte, Violoncelle
19
Flûte, Violon
17
Quatuor de Flûtes à bec
16
Flûte, Alto (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Clarinette et Alto
14
Clarinette, Violon (duo)
13
Saxophone Soprano
12
Harmonica
11
Saxophone, Clarinette (duo)
10
Flûte, Violon et Violoncelle
10
Piccolo, Piano
9
Clarinette, Guitare (duo)
8
Clarinette, Violoncelle (duo)
7
Clarinette, Harpe (duo)
7
Flûte à bec Tenor
6
Clarinette, Trompette (duo)
6
Flûte, Clarinette et Basson
6
Hautbois, Violoncelle
6
Flûte, Saxophone (duo)
6
Hautbois, Clarinette (duo)
6
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, Flûte
5
Clarinette Basse
5
Hautbois, Harpe
5
Flûte, Hautbois, Basson
5
Flûte, Hautbois (duo)
5
Instruments en Mib
4
Clarinette, Basson (duo)
4
Flûte, Violoncelle, Piano (trio)
4
Flûte traversière, Orgue (duo)
4
Flûte à bec Alto
4
Flûte, Violon, Piano
4
2 Cors Anglais Et Pianoforte
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone et Guitare
3
2 Saxophones, Piano
2
2 Clarinettes, Piano
2
Hautbois et alto (duo)
2
Flûte, Trompette (duo)
2
Flûte et Trio à cordes
2
Cornemuse
2
Saxophone, Basson (duo)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Alto, Piano
2
Saxophone et violoncelle
2
Cor anglais et Harpe (duo)
2
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Orgue
1
Flûte, Violoncelle, Guitare
1
Piccolo
1
Saxophone et Orgue
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Baryton
1
Flute, harpe et violon
1
Ocarina
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
Flûte traversière, Orchestre
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Guitare, Piano
1
Flûte, Clarinette, Violon (trio)
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Saxophone et Piano
1
Flûte à Bec, Piano
1
Flûte, Basson et Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Orchestre
1
5 Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
221
Trompette (partie séparée)
221
Trompette
207
Trombone et Piano
194
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
193
Cor et Piano
187
Quatuor de Cuivres : 2 trompettes, trombone, tuba
186
Trombone (partie séparée)
185
Cor anglais, Piano
153
Trombone
129
Cor (partie séparée)
115
Euphonium, Piano (duo)
90
Cor
84
Tuba et Piano
67
Quatuor de Cuivres: 2 trompettes, Cor, trombone
53
Ensemble de Trompettes
47
Tuba
40
Ensemble de Trombones
40
Tuba (partie séparée)
35
Quatuor de Cuivres
35
2 Trombones (duo)
35
2 Trompettes (duo)
34
2 Cors (duo)
27
Trompette, Trombone (duo)
20
Quatuor de cuivres: 4 cors
17
Euphonium
15
Trio de Cuivres
13
Trompette, Saxophone (duo)
11
2 Euphoniums (duo)
11
Quatuor de cuivres: 4 trombones
9
Euphonium, Tuba (duo)
7
2 Tubas (duo)
7
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
Tuba et Orgue
5
Bass Clef Instruments
5
Instruments en Sib
5
Ensemble de Cors
4
2 Cors Anglais Et Pianoforte
4
Tuba ou Euphonium ou Saxhorn
3
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
3
Cornet A Pistons
2
Trompette, Cor (duo)
2
Cor anglais et Harpe (duo)
2
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
Trompette, Harpe
1
Cornet et Piano
1
Trombone basse et Piano
1
4 Tubas
1
Cor Anglais
1
Cor et Harpe
1
Trompette, Tuba (duo)
1
Trompette, Trombone, Piano
1
Trombone basse
1
Cor, Violoncelle (duo)
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
1287
Quatuor à cordes: 2 violons, alto, violoncelle
965
Violon
413
Violoncelle, Piano
367
Alto, Piano
347
Violon, Violoncelle (duo)
327
Trio à Cordes: violon, alto, violoncelle
244
Harpe
225
Violoncelle (partie séparée)
218
Violon (partie séparée)
193
Alto seul
167
Contrebasse (partie séparée)
160
Violoncelle
118
Alto (partie séparée)
100
2 Violons (duo)
96
Trio à Cordes: 2 violons, violoncelle
91
2 Violoncelles (duo)
87
Violon, Alto (duo)
70
Quintette à cordes: 2 violons, alto, violoncelle, basse
53
Harpe (partie séparée)
52
Contrebasse, Piano (duo)
51
2 Altos (duo)
48
Contre Basse
44
Ensemble d'Altos
27
Ensemble de Violons
26
2 Contrebasses (duo)
21
Trio à cordes: 3 violins
19
4 Violoncelles
18
Trio à Cordes: 2 violons, alto
16
Harpe, Flûte (duo)
16
Violon, Guitare (duo)
14
Alto, Violoncelle (duo)
13
Violoncelle, Contrebasse (duo)
10
Trio à Cordes: 3 violoncelles
9
Harpe, Violon (duo)
9
Piano Trio: Violon, Alto, Piano
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Orgue
5
Violoncelle , Guitare (duo)
5
Violon, Basson (duo)
5
Flûte, Contrebasse (duo)
5
2 Harpes (duo)
4
Alto, Guitare (duo)
4
Alto et Basson
4
Quatuor à cordes : 4 altos
4
Trio à cordes
4
Alto et Harpe
3
Quatuor à cordes: 4 violons
3
Harpe, Violoncelle (duo)
3
2 Violons, Piano
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
2
3 Harpes
2
Trio à cordes: 3 altos
2
5 Harpes
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
2 Altos, Piano
1
Violoncelle, Orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
791
Orchestre à Cordes
406
Orchestre
405
Ensemble Jazz
155
Percussion (partie séparée)
150
Orchestre de chambre
124
Ensemble de cuivres
106
Cloches
89
Batterie
88
Fanfare
72
Jazz combo
52
Ensemble de Percussions
28
Batterie (partie séparée)
26
Marimba
25
Timbales (partie séparée)
20
Timbales
15
Vibraphone
8
Percussion
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette à Vent
3
Instrumentation Flexible
2
Xylophone, Piano
2
Orchestre, Violon
2
Vibraphone (partie séparée)
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
the M
Alto, Piano
Partitions à imprimer
347 partitions trouvées
<
1
26
51
....
326
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. A…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.96 €
#
Alto, Piano
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
(+)
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.96 €
#
Alto, Piano
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
(+)
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.33 €
#
Alto, Piano
#
Traditional Scottish
#
James M
#
The Water is Wide for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tc…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 47 pages. Jmsgu3 #3545591. Published by jmsgu3 (A0.549814). Duration: 6:12, Score: 29 pages, Solo part: 5 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.33 €
#
Alto, Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tc…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538867. Published by jmsgu3 (A0.549792). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.33 €
#
Alto, Piano
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
The First Noel for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
(+)
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.96 €
#
Alto, Piano
#
Traditional
#
James M
#
The First Noel for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
(+)
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.33 €
#
Alto, Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
James M
#
Korsakov: Flight of the Bumblebee for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak.…
(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.33 €
#
Alto, Piano
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.17 €
#
Alto, Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viola and Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.8 €
#
Alto, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
I Write The Songs
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce …
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.77 €
#
Alto, Piano
#
Barry Manilow
#
James M
#
I Write The Songs
#
jmsgu3
#
SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
(+)
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
23 €
#
Alto, Piano
#
David M
#
Penitent Thief, The
#
David Sterrett Music
#
SheetMusicPlus
Vivaldi: The Four Seasons Complete for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.551447 Composed by Antonio Vivaldi…
(+)
Piano,Viola - Level 5 - Digital Download SKU: A0.551447 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5205031. Published by jmsgu3 (A0.551447). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
45.97 €
#
Alto, Piano
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: The Four Seasons Complete for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.551339 Composed by Antonio Vivaldi…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.551339 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5024423. Published by jmsgu3 (A0.551339). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
30.33 €
#
Alto, Piano
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four Seasons for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Viola & Piano Quintet
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.551449 Composed by Antonio Vivaldi…
(+)
Piano,Viola - Level 5 - Digital Download SKU: A0.551449 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 72 pages. Jmsgu3 #5207327. Published by jmsgu3 (A0.551449). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$49.95
45.97 €
#
Alto, Piano
#
Antonio Vivaldi
#
James M
#
Op
#
Vivaldi: Spring from the Four Seasons for Viola & Piano Quintet
#
jmsgu3
#
SheetMusicPlus
I Vow to Thee My Country - Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.574113 Composed by Gustav Holst. A…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.574113 Composed by Gustav Holst. Arranged by James Michael Stevens. 20th Century,Graduation,Patriotic,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #6285315. Published by James M Stevens Music ASCAP (A0.574113). Written February 15, 2021, this an original viola and piano of the beloved English hymn with music by Gustav Holst that was drawn from Jupiter of The Planets. It was sung at Winston Churchill’s funeral and at the wedding and funeral of Princess Diana. There is a separate viola part in the score and accompaniment track as heard can be found under I Vow to Thee My Country Piano Track - D Major.
$6.99
6.43 €
#
Alto, Piano
#
Gustav Holst
#
James Michael Stevens
#
I Vow to Thee My Country - Viola & Piano
#
James M Stevens Music ASCAP
#
SheetMusicPlus
LORD, I'M COMING HOME (for Viola and Piano with Score/Part)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.617584 Composed by William J. Kirk…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.617584 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5790775. Published by The Lanier Company (A0.617584). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
6.43 €
#
Alto, Piano
#
William J
#
Gary Lanier
#
LORD, I'M COMING HOME
#
The Lanier Company
#
SheetMusicPlus
Im Märzen der Bauer (In springtime the farmer) for violin, viola and piano
Alto, Piano
Piano Trio,String Ensemble Viola,Violin - Level 3 - Digital Download SKU: A0.576789…
(+)
Piano Trio,String Ensemble Viola,Violin - Level 3 - Digital Download SKU: A0.576789 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 9 pages. David Warin Solomons #433199. Published by David Warin Solomons (A0.576789). Arrangement for 2 melody instruments and piano of the German folk song Im Märzen der Bauer, which tells of the life of the farmer throughout the various seasons. For each verse I modulate to a different key, swap the tune over to the other melody instrument and change the countermelody. I have also made a version with a rather simpler accompaniment on guitar. The sound sample is an electronic preview. The pdf file contains the score and parts.
$7.00
6.44 €
#
Alto, Piano
#
Traditional
#
David Warin Solomons
#
Im Märzen der Bauer
#
David Warin Solomons
#
SheetMusicPlus
I'm Every Woman
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.635978 By Whitney Houston. By Nick…
(+)
Piano,Viola - Level 4 - Digital Download SKU: A0.635978 By Whitney Houston. By Nickolas Ashford and Valerie Simpson. Arranged by Fishel Pustilnik. Contemporary. Score and part. 10 pages. F & N Enterprise #6108587. Published by F & N Enterprise (A0.635978). An excellent arrangement of the famous Song I'm Every Woman for Viola and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/V00RxK2n5J8 The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.59 €
#
Alto, Piano
#
Whitney Houston
#
Fishel Pustilnik
#
I'm Every Woman
#
F & N Enterprise
#
SheetMusicPlus
Super Mario Bros Theme
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1208823 Composed by Koji Kondo. Ar…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1208823 Composed by Koji Kondo. Arranged by Márcio Silva. Contemporary,Film/TV,Multicultural,Pop,Video Game,World. Score and part. 9 pages. Márcio Silva #806927. Published by Márcio Silva (A0.1208823). The theme of Super Mario Bros is considered a landmark in video game history. It has influenced video game music for decades, and is still frequently referenced and remixed in new games and other media. The song is so iconic that it has become almost synonymous with the Mario franchise itself, and is instantly recognizable to gamers across the world.This is an arrangement of the main melody with Easy Piano.Viola and easy piano.
$9.99
9.19 €
#
Alto, Piano
#
Koji Kondo
#
Márcio Silva
#
Super Mario Bros Theme
#
Márcio Silva
#
SheetMusicPlus
Super Mario Bros Theme
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1208822 Composed by Koji Kondo. Ar…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1208822 Composed by Koji Kondo. Arranged by Márcio Silva. Contemporary,Film/TV,Multicultural,Pop,Video Game,World. Score and part. 9 pages. Márcio Silva #806926. Published by Márcio Silva (A0.1208822). The theme of Super Mario Bros is considered a landmark in video game history. It has influenced video game music for decades, and is still frequently referenced and remixed in new games and other media. The song is so iconic that it has become almost synonymous with the Mario franchise itself, and is instantly recognizable to gamers across the world.This is an arrangement of the main melody with Easy Piano.Viola and easy piano with chords.
$9.99
9.19 €
#
Alto, Piano
#
Koji Kondo
#
Márcio Silva
#
Super Mario Bros Theme
#
Márcio Silva
#
SheetMusicPlus
The godfather's Minuet
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1136709 Composed by Vilbac, Renaud…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1136709 Composed by Vilbac, Renaud de. Arranged by Nick M Lacanski. Romantic Period. Score and part. 17 pages. Theupperstaff #736710. Published by theupperstaff (A0.1136709). This selection dates from the Romantic era and in the piano repertoire. The godfather’s minuet is the first sketch in a set of 20 for piano. It is a Da capo waltz with a trio. Thanks for having a look.
$4.99
4.59 €
#
Alto, Piano
#
Vilbac, Renaud de
#
Nick M Lacanski
#
The godfather's Minuet
#
theupperstaff
#
SheetMusicPlus
Thérèse Brenet: Ces Hautes Mélodies dans le Paradis que Nous avons perdus double concerto for viola,
Alto, Piano
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - Digital Download
(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.533512 Composed by Therese Brenet. Arranged by Paul Wehage. Contemporary,Sacred,Standards. Score and parts. 40 pages. Musik Fabrik Music Publishing #3006613. Published by Musik Fabrik Music Publishing (A0.533512). Double Concerto for viola, violoncello and orchestrapiano reduction by Paul WehageI La première union avec DieuII Glissés de comètesIII Le Livre de l'ÉternitéDurée totale 13'40Orchestration 222bccl2/4331/timp/2perc/mba/cel/hp/stringsparts on rental from the publisher
$25.95
23.88 €
#
Alto, Piano
#
Therese Brenet
#
Paul Wehage
#
Thérèse Brenet: Ces Hautes Mélodies dans le Paradis que Nous avons perdus double concerto for viola,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
<
1
26
51
....
326
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
