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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Call of the Sea
Non classifié
270
Piano & claviers
Piano seul
143
Piano, Voix et Guitare
41
Orgue
34
Piano, Voix
33
Instruments en Do
25
Piano Facile
25
Clavier
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
9
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 2 instrumentations
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Voix
Chorale SATB
100
Chorale 3 parties
29
Chorale 2 parties
11
Chorale TTBB
9
Chorale Unison
6
Voix Soprano, Piano
4
Chorale SSAA
3
Chorale SSAATTBB
2
Chorale SSATTB
1
Voix duo
1
Voix haute
1
Chorale SSAB a cappella
1
+ 7 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
2 Saxophones (duo)
21
Quatuor de Clarinettes: 4 clarinettes
17
Clarinette et Piano
16
Ensemble de saxophones
15
2 Flûtes traversières (duo)
14
2 Clarinettes (duo)
12
Ensemble de Clarinettes
12
Flûte traversière et Piano
12
Quatuor de Saxophones: 4 saxophones
11
Ensemble de Flûtes
10
Saxophone Alto et Piano
10
Saxophone Soprano et Piano
9
Hautbois, Piano (duo)
9
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Clarinettes: 5 clarinettes
7
2 Hautbois (duo)
7
Flûte traversière
6
Clarinette, Trompette (duo)
6
Quintette de Flûte : 5 flûtes
6
3 Saxophones (trio)
5
Clarinette, Violon (duo)
5
Saxophone Tenor et Piano
5
Saxophone, Clarinette (duo)
5
Clarinette
5
Cor anglais, Piano
4
Saxophone Baryton, Piano
4
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
3
Saxophone Alto
3
Flûte, Clarinette (duo)
3
Saxophone Tenor
3
Flûte, Alto (duo)
3
Saxophone Soprano
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette et Alto
2
Hautbois
2
Flûte à Bec
2
Saxophone Baryton
2
Hautbois, Flûte
2
Flûte à bec Alto
1
Flûte, Saxophone (duo)
1
Hautbois (partie séparée)
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Piano
1
Clarinette Basse, Piano
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Ensemble de Hautbois
1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Orgue
1
+ 55 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette
10
Ensemble de Trombones
8
2 Trombones (duo)
7
2 Cors (duo)
6
Tuba et Piano
6
Euphonium, Piano (duo)
6
Trompette, Piano
6
Cor et Piano
6
2 Trompettes (duo)
5
Cor
5
Cor anglais, Piano
4
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de Cuivres
4
Ensemble de Trompettes
4
Trombone
3
Tuba
3
Trio de Cuivres
2
2 Tubas (duo)
2
Ensemble de Cors
1
Euphonium
1
Trombone et orchestre
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon et Piano
14
Violoncelle, Piano
10
Violon
10
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
8
Alto, Piano
8
Violoncelle
7
2 Violoncelles (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe
6
Violon, Guitare (duo)
5
2 Altos (duo)
5
Violon, Violoncelle (duo)
5
Alto seul
4
Ensemble d'Altos
3
Ensemble de Violons
3
Contrebasse, Piano (duo)
3
Harpe, Voix
3
Violon, Alto (duo)
3
Contre Basse
2
Violon (partie séparée)
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
239
Orchestre à Cordes
30
Orchestre
28
Cloches
14
Ensemble de cuivres
10
Jazz combo
7
Batterie
6
Orchestre de chambre
5
Ensemble Jazz
4
Marimba
2
Fanfare
2
Xylophone, Piano
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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Crtitères actifs :
The Call of the Sea
Quatuor de Cuivres
Partitions à imprimer
4 partitions trouvées
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1
Listen to the Mocking Bird
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Music by Richard Milburn
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F
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Listen to the Mocking Bird
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
#
F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Winter Soltice
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Joseph Pugh
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Winter Soltice
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Joseph Pugh
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1143123 Composed by Joseph Pugh. Chamber,Christmas,Classical,Contemporary,Holiday. 6 pages. Joseph Pugh #...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1143123 Composed by Joseph Pugh. Chamber,Christmas,Classical,Contemporary,Holiday. 6 pages. Joseph Pugh #743485. Published by Joseph Pugh (A0.1143123). The December solstice, also known as the southern solstice, is the solstice that occurs each December – typically on 21 December, but may vary by one day in either direction according to the Gregorian calendar. In the Northern Hemisphere, the December solstice is the winter solstice (the day with the shortest period of daylight), whilst in the Southern Hemisphere it is the summer solstice (the day with the longest period of daylight). The solstice also marks the changing of seasons in many countries. 21 December is the first day of winter (in the Northern Hemisphere) and the first day of summer (in the Southern Hemisphere). This arrangement, by Joseph Pugh commemorates the event with brass.
$13.99
Watermelon Man
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Quatuor de Cuivres
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Herbie Hancock
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John Fries
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Watermelon Man
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John Fries
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - SKU: A0.1140386 By Herbie Hancock. By Herbie Hancock. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. 12 pages. Jo...
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Horn,Trombone,Trumpet,Tuba - SKU: A0.1140386 By Herbie Hancock. By Herbie Hancock. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. 12 pages. John Fries #740641. Published by John Fries (A0.1140386). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Growing up in the '40s and '50s in Chicago, Herbie Hancock was around street vendors, including the watermelon men, who peddled the fruit. This provided the title and musical inspiration for the song. Hancock wrote: In reflecting on my childhood, I recalled the cry of the watermelon man making his rounds through the back streets and alleys of Chicago's South Side. The wheels of his wagon beat out the rhythm on the cobblestones. This is one of the most famous jazz compositions ever recorded. Hancock was just 22 when he released it on his first album, Takin' Off.
$12.99
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The Call of the Sea
