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Trompette, Piano
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Ding Dong Merrily On High--trumpet solo
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.786783 Composed by George Ratcli…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.786783 Composed by George Ratcliffe Woodward, Thoinot Arbeau. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6439619. Published by Beka Wilson (A0.786783). This new arrangement of Ding Dong Merrily On High for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: advanced for most instruments7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.39 €
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Trompette, Piano
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George Ratcliffe Woodward, Thoinot Arbeau
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Beka Wilson
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Ding Dong Merrily On High--trumpet solo
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Beka Wilson
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SheetMusicPlus
24 Lyric Preludes for Trumpet and Piano
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.792802 Composed by David Evan Th…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.792802 Composed by David Evan Thomas. 20th Century,Contemporary. Score and part. 124 pages. Gordon Cherry #6591121. Published by Gordon Cherry (A0.792802). Here is an excellent description of the 24 Lyric Preludes for Trumpet and Piano by the composer, David Evan Thomas:24 Lyric Preludes for Trumpet and Piano is a unified cycle of 24 contrasting pieces in all major and minor keys and may be played in sequence, by book, or excerpted in any order that makes musical sense. As in Chopin's 24 Préludes for piano, each major key is paired with its relative minor. But the 24 Lyric Preludes move softly down a descending ladder of thirds and flat-wise around the circle of fifths. Many aspects of the trumpeter's stock-in-trade are explored-double-tonguing, lip slurs, extremes of range and volume-as well as references to rhythms, patterns, and problems encountered by the orchestral player. The tonal spectrum may be widened further through judicious use of cornet and flugelhorn and creative choice of mutes. While there are a few notable links between movements (e.g., the Improvisation to the Nocturne; the return of the Prelude tune in the Finale), each piece deals with a characteristic style or musical idea, and most stand on their own. The piano is an equal partner throughout.Here is a testimonial of this very fine work:This is one of the most significant major works for trumpet and piano that I have seen in many years. It is a rare combination of great variety of nuance and challenges with a very broad audience appeal. I can recommend it highly and enthusiastically.David Baldwin, Professor Emeritus of Trumpet, University of Minnesota School of MusicThe complete work is about 36-40 minutes in length and is appropriate for advanced performers.
$32.50
29.73 €
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Trompette, Piano
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David Evan Thomas
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24 Lyric Preludes for Trumpet and Piano
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Gordon Cherry
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SheetMusicPlus
Prayer and Epilogue for Trumpet and Organ
Trompette, Piano
C Trumpet,Piano - Level 5 - Digital Download SKU: A0.1489682 Composed by Roger T. P…
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C Trumpet,Piano - Level 5 - Digital Download SKU: A0.1489682 Composed by Roger T. Petrich. 21st Century,Praise & Worship. Score and part. 9 pages. Gordon Cherry #1066554. Published by Gordon Cherry (A0.1489682). Prayer and Epilogue for Trumpet and Organ by Roger T. Petrich is a work written for and recorded by Paul Neebe. The work is written for the Feast Day of Saint Thomas More, the martyr.Prayer is inspired by the words from Psalm 31, I trust in the Lord. Epilogue (marked Merrily is inspired by the words of Saint Thomas More himself, May we meet merrily in Heaven.This work is about 5 minutes in length and appropriate for advanced performers.The brilliant performance is taken from the recording Te Deum featuring Paul Neebe on Trumpet and Ulrich Knörr on Organ.
$25.00
22.87 €
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Trompette, Piano
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Roger T
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Prayer and Epilogue for Trumpet and Organ
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Gordon Cherry
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SheetMusicPlus
TRITONE Sonata for Trumpet in B-flat and Piano
Trompette, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st…
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00
27.44 €
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Trompette, Piano
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John Frith
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TRITONE Sonata for Trumpet in B-flat and Piano
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Cherry Classics Music
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SheetMusicPlus
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