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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Big Red
Non classifié
521
Piano & claviers
Piano grosses notes
789
Piano seul
332
Piano, Voix et Guitare
148
Piano Facile
109
Piano, Voix
94
Piano (partie séparée)
69
Instruments en Do
33
Orgue
19
Clavecin
11
Accompagnement Piano
10
1 Piano, 4 mains
5
Accordéon
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Accordéon, Voix
1
+ 14 instrumentations
Retracter
Guitares
Guitare (partie séparée)
153
Guitare notes et tablatures
44
Guitare
19
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
7
Paroles et Accords
5
Ukulele
5
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
4
Dulcimer
2
Banjo
2
Mandoline
1
2 Guitares (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
154
Chorale 3 parties
51
Chorale 2 parties
28
Chorale TTBB
19
Pack Instrumental pour Chorale
18
Chorale SSAA
13
Voix Alto, Piano
11
Chorale Unison
8
Voix duo, Piano
8
Voix moyenne, Piano
4
Voix haute
3
Voix seule
2
Chorale
2
Voix duo
1
Voix Baryton, Piano
1
Chorale, Orgue
1
Chorale SSAATB
1
+ 12 instrumentations
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Vents
Saxophone (partie séparée)
433
Clarinette (partie séparée)
65
Flute (partie séparée)
52
Quatuor de Saxophones: 4 saxophones
37
Flûte traversière
30
Flûte, Hautbois, Clarinette, Basson
24
Hautbois (partie séparée)
21
Clarinette
20
Saxophone Alto
16
2 Saxophones (duo)
16
Flûte traversière et Piano
15
Saxophone Tenor
14
2 Clarinettes (duo)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte, Violoncelle
10
Saxophone Alto et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone, Clarinette (duo)
8
Ensemble de saxophones
8
Ensemble de Clarinettes
7
2 Flûtes traversières (duo)
7
Hautbois, Piano (duo)
7
Quintette de Saxophone: 5 saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Trompette (duo)
6
Ensemble de Flûtes
6
Clarinette, Violon (duo)
6
Clarinette et Piano
6
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Flûte, Clarinette (duo)
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
2 Hautbois (duo)
4
Hautbois, Clarinette (duo)
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
3
Clarinette et Alto
3
Ensemble à vent
2
Cor anglais, Piano
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Ensemble De Flûte à bec
1
2 Flûte à bec (duo)
1
Instruments en Mib
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Quintette de Flûte : 5 flûtes
1
+ 49 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
403
Trompette (partie séparée)
276
Tuba (partie séparée)
60
Cor (partie séparée)
58
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette
16
Trombone
13
Trombone et Piano
8
Trompette, Piano
7
Trompette, Saxophone (duo)
6
Cor et Piano
6
2 Trombones (duo)
5
2 Cors (duo)
4
2 Trompettes (duo)
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Cor
3
Tuba
3
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Tuba et Piano
2
Trombone basse et Piano
2
Ensemble de Cors
1
Ensemble de Trombones
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Instruments en Sib
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Trombone, Orgue
1
Bass Clef Instruments
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Contrebasse (partie séparée)
91
Harpe
46
Violon
38
Violon (partie séparée)
25
Violon, Violoncelle (duo)
24
Violon et Piano
23
Violoncelle
19
Violoncelle, Piano
13
2 Violoncelles (duo)
13
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
7
Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
7
Contre Basse
5
2 Altos (duo)
4
2 Violons (duo)
4
Alto seul
4
Violon, Alto (duo)
4
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto, Violoncelle (duo)
1
Harpe et Piano
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
+ 20 instrumentations
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Orchestre & Percussions
Ensemble Jazz
636
Orchestre d'harmonie
479
Fanfare
393
Orchestre
87
Batterie (partie séparée)
78
Orchestre à Cordes
62
Jazz combo
59
Ensemble de cuivres
36
Percussion (partie séparée)
31
Orchestre de chambre
29
Cloches
16
Timbales (partie séparée)
6
Ensemble de Percussions
6
Percussion
4
Batterie
3
Big band
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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TUBA
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Vous avez sélectionné:
Big Red
Trompette, Piano
Partitions à imprimer
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1
Concerto for Trumpet with Piano Reduction
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Trompette, Piano
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AVANCÉ
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Contemporain
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Graeme Culpepper
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Concerto for Trumpet with Pian
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Graeme Culpepper
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by ...
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Piano,Trumpet - Level 5 - SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by Graeme Culpepper (A0.1028166). Concerto for Trumpet and Orchestra Composer: Graeme Culpepper Year: 2022 Program Notes: I feel that there is a time in every composer's life when they decide to write a concerto. Writing a concerto is as intriguing as it is difficult, as finding a balance between soloist and ensemble can prove to be a tricky task. What’s more, is deciding upon said ensemble. In today’s musical climate, the supporting ensemble can be a variety of different instrumental groups ranging from a chamber ensemble consisting of just a few musicians to a full symphony orchestra. In my humble opinion, with a genre as grand as a concerto, especially one involving the trumpet, I find it fitting to use the orchestra to accompany the trumpet. However, I opted to use an orchestra without a trumpet section to better support the soloist. This concerto’s first movement is built upon a couple of form-defining motifs. One in the form of an ostinato that is constantly changing meter, and another that is a simple short rhythmic cell that is able to fit in a variety of different textures throughout the movement. This movement also introduces the main motif throughout the entire concerto: a melodic sequence consisting of a minor third, a perfect fifth, followed by another minor third which resolves down by half step. This is the unifying motif of the entire concerto. I often ponder as to where the material in the second movement came from. After a long time of reflection, I have come to the conclusion that it is a subconscious expression of myself that comes from deep within. The second movement is perhaps the most vulnerable I have ever been with any of the music I have written, and the experience I personally have when listening to it is one that is very intimate. The third movement is a thrilling romp that is entirely built on the unifying motif mentioned earlier. The whole movement is essentially one big variation of itself. This movement is arguably the most technical and gives the trumpet soloist a great opportunity to show off their skill. This movement is also built upon a one-bar rhythmic ostinato so that the tension in this movement is never fully resolved until the very last bar, in hopes that this will keep the listener on their toes at all times. Performed live in Recital Hall at Indiana University Jacobs School of Music on March 1st, 2022Purchase includes Full Score + Solo Trumpet Part.
$19.99
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Trumpet Concerto
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Trompette, Piano
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Bernd Alois Zimmermann
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Trumpet Concerto
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Schott Music - Digital
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SheetMusicPlus
Trumpet and orchestra - SKU: S9.Q2884 Nobody knows de trouble I see. Composed by Bernd Alois Zimmermann. This edition: piano reduction with solo ...
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Trumpet and orchestra - SKU: S9.Q2884 Nobody knows de trouble I see. Composed by Bernd Alois Zimmermann. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 15 minutes. Schott Music - Digital #Q2884. Published by Schott Music - Digital (S9.Q2884). Jazz war für Bernd Alois Zimmermann eine „musikalische Wesensverfassung“, ein „Kunstzweig sui generis.“ Das Trompetenkonzert mit seinen Big Band-Allusionen der 50er Jahre vereint die Kategorien der Jazzmusik und Kunstmusik. Es bewegt sich im Grenzbereich zwischen exakter Notation und dodekaphoner Tonhöhenorganisation einerseits und einem improvisatorisch-freien Duktus andererseits – eine Dialektik, die Zimmermann zeitlebens im Zusammenhang mit der Integration des Jazz in die Orchestermusik (oder umgekehrt?) beschäftigte. Dem Spiritual Nobody knows kommt dabei die Rolle eines klassischen Cantus firmus zu: vorgestellt zunächst im Soloinstrument – über dem Walking Bass der Kontrabässe und dem Terzpendel der hier erstmalig einsetzenden Hammond-Orgel – durchzieht es im vorliegenden Hörbeispiel die einzelnen Instrumentengruppen.1 · 1 · 1 · 3 Altsax. · Tenorsax. · Baritonsax. · 1 - 1 · 3 · 1 · 1 - P. S. (Beck. · Charlestonbecken · Tamt. · Rührtr. · Tomt. · Bong. · kl. Tr. · Tempelbl. · Woodbl. · Xyl. · Vibr.) (3 Spieler) - Git. · Hfe. · Klav. (auch Hammondorgel oder Xyl.) - Str.
$23.99
Go Tell It On The Mountain (Bb-Trumpet solo and Piano)
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Trompette, Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Go Tell It On The Mountain
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Exultet Music
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.1451877 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Christian,Christmas,Jazz,Sacred,Spirit...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.1451877 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Christian,Christmas,Jazz,Sacred,Spiritual. Score and part. 12 pages. Exultet Music #1031188. Published by Exultet Music (A0.1451877). This newly arranged version of a popular Christmas Spiritual is in the style of the Big Band era. It is scored for a Bb-Trumpet solo with Piano accompaniment. This arrangement is accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Knowing Me, Knowing You
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Trompette, Piano
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FACILE
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Contemporain
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ABBA
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Jeff Tincher
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Knowing Me, Knowing You
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Jeff Tincher
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.583122 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score an...
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Piano,Trumpet - Level 2 - SKU: A0.583122 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score and part. 18 pages. Jeff Tincher #3570313. Published by Jeff Tincher (A0.583122). This is a Bb instrument and Piano arrangement of one of Abba's big hits. In the original key from their Arrival project, this song appeared in the Mamma Mia movie and is great for any live venue. Duration=4:27. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Mamma Mia
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Trompette, Piano
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FACILE
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Contemporain
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ABBA
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Jeff Tincher
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Mamma Mia
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Jeff Tincher
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.583025 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score an...
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Piano,Trumpet - Level 2 - SKU: A0.583025 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score and part. 31 pages. Jeff Tincher #3550459. Published by Jeff Tincher (A0.583025). This is a Bb instrument and Piano arrangement of one of Abba's biggest hits. In the original key from their Abba project, this song is a fun song that is featured in both Mamma Mia and Mamma Mia: Here We Go Again movies. Great song for live performances! Duration=3:37. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Another Day In Paradise
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Trompette, Piano
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FACILE
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Phil Collins
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Jeff Tincher
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Another Day In Paradise
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Jeff Tincher
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.582818 By Phil Collins. By Phil Collins. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score and part. 17 pages. Je...
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Piano,Trumpet - Level 2 - SKU: A0.582818 By Phil Collins. By Phil Collins. Arranged by Jeff Tincher. Contemporary,Pop,Rock. Score and part. 17 pages. Jeff Tincher #3500591. Published by Jeff Tincher (A0.582818). This is is a Bb instrument and Piano arrangement of one of Phil Collins' big hits. In the original key from his ...But Seriously CD, this song was very popular when it came out. Many acts, both secular and sacred, have done their version of this classic. This arrangement includes the ending from his live Serious Hits CD. This song is great for any live venue. Duration=5:04. Visit my Websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
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