Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:

"One of my most enjoyable roles in music was conducting the Herefordshire Young People?s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.

Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.

My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ?benign? element of the first movement; ?ironic? in the second and even ?playful? in the last.

I - Moderato

The use of a ?straight? mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ?flutter- tonguing? techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument?... I call for ?ffff? (fortissississimo) at one point! The muted coda creates an otherworldly? atmosphere - distant and questioning at the close.

II ? Andante espressivo ? piu mosso ? Tempo primo

The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ?piu mosso? with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.

III ? Maestoso ? rondo

A traditional martial ?fanfare? opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ?rondo? where the piano accepts a supportive ?um-pa-pa? accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ?boogie-woogie? style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020

This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.

Arioso (Daniel Gottlob Turk)

A Little Piece (Robert Schumann)

Italian Polka (Sergei Rachmaninoff)

Gaudeamus Igitur (Johannes Brahms)

Arietta (Muzio Clementi)

Sobre Las Olas (Over The Waves) (Juventino Rosas)

None But The Lonely Heart (Peter Ilyich Tchaikovsky)

Liebestraum (Dream Of Love) (Franz Liszt)

Gavotte (Jean-Baptiste Lully)

Theme From Symphony No.40 (Wolfgang Amadeus Mozart)

1. Pomp and Circumstance Edward Elgar

2. Andante (Surprise Symphony) Franz Joseph Haydn

3. Arioso Daniel Gottlob Turk

4. Lullaby Johannes Brahms

5. Melody Robert Schumann

6. Sarabande George Frideric Handel

7. Silent Night Franz Xaver Gruber

8. A Little Piece Robert Schumann

9. Carnival Of Venice Julius Benedict

10. La Donna E Mobile Giuseppe Verdi

11. Largo (The New World) Antonin Dvorak

12. Old French Song Peter Ilyich Tchaikovsky

13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky

14. We Wish You A Merry Christmas EnglishFolk Song

15. Air Henry Purcell

16. Ode To Joy LudwigVan Beethoven

17. Italian Polka SergeiRachmaninoff

18. Minuet (In F Major) Wolfgang Amadeus Mozart

19. Solveig`s Song EdvardGrieg

20. Sonatina (In C Major) Muzio Clementi

21. Waltz DmitriKabalevsky

22. Alouette FrenchFolk Song

23. Gaudeamus Igitur Johannes Brahms

24. Green Sleeves English Folk Song

25. Hongroise Adolphe-Charles Adam

26. Minuet (In F Major) Franz Joseph Haydn

27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart

28. Soldier\'s March Robert Schumann

29. Arietta MuzioClementi

30. Emperor Waltz JohannStrauss Jr.

31. Grand March (Aida) Giuseppe Verdi

32. Happy Birthday To You Patty and Mildred J. Hill

33. Minuet (In D Minor) Johann Sebastian Bach

34. Santa Lucia Italian Folk Song

35. The Emperor\'s Hymn Franz Joseph Haydn

36. La Paloma Sebastian Yradier

37. Dance Of The Hours Amilcare Ponchielli

38. Fur Elise Ludwig Van Beethoven

39. Humoresque Antonin Dvorak

40. Minuet (In G Major) Johann Sebastian Bach

41. Toreador Song Georges Bizet

42. Turkish March Wolfgang Amadeus Mozart

43. Ave Maria FranzSchubert

44. Barcarolle Jacques Offenbach

45. In The Hall Of The Mountain King Edvard Grieg

46. Melody In FAnton Rubinstein

47. None But The Lonely Heart Peter Ilyich Tchaikovsky

48. Polovtsian Dance Alexander Borodin

49. Spanish Romance

50. Liebestraum (Dream Of Love) Franz Liszt

51. Arioso George Frideric Handel

52. O Mio Babbino Caro Giacomo Puccini

53. O Sole Mio Eduardo Di Capua

54. To A Wild Rose EdwardMacDowell

55. Sobre Las Olas (Over The Waves) JuventinoRosas

56. Waltz (Op. 39 No. 15) Johannes Brahms

57. Blue Danube Waltz Johann Strauss Jr.

58. Bridal Chorus (Wedding March) Richard Wagner

59. Gavotte Jean-Baptiste Lully

60. Die Forelle FranzSchubert

61. Pavane Gabriel Faure

62. The Skaters Waltz Emile Waldteufel

63. Wedding March FelixBartholdy Mendelssohn

64. Adagio (In G Minor) Tomaso Giovanni Albinoni

65. Can Can Jacques Offenbach

66. Habanera GeorgesBizet

67. Passacaglia Handel-Halvorsen

68. Radetzky March JohannStrauss Sr.

69. Serenade FranzSchubert

70. Theme From Symphony No.40 Wolfgang Amadeus Mozart

An American in Valencia was commissioned by the United States Army Band ?Pershing?s Own? in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L?Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.

The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit?s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.

An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.

Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Rene� Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composici�n de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.

He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.

He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

Bach's Badinerie from Suite No. 2, BWV 1067 is one of the most well-known Baroque melodies and has become a real show-piece for many instruments. The meaning of "badinerie" comes from the French word badiner "to jest". This lively dance is a perfect solo to add as an encore to a concert or recital.

Keith Terrett has arranged this movement in various formats for Trumpet solo and Piano, this one being in the lowest key of D minor with no range or endurance problems at all and perfect for the moderately advanced performer.

The Queen of the Night Aria from the Opera Magic Flute is one of the most recognized works of the classical era, featuring a coloratura soprano soloist reaching brilliant heights of dramatic fervor.

Keith Terrett has also been brilliant with his 3 minute arrangement (in C minor, down a step) for Piccolo Trumpet in B-flat and Piano for advanced performers.

Year of the Trumpeter (El A�o del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.

Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.

Linares Rodriguez was a member of the La Armonica Band of Bu�ol. After he retired from playing, hebecame the manager for the society?s buildings. When I first lived in Bu�ol in 1996 we became goodfriends and sometimes took walking excursions together.

Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.

Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.

Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Bu�ol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.

Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene� Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composici�n de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.

Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.

He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.

He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.