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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Every Second
Non classifié
168
Piano & claviers
Piano seul
84
Piano Facile
25
Piano, Voix
18
1 Piano, 4 mains
12
Piano, Voix et Guitare
8
Accompagnement Piano
6
Instruments en Do
4
Orgue
3
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
8
Guitare (partie séparée)
6
Ukulele
4
Paroles et Accords
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale 2 parties
12
Chorale 3 parties
11
Chorale SSAA
9
Chorale Unison
7
Chorale TTBB
7
Voix Tenor
1
Voix Soprano, Piano
1
Voix duo
1
Voix Baryton, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
8
Clarinette et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière et Piano
7
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
4
2 Clarinettes (duo)
4
Clarinette
3
Saxophone Alto
3
Saxophone Alto et Piano
3
Flûte traversière
3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Soprano et Piano
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violon (duo)
2
Cor anglais, Piano
2
Saxophone Tenor
2
Clarinette, Harpe (duo)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
1
Flûte, Clarinette (duo)
1
Saxophone
1
Ensemble de Flûtes
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Saxophone et Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano, Piano
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
Clarinette (partie séparée)
1
Flûte, Saxophone (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Ensemble de Clarinettes
1
Hautbois, Clarinette (duo)
1
+ 44 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette (partie séparée)
9
Trompette
4
2 Trombones (duo)
4
Trombone
4
Trombone et Piano
3
Trompette, Piano
3
Cor (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
3
Tuba (partie séparée)
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
Cor
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Tuba et Piano
1
Tuba et Orgue
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Ensemble de Trombones
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon et Piano
11
Violoncelle, Piano
11
Alto, Piano
7
Violon
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
Violoncelle , Guitare (duo)
3
Violoncelle
3
Violon (partie séparée)
3
Harpe
3
2 Harpes (duo)
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
2
Contre Basse
2
Alto seul
2
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre à Cordes
16
Ensemble Jazz
14
Orchestre
13
Ensemble de cuivres
9
Orchestre de chambre
6
Cloches
5
Ensemble de Percussions
5
Batterie (partie séparée)
3
Jazz combo
2
Marimba, Piano (duo)
1
Batterie
1
Marimba
1
Xylophone
1
Fanfare
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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OLD TIME - EARLY ROC…
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PATRIOTIQUE
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Every Second
Trompette, Piano
Partitions à imprimer
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Concerto for Trumpet with Piano Reduction
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.1028166 Composed by Graeme Culpe…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by Graeme Culpepper (A0.1028166). Concerto for Trumpet and Orchestra Composer: Graeme Culpepper Year: 2022 Program Notes: I feel that there is a time in every composer's life when they decide to write a concerto. Writing a concerto is as intriguing as it is difficult, as finding a balance between soloist and ensemble can prove to be a tricky task. What’s more, is deciding upon said ensemble. In today’s musical climate, the supporting ensemble can be a variety of different instrumental groups ranging from a chamber ensemble consisting of just a few musicians to a full symphony orchestra. In my humble opinion, with a genre as grand as a concerto, especially one involving the trumpet, I find it fitting to use the orchestra to accompany the trumpet. However, I opted to use an orchestra without a trumpet section to better support the soloist. This concerto’s first movement is built upon a couple of form-defining motifs. One in the form of an ostinato that is constantly changing meter, and another that is a simple short rhythmic cell that is able to fit in a variety of different textures throughout the movement. This movement also introduces the main motif throughout the entire concerto: a melodic sequence consisting of a minor third, a perfect fifth, followed by another minor third which resolves down by half step. This is the unifying motif of the entire concerto. I often ponder as to where the material in the second movement came from. After a long time of reflection, I have come to the conclusion that it is a subconscious expression of myself that comes from deep within. The second movement is perhaps the most vulnerable I have ever been with any of the music I have written, and the experience I personally have when listening to it is one that is very intimate. The third movement is a thrilling romp that is entirely built on the unifying motif mentioned earlier. The whole movement is essentially one big variation of itself. This movement is arguably the most technical and gives the trumpet soloist a great opportunity to show off their skill. This movement is also built upon a one-bar rhythmic ostinato so that the tension in this movement is never fully resolved until the very last bar, in hopes that this will keep the listener on their toes at all times. Performed live in Recital Hall at Indiana University Jacobs School of Music on March 1st, 2022Purchase includes Full Score + Solo Trumpet Part.
$19.99
18.4 €
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Trompette, Piano
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Graeme Culpepper
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Concerto for Trumpet with Piano Reduction
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Graeme Culpepper
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SheetMusicPlus
Intermezzo from "L'Arlesienne" for Trumpet and Piano
Trompette, Piano
Trumpet, piano - Level 3 - Digital Download SKU: A0.527915 Composed by Georges Bize…
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Trumpet, piano - Level 3 - Digital Download SKU: A0.527915 Composed by Georges Bizet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 17 pages. Diego Marani #3583137. Published by Diego Marani (A0.527915). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for Bb trumpet and piano includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei. The arrangement includes also two different keys: Eb Major and Db Major to emphasize the musical skills of every single musician.2018 Instrumental Arranging Contest Entry
$9.90
9.11 €
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Trompette, Piano
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Georges Bizet
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Diego Marani
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Intermezzo from "L'Arlesienne" for Trumpet and Piano
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Diego Marani
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SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99
7.35 €
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
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