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So Real
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318
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236
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45
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41
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31
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17
Orgue
12
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5
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3
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2
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2
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1
2 Pianos, 4 mains
1
Accordéon
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
+ 10 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
119
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23
Guitare
18
Basse electrique
7
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6
Ukulele
6
2 Guitares (duo)
5
Mandoline
4
Banjo
4
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4
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3
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2
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1
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83
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32
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16
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12
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9
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7
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6
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1
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1
Voix Alto, Piano
1
+ 11 instrumentations
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Vents
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44
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22
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20
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15
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14
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14
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9
Flûte traversière
8
Clarinette
6
Clarinette et Piano
6
Saxophone Tenor et Piano
6
Saxophone Alto
6
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
5
Ensemble de Clarinettes
4
Saxophone Tenor
4
Saxophone Soprano et Piano
3
3 Clarinettes (trio)
3
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3
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3
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2
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2
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2
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2
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1
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1
Ensemble à vent
1
3 Saxophones (trio)
1
Saxophone Baryton, Piano
1
2 Clarinettes (duo)
1
Clarinette, Violon (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
Cor anglais, Piano
1
Saxophone et Orgue
1
Clarinette Basse
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson (duo)
1
Cor Anglais
1
Flûte, Clarinette (duo)
1
Ensemble De Flûte à bec
1
Hautbois
1
Ensemble de saxophones
1
+ 38 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Saxophone (duo)
7
Trompette
6
Tuba
5
Quatuor de Cuivres
5
Ensemble de Trombones
4
Cor et Piano
4
Trombone et Piano
4
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3
Trompette, Piano
3
2 Tubas (duo)
2
Cor
2
Trombone
2
Cor anglais et Harpe (duo)
1
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1
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1
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1
3 Tubas (trio)
1
Tuba et Piano
1
Cor anglais, Piano
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Bass Clef Instruments
1
Trompette (partie séparée)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon, Violoncelle (duo)
25
Violon et Piano
16
Violon
15
Violoncelle
14
Harpe
13
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12
Violoncelle, Piano
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
6
2 Violoncelles (duo)
6
Alto, Piano
6
2 Violons (duo)
5
Violon, Alto (duo)
5
2 Altos (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
2
Alto (partie séparée)
1
4 Violoncelles
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 18 instrumentations
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Orchestre & Percussions
Ensemble Jazz
54
Orchestre d'harmonie
43
Ensemble de cuivres
22
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19
Orchestre
19
Jazz combo
12
Cloches
5
Orchestre de chambre
5
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3
Ensemble de Percussions
2
Piano et Orchestre
1
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1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
So Real
Trompette, Piano
Partitions à imprimer
3 partitions trouvées
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Ain't Nothing Like The Real Thing
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Trompette, Piano
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FACILE
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Contemporain
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Donny and Marie Osmond
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Jeff Tincher
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Ain't Nothing Like The Real Th
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Jeff Tincher
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SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.582661 By Donny and Marie Osmond. By Nickolas Ashford and Valerie Simpson. Arranged by Jeff Tincher. Contemporary. Sco...
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Piano,Trumpet - Level 2 - SKU: A0.582661 By Donny and Marie Osmond. By Nickolas Ashford and Valerie Simpson. Arranged by Jeff Tincher. Contemporary. Score and part. 17 pages. Jeff Tincher #3462721. Published by Jeff Tincher (A0.582661). This is a Bb instrument and Piano arrangement of the Marvin Gaye and Tammi Terrell Motown hit. When listening to this I really liked the bass part so I tried to keep the bass feel throughout the arrangement. Great song for students and professionals. Would work well with school talent shows. Duration=2:19. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
Rock, Blues and a Cartload of Monkeys
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Trompette, Piano
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FACILE
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Paul Kelly
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Rock, Blues and a Cartload of
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Forton Music - Digital
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SheetMusicPlus
Tpt. Pft - Easy - SKU: F2.FM419 Composed by Paul Kelly. Trumpet and Piano. Score and part. 13 pages. Forton Music - Digital #FM419. Published by Forton ...
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Tpt. Pft - Easy - SKU: F2.FM419 Composed by Paul Kelly. Trumpet and Piano. Score and part. 13 pages. Forton Music - Digital #FM419. Published by Forton Music - Digital (F2.FM419). ISBN 9790570483181.Three jazz inflected pop pieces for beginning to intermediate players. Rockin' Downtown: This piece harks back to early jazz rock. Don't swing the rhythm - play them straight. Play the opening statement aggressively, a bit brash. The middle section should be a little more playful. Give the closing two bars some 'shake' in the tone if you can. The Real And Only Blues: This should be played sweet and mournful, with a gentle swing to the rhythms. Treat each line as if it were a sentence, maybe even write words to go with it so that you have something to say with each phrase. Cart Full Of Monkeys: This is whimsical pop, unpredictable, like monkey behaviour. Don't be a complete slave to the tied rhythms in the opening and closing musical statements - use them more as a starting point for playfulness.
$9.95
Handel: Largo (from Xerxes) for trumpet (or cornet) and piano
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Trompette, Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.1311223 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and ...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.1311223 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900215. Published by Colin Kirkpatrick Publications (A0.1311223). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for trumpet (or cornet) and piano is in concert E flat major (F major for solo part). In the transposed solo part, the lowest note is the C just below the treble staff and the highest note is the F on the top line of the staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
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