Partitions Numériques de 36 pour Cor et Piano

36

French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the DepthsÂ I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

10 Easy Romantic Pieces - for French Horn and Piano
Cor et Piano

By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethov…(+)

By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820356. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for French Horn in F and Piano. This collection is particularly useful for students in their first courses, as it provides excellent material for both essays and concerts.<br> Easy keys and range for F Horn<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák<br> Theme from "Le Streghe" - N. Paganini<br> Melody in F – A. Rubinstein<br> Soldier March – R. Schumann<br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák<br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms<br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven<br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven<br> Theme from "Swane Lake" - P. I. Tchaikovsky.<br> This is a collection of 10 easy pieces from the Romantic period that have been arranged for French Horn in F and Piano. This collection is particularly useful for students in their first courses, as it provides excellent material for both essays and concerts.<br> Easy keys and range for F Horn<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák<br> Theme from "Le Streghe" - N. Paganini<br> Melody in F – A. Rubinstein<br> Soldier March – R. Schumann<br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák<br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms<br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven<br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven<br> Theme from "Swane Lake" - P. I. Tchaikovsky.<br>
$14.99 13.8 € #Cor et Piano #Various # Francesco Leone #10 Easy Romantic Pieces - for French Horn and Piano # Glissato Edizioni Musicali #SheetMusicPlus