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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
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FORMATION MUSI…
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HARMONICA
HARPE
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MANDOLINE
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SAXOPHONE
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PIANO & CLAVIERS
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Orgue
7
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2 Pianos, 8 mains
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4
Basse electrique
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VOIX
Chorale SATB
39
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17
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6
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5
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VENTS
Flûte traversière et Piano
23
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Piano
20
Hautbois, Piano (duo)
14
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Clarinettes: 4 clarinettes
13
2 Saxophones (duo)
12
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12
Saxophone Alto et Piano
11
Saxophone Alto
11
Flûte traversière
10
3 Saxophones (trio)
10
Saxophone Soprano et Piano
9
Saxophone Tenor et Piano
9
Cor anglais, Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quintette de Saxophone: 5 saxophones
7
Clarinette
6
Saxophone (partie séparée)
6
Saxophone Tenor
6
Saxophone Baryton, Piano
6
3 Clarinettes (trio)
6
Quatuor de Flûtes : 4 flûtes
5
Flûte, Clarinette (duo)
5
2 Flûtes traversières (duo)
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Clarinette Basse, Piano
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2 Flûte à bec (duo)
4
Flûte à bec Soprano
4
2 Clarinettes (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Quatuor de Flûtes à bec
3
Trio de Flûtes: 3 flûtes
3
Ensemble de saxophones
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Clarinette, Basson (duo)
2
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2
Flûte à Bec
2
Flûte à bec Soprano, Piano
2
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2
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
2
Flûte, Violon, Violoncelle et Piano
2
5 Flûtes à bec
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais et Harpe (duo)
1
Hautbois
1
Clarinette Basse
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto, Piano
1
Flûte à bec Tenor
1
Flûte, Hautbois (duo)
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2 Flûtes à bec, Guitare
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone et Piano
12
Trompette
10
Trompette, Piano
10
Cor anglais, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Euphonium, Piano (duo)
8
Cor et Piano
8
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 trombones
4
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Cor (duo)
3
Euphonium
2
4 Tubas
2
Cor
2
Tuba
2
Quatuor de Cuivres
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
3 Tubas (trio)
2
Tuba et Piano
2
2 Cors (duo)
2
3 Cors (trio)
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
18
Alto, Piano
17
Violoncelle, Piano
16
Violon
13
Violoncelle
11
Harpe
9
Alto seul
7
4 Violoncelles
5
Violon, Violoncelle (duo)
4
2 Violons (duo)
4
Violon, Alto (duo)
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
1
Contre Basse
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
35
Orchestre à Cordes
11
Cloches
5
Orchestre de chambre
3
Orchestre
3
Ensemble Jazz
2
Ensemble de cuivres
2
Fanfare
1
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AUTRES
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It's Late
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Cor et Piano
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Solveig's Song for horn and piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.546096 By EnsembleSheetMusic…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.546096 By EnsembleSheetMusic. By Edvard Grieg. Arranged by Sjoerd van der Veen. Classical,Opera,Romantic Period,Wedding. Score and part. 6 pages. Sjoerd van der Veen #156204. Published by Sjoerd van der Veen (A0.546096). The beautiful song comes from the third act of Peer Gynt and was later extracted by Grieg in his second orchestral suite. It is arranged for horn and piano (also availale with harp) in 2 keys (c minor and d minor / for horn g and a minor), wich you get both!. It is a perfect performance piece for a recital or music exam!
$6.00
5.48 €
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Cor et Piano
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EnsembleSheetMusic
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Sjoerd van der Veen
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Solveig's Song for horn and piano
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Sjoerd van der Veen
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SheetMusicPlus
Solveig's Song for horn and harp
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.546620 By EnsembleSheetMusic…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.546620 By EnsembleSheetMusic. By Edvard Grieg. Arranged by Sjoerd van der Veen. Classical,Opera,Romantic Period,Wedding. Score and part. 2 pages. Sjoerd van der Veen #156606. Published by Sjoerd van der Veen (A0.546620). The beautiful song comes from the third act of Peer Gynt and was later extracted by Grieg in his second orchestral suite. It is arranged for horn and harp (also availale with piano) in 2 keys (c minor and d minor / for horn g and a minor), wich you get both!. It is a perfect performance piece for a recital or music exam!
$6.00
5.48 €
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Cor et Piano
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EnsembleSheetMusic
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Sjoerd van der Veen
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Solveig's Song for horn and harp
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Sjoerd van der Veen
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SheetMusicPlus
Après un rêve (Fauré) for Horn in F and Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1303414 Composed by Gabriel …
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1303414 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892988. Published by SCORE EDITIONS (A0.1303414). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Horn in F and Piano by Harry Walker.
$5.99
5.47 €
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Cor et Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin D…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.07 €
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Cor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
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jmsgu3
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SheetMusicPlus
This Land Is Your Land
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.631351 By New Christy Minstr…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.631351 By New Christy Minstrels. By Woody Guthrie. Arranged by Stephen DeCesare. Folk. Score and part. 8 pages. Exultet Music #6532467. Published by Exultet Music (A0.631351). One of the United States' most famous folk songs. which was written in critical response to Irving Berlin's God Bless America. When Guthrie was tired of hearing Kate Smith sing God Bless America on the radio in the late 1930s, he wrote this song and it has been freshly arranged for a French Horn solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.55 €
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Cor et Piano
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New Christy Minstrels
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Stephen DeCesare
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This Land Is Your Land
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Exultet Music
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SheetMusicPlus
Heaven Is A Place On Earth
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1378343 By Belinda Carlisle.…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1378343 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 8 pages. Kevin P Holdgate #962967. Published by Kevin P Holdgate (A0.1378343). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
5.47 €
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Cor et Piano
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Bach: Wachet auf for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.77 €
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Cor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Schumann: Abendlied for French Horn & Piano
Cor et Piano
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…
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French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
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Cor et Piano
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Robert Schumann
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Schumann: Abendlied for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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