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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten After
Non classifié
562
Piano & claviers
Piano seul
263
Piano, Voix
70
Piano Facile
23
Orgue
20
Piano, Voix et Guitare
18
Instruments en Do
11
1 Piano, 4 mains
9
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Accordéon
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
41
Guitare notes et tablatures
18
Mandoline
3
Ukulele
2
Paroles et Accords
2
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Banjo
1
2 Guitares (duo)
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
122
Chorale 3 parties
31
Chorale TTBB
22
Chorale SSAA
15
Voix Alto, Piano
11
Chorale 2 parties
7
Voix duo, Piano
4
Chorale Unison
4
Chorale SSATB
3
Voix Soprano, Piano
3
Chorale
2
Voix haute
2
Voix basse, Piano
2
Voix Baryton, Piano
1
Voix duo
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
86
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quintette de Saxophone: 5 saxophones
58
Quatuor de Saxophones: 4 saxophones
56
Saxophone, Clarinette (duo)
44
2 Clarinettes (duo)
43
Flûte traversière et Piano
34
2 Flûtes traversières (duo)
32
Clarinette, Violon (duo)
30
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Clarinettes: 4 clarinettes
26
Ensemble de saxophones
25
Saxophone Alto et Piano
25
Clarinette, Trompette (duo)
24
Clarinette et Piano
24
Saxophone Tenor et Piano
21
Hautbois, Piano (duo)
20
Flûte, Clarinette (duo)
18
Saxophone Soprano et Piano
16
2 Hautbois (duo)
16
Flûte, Saxophone (duo)
16
Hautbois, Flûte
16
Hautbois, Basson (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Hautbois, Clarinette (duo)
15
Ensemble de Clarinettes
15
Clarinette et Alto
14
Flûte, Violon
14
Flûte, Trompette (duo)
12
Flûte, Alto (duo)
11
Ensemble de Flûtes
10
Saxophone Tenor
8
Saxophone Alto
7
Quintette de Flûte : 5 flûtes
6
2 Flûte à bec (duo)
6
Clarinette
6
Saxophone Baryton, Piano
6
Clarinette Basse, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois
5
Saxophone (partie séparée)
5
Cor anglais, Piano
4
3 Clarinettes (trio)
3
Flûte traversière
3
Flûte et Guitare
3
2 Clarinettes, Piano
2
Saxophone et Guitare
2
Clarinette, Guitare (duo)
2
Ocarina
2
Quatuor de Flûtes à bec
2
Clarinette, Basson (duo)
2
Clarinette Basse
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
3 Saxophones (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble De Flûte à bec
1
Cornemuse
1
Flûte à bec Tenor
1
Flûte à Bec, Piano
1
2 Clarinettes, Basson
1
Flûte, Clarinette et Basson
1
5 Flûtes à bec
1
Hautbois, Harpe
1
Saxophone et Orgue
1
+ 73 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
77
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Ensemble de Trompettes
37
Trompette, Saxophone (duo)
32
2 Trompettes (duo)
15
Trompette, Trombone (duo)
14
2 Trombones (duo)
14
Quatuor de Cuivres
12
Cor et Piano
12
Trombone et Piano
11
Trompette
11
Ensemble de Trombones
9
Euphonium, Piano (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trompettes
4
Trombone
4
Quatuor de cuivres: 4 trombones
4
Cor anglais, Piano
4
Trompette, Piano
4
3 Trompettes (trio)
3
4 Tubas
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
2
Tuba
2
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor
1
2 Cors (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
Trompette (partie séparée)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
36
Violoncelle, Piano
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
19
2 Violoncelles (duo)
19
Harpe
19
Alto, Piano
17
2 Altos (duo)
16
Violon, Alto (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: 2 violons, violoncelle
7
Ensemble d'Altos
5
Ensemble de Violons
5
Violoncelle
4
Violon, Guitare (duo)
3
Violon
2
2 Harpes (duo)
2
Harpe, Voix
2
Violoncelle, Contrebasse (duo)
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
3 Harpes
1
Contre Basse
1
Violon, Orgue
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
73
Ensemble Jazz
40
Orchestre
35
Ensemble de cuivres
19
Jazz combo
16
Orchestre à Cordes
14
Orchestre de chambre
11
Cloches
9
Fanfare
5
Batterie
2
Vibraphone
1
Ensemble de Percussions
1
Marimba
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Ten After
intermédiaire
Cor et Piano
Partitions à imprimer
12 partitions trouvées
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1
Stricken, Smitten and Afflicted (piano and French horn)
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Geitsliche Volkslieder
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Kristin Stahlecker Heckman
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Stricken, Smitten and Afflicte
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Kristin Stahlecker Heckman
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SheetMusicPlus
Horn,Instrumental Duet - Level 3 - SKU: A0.723221 Composed by Geitsliche Volkslieder. Arranged by Kristin Stahlecker Heckman. Easter,Sacred. 4 pages. Kr...
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Horn,Instrumental Duet - Level 3 - SKU: A0.723221 Composed by Geitsliche Volkslieder. Arranged by Kristin Stahlecker Heckman. Easter,Sacred. 4 pages. Kristin Stahlecker Heckman #4356703. Published by Kristin Stahlecker Heckman (A0.723221). This version of the haunting Lenten hymn is written for piano and French horn. The 2 instruments trade off playing sections of the melody, creating a beautifully blended sound just right for this stirring classic. The separate horn part is included at the end of the PDF, after the piano/horn score.
$3.99
Humoresque No. 7 for Horn and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Humoresque No. 7 for Horn and
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Diego Marani
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.528547 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Stand...
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French Horn,Piano - Level 3 - SKU: A0.528547 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6197957. Published by Diego Marani (A0.528547). Humoresques, Op. 101 (B. 187), is a piano cycle by the Czech composer AntonÃn Dvořák, written during the summer of 1894. One writer says the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise.This arrangement for F Horn with Piano Accompaniment reflects faithfully the original for piano solo.
$6.99
I Write The Songs
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Cor et Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549349 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part...
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French Horn,Piano - Level 3 - SKU: A0.549349 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486771. Published by jmsgu3 (A0.549349). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Fauré: Nocturne Op. 104 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op. 104
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #5324393. Published by jmsgu3 (A0.551616). Gabriel Fauré: Nocturne, Op. 104, Molto moderatoNocturne is a musical composition inspired by or evocative of the night. The Irish composer John Field first used the term in the early 19th century to describe a type of character piece for piano intended to be played in the evening or at night. The term was later adopted by other composers, including Chopin and Fauré, who used it to describe their compositions. In the case of Fauré's Nocturne Op. 104, the title nocturne refers to the fact that it is a piece of music intended to be played at night or evocative of the night. The piece is characterized by its modal, incantatory theme, which seems to hark back to the plainchant that Fauré studied at the Niedermeyer School. Like other nocturnes in the set, it explores one predominant mood.Fauré's Nocturne Op. 104 and Chopin's nocturnes share some similarities, but they also have some differences. Fauré greatly admired the music of Chopin and was happy to compose in forms and patterns established by the earlier composer. Fauré's early nocturnes employ the same basic textures as Chopin's nocturnes, but Fauré's later works abandon this in favor of increasingly contrapuntal writing. Fauré also adopted ternary form as an essential form for the piece from Chopin. However, Fauré's melodies often show a rigorous motivic construction not found in Chopin. Fauré's nocturnes are, after Chopin's, among the most beautiful and beloved in music literature. In summary, while Fauré's nocturnes were influenced by Chopin's, they also have unique qualities that set them apart.
$32.95
Quando Me'n Vo for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for French Horn
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1046495 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score an...
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French Horn,Piano - Level 3 - SKU: A0.1046495 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651018. Published by Keith Terrett (A0.1046495). An arrangement of one of Puccini’s greatest arias for French Horn & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
Christmas Time
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Cor et Piano
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INTERMÉDIAIRE
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Bryan Adams
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Raymond Fenech
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Christmas Time
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Raymond Fenech
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.760058 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday...
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French Horn,Piano - Level 3 - SKU: A0.760058 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday,Pop,Rock. Score and part. 16 pages. Raymond Fenech #3492175. Published by Raymond Fenech (A0.760058). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This song is arranged for Horn in F and Piano . The Duration is approx. 3.56 minutes and the level is Intermediate.
$4.99
Poème
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Cor et Piano
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edit...
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Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15275. Published by Schott Music - Digital (S9.Q15275). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
Für Elise, for Solo Horn in F and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Solo Horn
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David McKeown
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.587565 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.587565 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361581. Published by David McKeown (A0.587565). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Horn in F with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Slavonic Dance Op. 46 No. 2 for Horn and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 fo
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Diego Marani
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1276600 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standar...
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French Horn,Piano - Level 3 - SKU: A0.1276600 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Score and part. 11 pages. Diego Marani #868339. Published by Diego Marani (A0.1276600). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for horn with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Handel: Largo from Xerxes for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. ...
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French Horn,Piano - Level 3 - SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492579. Published by jmsgu3 (A0.549394). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many people call it Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Tango Pour Claude for Horn and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Tango
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Richard Galliano
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Tango Pour Claude for Horn and
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Horn in F - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 14 ...
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Piano Accompaniment, Horn in F - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 14 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for F or Eb Horn with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99
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