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Be Like That
Non classifié
424
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115
Piano, Voix
81
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13
Orgue
5
Instruments en Do
4
1 Piano, 4 mains
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
+ 8 instrumentations
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Guitares
Guitare
15
Guitare notes et tablatures
3
Basse electrique
2
Dulcimer
2
Mandoline, Guitare (duo)
1
Banjo
1
+ 1 instrumentations
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69
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9
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7
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5
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3
Voix haute
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1
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1
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57
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45
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24
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24
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21
Ensemble de Flûtes
10
2 Saxophones (duo)
10
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9
Saxophone, Clarinette (duo)
6
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte traversière
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois, Piano (duo)
4
Trio de Flûtes: 3 flûtes
3
Saxophone Tenor
3
Saxophone Alto et Piano
3
Clarinette, Violon (duo)
3
Hautbois, Basson (duo)
3
Flûte traversière et Piano
3
Flûte, Saxophone (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
2
3 Saxophones (trio)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Clarinette
2
Clarinette et Piano
2
2 Flûte à bec (duo)
2
Flûte, Violon
2
3 Clarinettes (trio)
2
Flûte, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Hautbois, Flûte
2
Clarinette et Alto
2
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute (partie séparée)
1
Hautbois (partie séparée)
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Saxophone
1
Saxophone Tenor et Piano
1
+ 41 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Ensemble de Trombones
20
Ensemble de Trompettes
15
Quatuor de Cuivres
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Quatuor de cuivres: 4 trombones
12
Ensemble de Cors
5
2 Trombones (duo)
5
Trompette, Trombone (duo)
4
Trombone
4
Trompette, Saxophone (duo)
4
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Trompette
3
2 Trompettes (duo)
3
Cor
2
Trio de Cuivres
2
Trombone et Piano
2
4 Tubas
1
Trompette, Piano
1
Cor et Piano
1
Quatuor de cuivres: 4 trompettes
1
Tuba
1
Tuba et Piano
1
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Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon, Violoncelle (duo)
16
Trio à Cordes: violon, alto, violoncelle
13
Ensemble d'Altos
12
Ensemble de Violons
12
Violon et Piano
10
Violoncelle
7
Violon
7
2 Violoncelles (duo)
5
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe
3
Harpe, Voix
3
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Altos (duo)
2
2 Violons (duo)
2
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Contre Basse
1
Ensemble de Violoncelles
1
Alto, Piano
1
4 Contrebasses
1
Violoncelle, Piano
1
+ 21 instrumentations
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Orchestre d'harmonie
28
Orchestre
25
Orchestre à Cordes
15
Ensemble de cuivres
10
Ensemble Jazz
9
Orchestre de chambre
5
Fanfare
5
Cloches
4
Jazz combo
3
Ensemble de Percussions
2
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Be Like That
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Cor et Piano
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1 partition trouvée
Erlkönig
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Franz Schumbert
#
Layne Anspach
#
Erlkönig
#
Songburd Music
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
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Be Like That
