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ACCORDEON
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VIBRAPHONE
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XYLOPHONE
Chara
Non classifié
149
Piano & claviers
Piano seul
153
Piano, Voix
119
Piano, Voix et Guitare
25
Orgue
18
Instruments en Do
17
1 Piano, 4 mains
6
2 Pianos, 4 mains
2
Clavecin
1
Fake Book
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare
36
Guitare notes et tablatures
11
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
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Voix
Chorale SATB
39
Chorale TTBB
11
Voix Soprano, Piano
9
Chorale SSAA
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Chorale 3 parties
2
Voix haute
2
Voix duo, Piano
2
Chorale 2 parties
1
Voix Baryton, Piano
1
Chorale
1
Voix seule
1
+ 8 instrumentations
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Vents
2 Saxophones (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Clarinette et Piano
13
2 Clarinettes (duo)
12
Flûte traversière et Piano
12
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Clarinette
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Violon
6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
6
Flûte traversière
5
Hautbois, Flûte
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Hautbois, Basson (duo)
5
Ensemble de saxophones
5
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
4
2 Hautbois (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Flûte à Bec
3
Saxophone Soprano et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Flûtes
3
Flûte, Trompette (duo)
3
Saxophone et Orgue
2
Quintette de Flûte : 5 flûtes
2
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
2
Piccolo, Piano
2
Hautbois (partie séparée)
2
Clarinette, Basson (duo)
2
Cor Anglais
1
Clarinette, Violoncelle (duo)
1
Flute (partie séparée)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Cor anglais, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Flûte, alto et harpe
1
Flûte, Violon, Piano
1
+ 49 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Saxophone (duo)
10
Trompette, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
5
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
5
Trompette
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
4
Cor
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
3
Trompette (partie séparée)
2
Tuba
2
Quatuor de Cuivres
2
Cor Anglais
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Cor anglais, Piano
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Tuba et Piano
1
Trombone
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
16
Violoncelle, Piano
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
6
Alto seul
6
Alto, Piano
6
Violon, Alto (duo)
5
2 Altos (duo)
5
Violon
5
2 Violoncelles (duo)
5
2 Violons (duo)
4
Violon, Orgue
3
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Orchestre
1
Alto (partie séparée)
1
Violoncelle, Orgue
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
44
Orchestre
33
Orchestre d'harmonie
19
Ensemble Jazz
11
Orchestre de chambre
9
Ensemble de cuivres
6
Ensemble de Percussions
4
Jazz combo
2
Cloches
2
Fanfare
1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
BATTERIE
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CORNET
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Cor et Piano
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Nocturne Op. 9, No. 1 for Horn and Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Horn
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Diego Marani
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1283157 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic P...
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French Horn,Piano - Level 4 - SKU: A0.1283157 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #874452. Published by Diego Marani (A0.1283157). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for F horn with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
CPE BACH: Sonata in E Minor WQ124 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructiona...
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French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308693. Published by jmsgu3 (A0.551523). Sonata Wq. 124 - 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach.The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95
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