Partitions Numériques de Ram On pour Cor et Piano

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 342

PIANO & CLAVIERS

Piano seul 264 Piano, Voix 110 Piano, Voix et Guitare 33 Instruments en Do 29 Orgue 21

1 Piano, 4 mains 5 2 Pianos, 4 mains 4 Orgue, Piano (duo) 4 Piano Trio: piano, violon, violoncelle 3 Accordéon 2 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Piano Quatuor: piano, violon, alto, violoncelle 1

Instrumentations suivantes

Retracter

GUITARES

Piano, Guitare (duo) 39 Guitare 27 Basse electrique 26 Guitare notes et tablatures 9 2 Guitares (duo) 5

Dulcimer 3 Ligne De Mélodie, (Paroles) et Accords 2

Instrumentations suivantes

Retracter

VOIX

Chorale SATB 122 Chorale TTBB 9 Chorale SSAA 8 Chorale 3 parties 8 Voix Baryton, Piano 6

Voix haute 6 Voix duo 5 Voix duo, Piano 4 Voix Soprano, Piano 4 Voix Tenor, Piano 3 Chorale 2 parties 3 Voix Tenor 1 Chorale Unison 1 Voix moyenne, Piano 1 Voix Soprano 1

Instrumentations suivantes

Retracter

VENTS

Hautbois, Piano (duo) 73 Flûte traversière et Piano 66 Clarinette et Piano 64 2 Saxophones (duo) 58 Saxophone Alto et Piano 48

Saxophone Tenor et Piano 41 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 33 Flûte traversière 32 Quatuor de Saxophones: 4 saxophones 26 Quatuor de Clarinettes: 4 clarinettes 18 Clarinette 14 Hautbois (partie séparée) 12 2 Clarinettes (duo) 11 2 Flûtes traversières (duo) 11 Ensemble de Clarinettes 10 Ensemble de saxophones 10 Flûte, Hautbois, Clarinette, Basson 9 Saxophone, Clarinette (duo) 8 Quintette de Clarinettes: 5 clarinettes 8 Clarinette, Violon (duo) 7 Flûte, Clarinette (duo) 7 Flûte à Bec 6 Quintette de Saxophone: 5 saxophones 6 Quatuor de Flûtes : 4 flûtes 5 Saxophone Alto 5 Flûte, Violon 4 2 Hautbois (duo) 4 Hautbois, Basson (duo) 4 Flûte, Alto (duo) 4 Ensemble de Flûtes 4 Saxophone (partie séparée) 4 Hautbois, Flûte 4 Flute (partie séparée) 4 Flûte, Saxophone (duo) 4 Trio de Flûtes: 3 flûtes 3 Flûte, Trompette (duo) 3 Hautbois, Clarinette (duo) 3 Clarinette, Trompette (duo) 3 Clarinette et Alto 3 Saxophone Tenor 3 Flûte irlandaise 2 3 Clarinettes (trio) 2 Saxophone Baryton, Piano 2 3 Saxophones (trio) 2 2 Flûtes traversières, Piano 2 2 Flûte à bec (duo) 1 Clarinette Basse, Piano 1 5 Flûtes à bec 1 Flûte et Guitare 1 Cor anglais, Piano 1 Quatuor de Flûtes à bec 1 Hautbois, Guitare (duo) 1 Clarinette, Guitare (duo) 1 Saxophone Soprano et Piano 1 Flûte à bec Soprano 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Flûte à bec Tenor 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Flûte, Clarinette et Basson 1 Piccolo, Piano 1 Flûte et Quatuor à Cordes 1

Instrumentations suivantes

Retracter

CUIVRES

Trombone et Piano 59 Trompette 41 Trompette, Piano 34 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 30 Quatuor de Cuivres : 2 trompettes, trombone, tuba 21 Trombone 10 Trompette, Saxophone (duo) 9 Trompette (partie séparée) 9 2 Trombones (duo) 6 Cor 6 Trompette, Trombone (duo) 5 Quatuor de cuivres: 4 trombones 4 2 Trompettes (duo) 4 Cor et Piano 4

Quatuor de Cuivres: 2 trompettes, Cor, trombone 4 2 Euphoniums et 2 Tubas 2 Quatuor de cuivres: 4 cors 2 Ensemble de Trompettes 2 Ensemble de Cors 2 Quatuor de Cuivres 2 Ensemble de Trombones 1 Cor anglais, Piano 1 Cor et Orgue 1 Cor, Violoncelle (duo) 1 Tuba et Piano 1 Euphonium, Piano (duo) 1 2 Tubas (duo) 1 Euphonium 1

Instrumentations suivantes

Retracter

CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 135 Violon et Piano 64 Violon, Violoncelle (duo) 58 Alto, Piano 49 Violoncelle, Piano 48

Violon 32 Trio à Cordes: violon, alto, violoncelle 28 Violoncelle 18 Harpe 15 Trio à Cordes: 2 violons, violoncelle 13 2 Violoncelles (duo) 11 Violon, Alto (duo) 9 2 Violons (duo) 8 Trio à Cordes: 2 violons, alto 6 Alto seul 6 Contre Basse 5 2 Altos (duo) 5 Alto (partie séparée) 5 Trio à cordes: 3 violins 5 Alto, Violoncelle (duo) 4 Trio à Cordes: 3 violoncelles 4 4 Violoncelles 2 Quatuor à cordes: 4 violons 2 Contrebasse, Piano (duo) 1 Harpe, Violoncelle (duo) 1 Harpe, Violon (duo) 1 Trio à cordes: 3 altos 1 Piano Trio: Violon, Alto, Piano 1 Quatuor à cordes : 4 altos 1

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Orchestre 69 Orchestre d'harmonie 59 Ensemble de cuivres 48 Ensemble Jazz 35 Orchestre à Cordes 34

Orchestre de chambre 26 Jazz combo 11 Cloches 7 Ensemble de Percussions 7 Fanfare 3 Vibraphone et Marimba 1 Marimba 1 Batterie 1 Vibraphone 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

Ram On

avancé

Cor et Piano

Partitions à imprimer

4 partitions trouvées

A Night In Tunisia

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. B…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 8.24 € #Cor et Piano #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Sullivan: The Lost Chord for French Horn & Piano

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

$26.95 24.69 € #Cor et Piano #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for French Horn & Piano #jmsgu3 #SheetMusicPlus

Sonata No. 1 for Horn and Piano

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.1497853 Composed by P. F. St…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.1497853 Composed by P. F. Strohm. 20th Century,21st Century,Classical,Contest,Festival. Score and part. 40 pages. Pete Strohm Music #1074265. Published by Pete Strohm Music (A0.1497853). Sonata No. 1 for Horn and Piano was written for American Hornist Melissa Morey by composer P. F. Strohm. The piece is in three movements and tonal throughout. It is a fresh take on the traditional Horn sonata, perfect for recital, festival or contest. The sonata is subtitled Cinématique, an homage to the great Hollywood film score composers that served as inspiration for many of the musical elements. Be prepared for a ride through a musical landscape of drama, mystery, comedy and heroics. The sonata shows off the agility and diversity of the Horn, with a bravura cadenza and conclusion. Difficulty level is medium-advanced. Total performance time is 14:27. Member, ASCAP.

$13.00 11.91 € #Cor et Piano #P #Sonata No. 1 for Horn and Piano #Pete Strohm Music #SheetMusicPlus

Let All Mortal Flesh Keep Silence - Horn in F solo

Cor et Piano

French Horn,Piano - Level 4 - Digital Download SKU: A0.1038740 By Brian Buda. By Fr…(+)

French Horn,Piano - Level 4 - Digital Download SKU: A0.1038740 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643718. Published by budaful music (A0.1038740). This haunting tune, arranged for piano and horn in F, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page horn part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.

$3.99 3.66 € #Cor et Piano #Brian Buda #Brian Buda #Let All Mortal Flesh Keep Silence - Horn in F solo #budaful music #SheetMusicPlus