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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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CLARINETTE
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CORNET
DEEJAY
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This Is Home
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117
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Piano seul
134
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21
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11
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5
Orgue
4
Piano Trio: piano, violon, violoncelle
3
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3
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
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Guitares
Guitare
11
Guitare notes et tablatures
3
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1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Basse electrique
1
+ 1 instrumentations
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Voix
Chorale SATB
49
Chorale TTBB
9
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8
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6
Chorale 3 parties
5
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3
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1
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1
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1
Chorale 2 parties
1
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9
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8
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8
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7
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6
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6
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5
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5
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4
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4
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3
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3
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3
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2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
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2
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2
Saxophone Tenor
2
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2
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1
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1
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1
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1
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1
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1
Trio de Flûtes: 3 flûtes
1
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1
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1
Saxophone Soprano et Piano
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Piano (duo)
1
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13
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12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
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5
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5
Trompette, Piano
3
Ensemble de Trompettes
3
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2
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2
Cor et Piano
2
Cor anglais, Piano
2
Trompette
2
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1
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1
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1
Quatuor de Cuivres
1
Tuba et Piano
1
+ 12 instrumentations
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55
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36
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23
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15
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12
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11
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9
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8
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5
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4
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3
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2
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2
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2
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1
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1
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1
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1
Ensemble d'Altos
1
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1
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1
Contre Basse
1
Ensemble de Violons
1
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34
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22
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11
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9
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7
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4
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3
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
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Cor et Piano
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Erlkönig
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
Grieg: Peer Gynt Suite Complete for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James M
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Sco...
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French Horn,Piano - Level 4 - SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306335. Published by jmsgu3 (A0.551504). 1. Morning Mood2. Ase's Death3. Anitra's Dance4. In the Hall of the Mountain King Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were rereleased on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
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