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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mati
Non classifié
214
Piano & claviers
Piano seul
252
Piano, Voix
36
Orgue
16
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Piano, Voix et Guitare
3
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
1
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare
23
Guitare notes et tablatures
4
Ensemble de guitares
2
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
Dulcimer
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale SSAA
8
Voix Soprano, Piano
7
Voix haute
4
Chorale 3 parties
3
Chorale TTBB
3
Voix Alto, Piano
2
Chorale Unison
1
Voix basse, Piano
1
Voix Baryton
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Voix Tenor, Piano
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
24
Flûte traversière
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Hautbois, Clarinette, Basson
8
Hautbois, Piano (duo)
7
Clarinette et Piano
7
Clarinette
7
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto et Piano
6
Ensemble de Clarinettes
3
2 Saxophones (duo)
3
Saxophone Tenor
3
Saxophone Soprano et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
1
Saxophone Soprano
1
Hautbois, Basson et Piano
1
Saxophone Alto
1
Saxophone Tenor et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Ensemble de saxophones
1
Hautbois (partie séparée)
1
Quintette de Saxophone: 5 saxophones
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Harmonica
1
+ 27 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trombone et Piano
18
Ensemble de Trombones
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
8
Tuba et Piano
4
Trombone
4
Euphonium, Piano (duo)
4
Cor et Piano
3
Trombone et orchestre
3
Tuba
2
Trombone basse
2
Cor
2
Trompette, Piano
2
Ensemble de Trompettes
1
Trombone basse et Piano
1
Trio de Cuivres
1
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
23
Harpe
20
Violon
19
Violoncelle, Piano
10
Violoncelle
8
Alto, Piano
6
Trio à Cordes: violon, alto, violoncelle
5
Alto seul
5
Violon, Violoncelle (duo)
4
Harpe, Violon (duo)
2
2 Violoncelles (duo)
2
Contre Basse
1
Violon, Clarinette, Piano (trio)
1
2 Violons (duo)
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
2 Violons, Piano
1
4 Harpes
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre
55
Orchestre d'harmonie
34
Orchestre à Cordes
15
Ensemble de cuivres
14
Orchestre de chambre
12
Ensemble Jazz
10
Ensemble de Percussions
8
Piano et Orchestre
3
Cloches
3
Jazz combo
3
Batterie
2
Xylophone
1
Marimba
1
Orchestre, Violon
1
+ 9 instrumentations
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Autres
Formation musicale - Solfège
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
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BALALAIKA
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CLAIRON
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Vous avez sélectionné:
Mati
expert
Cor et Piano
Partitions à imprimer
3 partitions trouvées
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1
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
#
Robert Schumann
#
Layne Anspach
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Dichterliebe
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Songburd Music
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Three Etudes for Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
#
Alexander Scriabin
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Ralph Sauer
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Three Etudes for Horn and Pian
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1317669 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 16 ...
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French Horn,Piano - Level 5 - SKU: A0.1317669 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #906344. Published by Gordon Cherry (A0.1317669). Alexander Scriabin’s music has been described as mystical, lyrical and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as “sincere expression(s) of geniusâ€.The Three Etudes for Horn and Piano are early works of Scriabin, originally written for Solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.Mr. Sauer has brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the brass world. The three movements are about 9-10 in length and suitable for advanced performers.
$27.50
Fantasy for Horn and Piano
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Cor et Piano
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AVANCÉ
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Elizabeth Raum
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Fantasy for Horn and Piano
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.792721 Composed by Elizabeth Raum. 20th Century,Contemporary. Score and part. 13 pages. Gordon Cherry #6057959. Pu...
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French Horn,Piano - Level 5 - SKU: A0.792721 Composed by Elizabeth Raum. 20th Century,Contemporary. Score and part. 13 pages. Gordon Cherry #6057959. Published by Gordon Cherry (A0.792721). Fantasy was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos. Fantasy for Horn and Piano was adapted from the trombone version upon request by principal hornist of the Calgary Philharmonic, Kurt Kellan. It is dramatic, lyrical and very expressive, making it an ideal recital choice. The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.
$20.00
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