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--INSTRUMENTS--
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--INSTRUMENTS--
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Four Songs for Horn and Piano
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Cor et Piano
#
AVANCÉ
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Contemporain
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Charles Ives
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Ralph Sauer
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Four Songs for Horn and Piano
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1465879 Composed by Charles Ives. Arranged by Ralph Sauer. 20th Century. Score and part. 24 pages. Gordon Cherry #...
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French Horn,Piano - Level 5 - SKU: A0.1465879 Composed by Charles Ives. Arranged by Ralph Sauer. 20th Century. Score and part. 24 pages. Gordon Cherry #1044477. Published by Gordon Cherry (A0.1465879). Charles Ives was one of the first American composers to gain international recognition, although most of his music was not performed during his lifetime. Ives wrote 114 songs in the early 1900's including these four:1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2.The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners.Mr. Sauer once again has edited a brilliant new transcription, bringing Ives' music to life for the Horn world. Four Songs for Horn and Piano is appropriate for moderately advanced performers.
$25.00
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Achte Gedichte aus "Letzte Blätter"
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Cor et Piano
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AVANCÉ
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Classique
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Richard Strauss
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Layne Anspach
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Achte Gedichte aus "Letzt
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Songburd Music
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
Bergamasque Suite - horn and piano
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Cor et Piano
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AVANCÉ
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Classique
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Claude Debussy
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Kenneth D
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Bergamasque Suite - horn and p
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KFS Publishing
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.699362 Composed by Claude Debussy. Arranged by Kenneth D. Friedrich. 20th Century. Score and part. 52 pages. KFS P...
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French Horn,Piano - Level 5 - SKU: A0.699362 Composed by Claude Debussy. Arranged by Kenneth D. Friedrich. 20th Century. Score and part. 52 pages. KFS Publishing #2963971. Published by KFS Publishing (A0.699362). Four movements, including Debussy's famous 'Clair de Lune'.
$16.50
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