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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Christmas Four
Sheetmusicplus
Non classifié
548
Piano & claviers
1 Piano, 4 mains
87
Piano seul
81
Piano Facile
71
Orgue
24
Piano, Voix et Guitare
18
Piano, Voix
18
Instruments en Do
10
Accompagnement Piano
6
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavecin
1
Ensemble de Pianos
1
+ 10 instrumentations
Retracter
Guitares
Ukulele
56
Guitare
23
4 Guitares (Quatuor)
11
Guitare notes et tablatures
9
Piano, Guitare (duo)
7
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
3
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
243
Chorale TTBB
66
Chorale SSAA
56
Chorale 3 parties
31
Pack Instrumental pour Chorale
23
Chorale 2 parties
18
Chorale Unison
14
Voix duo, Piano
9
Voix Soprano, Piano
3
Voix duo
1
Chorale SSATTB
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
81
Quatuor de Flûtes : 4 flûtes
67
Quatuor de Saxophones: 4 saxophones
48
2 Saxophones (duo)
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte, Hautbois, Clarinette, Basson
31
Flûte traversière et Piano
29
Ensemble de saxophones
28
Quintette de Saxophone: 5 saxophones
28
Clarinette et Piano
25
2 Flûtes traversières (duo)
24
Flûte traversière
21
2 Clarinettes (duo)
19
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
16
Saxophone, Clarinette (duo)
13
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
12
Clarinette, Violon (duo)
11
Saxophone Tenor
11
Saxophone Alto
11
Saxophone Soprano et Piano
10
Clarinette, Trompette (duo)
9
Hautbois, Flûte
8
2 Hautbois (duo)
8
Saxophone Soprano
6
Cor anglais, Piano
6
Clarinette Basse, Piano
6
Clarinette
6
3 Saxophones (trio)
6
Hautbois, Clarinette (duo)
6
Saxophone (partie séparée)
6
Quintette de Flûte : 5 flûtes
5
Hautbois, Basson (duo)
5
Flûte, Violon
5
3 Clarinettes (trio)
5
Clarinette et Alto
5
Ensemble de Flûtes
5
Clarinette (partie séparée)
4
5 Flûtes à bec
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Alto (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Trompette (duo)
3
Hautbois (partie séparée)
3
2 Flûte à bec (duo)
2
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Piccolo, Piano
2
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Flûte et Guitare
1
Flûte à Bec
1
Flute (partie séparée)
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
16
Trombone et Piano
16
Euphonium, Piano (duo)
14
2 Trompettes (duo)
14
Cor et Piano
14
Trompette, Piano
12
2 Trombones (duo)
11
Quatuor de cuivres: 4 cors
11
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
10
Trompette, Trombone (duo)
8
Ensemble de Trombones
8
Ensemble de Trompettes
8
2 Cors (duo)
7
Cor anglais, Piano
6
Quatuor de cuivres: 4 trompettes
6
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
4
Trombone
4
Trompette (partie séparée)
4
Trombone (partie séparée)
3
2 Tubas (duo)
3
Trompette, Cor (duo)
2
Cor
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
1
Tuba et Orgue
1
Trio de Cuivres
1
Ensemble de Cors
1
3 Tubas (trio)
1
4 Tubas
1
3 Trombones (trio)
1
3 Cors (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon
40
Violon, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
34
Violon et Piano
26
Quatuor à cordes: 4 violons
24
Harpe
17
Alto, Piano
15
Violoncelle, Piano
15
2 Violons (duo)
14
Violoncelle
11
Violon, Alto (duo)
10
2 Altos (duo)
9
2 Violoncelles (duo)
9
2 Harpes (duo)
6
Ensemble de Violons
5
Ensemble d'Altos
5
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
2
4 Harpes
2
Trio à cordes: 3 altos
2
Contre Basse
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon (partie séparée)
1
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Alto (partie séparée)
1
4 Violoncelles
1
Harpe, Voix
1
Harpe, Violon (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
70
Cloches
46
Orchestre à Cordes
35
Ensemble de cuivres
27
Orchestre de chambre
22
Orchestre
20
Ensemble de Percussions
11
Ensemble Jazz
5
Percussion (partie séparée)
4
Batterie
2
Instrumentation Flexible
2
Xylophone, Piano
1
Ensemble d'École
1
Jazz combo
1
+ 9 instrumentations
Retracter
Autres
Instruments
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BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
A Christmas Four
SheetMusicPlus
Partitions à imprimer
14 partitions trouvées
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1
A Contemporary Sacred Christmas
#
Cor et Piano
#
FACILE
#
Traditional Hymn
#
Ian Fitze
#
A Contemporary Sacred Christma
#
Ian Fitze
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1489375 Composed by Traditional Hymn. Arranged by Ian Fitze. Christmas,Contest,Festival,Instructional,Sacred,Tradi...
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French Horn,Piano - Level 2 - SKU: A0.1489375 Composed by Traditional Hymn. Arranged by Ian Fitze. Christmas,Contest,Festival,Instructional,Sacred,Traditional. Score and part. 9 pages. Ian Fitze #1065935. Published by Ian Fitze (A0.1489375). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A collection of four well-known traditional Christmas Carols arranged in a contemporary style for easy French Horn and Piano. An easy-to-put-together selection that can be used in a wide variety of settings including church services and concerts/recitals.
$5.99
I Saw Three Ships for Solo French Horn
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Cor et Piano
#
Noël
#
Traditional
#
Lawrence H
#
I Saw Three Ships for Solo Fre
#
Lawrence H Underwood
#
SheetMusicPlus
French Horn,Piano - SKU: A0.967670 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. ...
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French Horn,Piano - SKU: A0.967670 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189257. Published by Lawrence H Underwood (A0.967670). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Patapan for Solo French Horn
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Cor et Piano
#
INTERMÉDIAIRE
#
Bernard de la Monnoye
#
Lawrence H
#
Patapan for Solo French Horn
#
Lawrence H Underwood
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.967705 Composed by Bernard de la Monnoye. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacr...
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French Horn,Piano - Level 3 - SKU: A0.967705 Composed by Bernard de la Monnoye. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189377. Published by Lawrence H Underwood (A0.967705). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this setting of Patapan brings a modern, funky spin to this French classic! The arrangement starts off in a digital funk feel, moves through rock ballad and Baroque rock before ending where it all began. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to get some toes a-tapping!
$5.99
Coventry Carol
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Cor et Piano
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INTERMÉDIAIRE
#
Noël
#
Anonymous
#
John Wernega
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Coventry Carol
#
John Wernega
#
SheetMusicPlus
French Horn quartet - Intermediate - Digital Download Composed by Anonymous. Arranged by John Wernega. Early Music, Christian, Sacred, European, Chri...
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French Horn quartet - Intermediate - Digital Download Composed by Anonymous. Arranged by John Wernega. Early Music, Christian, Sacred, European, Christmas. Sheet Music Single. 2 pages. Published by John Wernega
Here is a unique, beautiful French horn quartet arrangement with the melody interwoven within the harmony parts, as would be in a barbershop quartet. The parts are labeled in the same manner as a barbershop quartet, having the tenor as the highest part, bass as the lowest, lead as the melody, and baritone filling in whatever note is left to complete each four-part chord. The second chorus has a solo in the bass part. The harmonies are tight, and there are moving lines throughout in the harmonies.
$4.99
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for French Ho
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
O Come All Ye Faithful for French Horn & Piano
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Cor et Piano
#
DÉBUTANT
#
Noël
#
Wade
#
James M
#
O Come All Ye Faithful for Fre
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113....
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French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Adeste Fideles (O Come, All Ye Faithful) - horn and piano
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Cor et Piano
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DÉBUTANT
#
John Francis Wade and John Rea
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Vitor Melo
#
Adeste Fideles
#
Melo Music
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1096922 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holi...
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French Horn,Piano - Level 1 - SKU: A0.1096922 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700886. Published by Melo Music (A0.1096922). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play horn in F version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
Vivaldi: Sonata No. 2 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
#
Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Fren
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550440 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.550440 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4634193. Published by jmsgu3 (A0.550440). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550488 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.550488 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4642121. Published by jmsgu3 (A0.550488). Sonata da Chiesa No. 4 in Bb Major for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550413 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part....
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French Horn,Piano - Level 3 - SKU: A0.550413 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4630017. Published by jmsgu3 (A0.550413). Sonata da Chiesa in Bb for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550539 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
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French Horn,Piano - Level 3 - SKU: A0.550539 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4727309. Published by jmsgu3 (A0.550539). Sonata da Chiesa No. 6 in Bb Major for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Horn in F.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Arioso by Bach for French Horn
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Cor et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for French Horn
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Woods Only, Arrangements
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1125989 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.1125989 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726717. Published by Woods Only, Arrangements (A0.1125989). This easy arrangement for horn in F and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Polonaise - F. Schubert - For Horn in F and Piano - Intermediate
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Raymond Fenech
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Polonaise - F. Schubert - For
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Raymond Fenech
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.760766 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. S...
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French Horn,Piano - Level 3 - SKU: A0.760766 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. Score and part. 16 pages. Raymond Fenech #5895777. Published by Raymond Fenech (A0.760766). Franz Schubert composed a set of six Polonaise (D.824 Op.61 No 1) in 1826 for Piano Four Hands. This lovely Polonaise was arranged for Solo Piano. The Level is Intermediate/Advanced Intermediate and the duration is approximately 3.28 minutes. It could be played in any type of recital/concert.
$3.99
Cantique de Noël for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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Adam
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James M
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Cantique de Noël for Fren
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435...
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French Horn,Piano - Level 1 - SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.  Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Â
$28.95
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A Christmas Four
