Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
3 786
Piano & claviers
Piano seul
1 966
Piano, Voix
555
Piano Facile
339
Piano, Voix et Guitare
332
Instruments en Do
254
Orgue
138
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
35
Accompagnement Piano
30
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Accordéon
7
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
5
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Fake Book
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
197
Guitare notes et tablatures
162
Ligne De Mélodie, (Paroles) et Accords
144
Ukulele
39
Basse electrique
25
2 Guitares (duo)
18
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
10
Mandoline
10
Ensemble de guitares
6
Dulcimer
4
3 Guitares (trio)
4
Banjo
4
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Paroles et Accords
2
Guitare (partie séparée)
1
Ukulele Baryton
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Ensemble de Ukulélés
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
737
Chorale 3 parties
217
Chorale TTBB
122
Chorale 2 parties
84
Chorale SSAA
76
Voix Alto, Piano
70
Voix Soprano, Piano
65
Voix Tenor, Piano
58
Chorale Unison
54
Voix duo, Piano
40
Voix Baryton, Piano
39
Voix haute
13
Voix seule
8
Voix duo
6
Pack Instrumental pour Chorale
4
Chorale
4
Voix moyenne, Piano
4
Chorale SSATTB
3
Voix Tenor
3
Chorale SSAATTBB
2
Voix basse
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
462
Flûte traversière et Piano
376
Quatuor de Saxophones: 4 saxophones
342
Clarinette et Piano
320
2 Saxophones (duo)
303
Quintette de Saxophone: 5 saxophones
274
Flûte, Hautbois, Clarinette, Basson
243
Saxophone Alto et Piano
226
Hautbois, Piano (duo)
210
Quatuor de Clarinettes: 4 clarinettes
199
Saxophone Alto
176
Flûte traversière
170
Saxophone Soprano et Piano
149
2 Clarinettes (duo)
147
Saxophone Tenor et Piano
142
Saxophone Tenor
136
Ensemble de saxophones
133
2 Flûtes traversières (duo)
132
Clarinette
113
Ensemble de Clarinettes
106
Saxophone, Clarinette (duo)
101
Saxophone (partie séparée)
93
Cor anglais, Piano
93
Saxophone Baryton, Piano
77
Quatuor de Flûtes : 4 flûtes
76
Clarinette, Violon (duo)
73
3 Saxophones (trio)
67
Flûte, Clarinette (duo)
61
Clarinette, Trompette (duo)
60
Ensemble de Flûtes
59
2 Hautbois (duo)
55
Quintette de Clarinettes: 5 clarinettes
54
Hautbois (partie séparée)
53
3 Clarinettes (trio)
47
Clarinette Basse, Piano
44
Hautbois, Basson (duo)
40
Hautbois, Clarinette (duo)
39
Quintette de Flûte : 5 flûtes
38
Flûte, Violon
37
2 Flûte à bec (duo)
36
Clarinette et Alto
36
Saxophone
33
Quatuor de Flûtes à bec
33
Hautbois, Flûte
33
Flûte, Saxophone (duo)
30
Flûte, Trompette (duo)
29
2 Flûtes traversières, Piano
27
Flûte, Alto (duo)
25
Trio de Flûtes: 3 flûtes
24
Saxophone Soprano
24
Ensemble De Flûte à bec
22
Flûte et Guitare
21
Flûte à bec Soprano
21
Clarinette, Basson (duo)
20
5 Flûtes à bec
14
Flute (partie séparée)
14
Cor Anglais
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Guitare (duo)
12
3 Flûtes à bec (trio)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte à bec Soprano, Piano
10
Clarinette (partie séparée)
8
Clarinette, Violoncelle (duo)
8
Flûte à bec Alto, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Alto
7
Flûte, Violoncelle
7
Flûte, Clarinette, Piano (trio)
6
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Clarinette, Violoncelle, Piano (trio)
6
Piccolo, Piano
5
Flûte à Bec
5
Flûte à bec Tenor
5
Flûte, Alto et Piano
4
Hautbois
4
2 Clarinettes, Piano
4
Clarinette, Harpe (duo)
4
Saxophone et Guitare
4
Saxophone et Harpe
4
Ensemble à vent
3
Flûte, Violon, Piano
3
3 Hautbois
3
Hautbois, Harpe
2
Ensemble de Hautbois
2
Piccolo
2
Hautbois, Guitare (duo)
2
Ocarina
2
2 Saxophones, Piano
2
Flûte à Bec, Piano
2
4 Hautbois
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
2
Cor anglais, Guitare (duo)
2
2 Flûtes à bec, Guitare
1
Flûte, Hautbois, Basson
1
Cornemuse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte, alto et harpe
1
Clarinette, Trombone (duo)
1
Saxophone Baryton
1
Flûte, Violon, Violoncelle et Piano
1
2 Cors Anglais Et Pianoforte
1
Instruments en Mib
1
Harmonica
1
Saxophone et Orgue
1
Flûte irlandaise
1
Clarinette Basse
1
Flûte traversière, Basse continue
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
+ 115 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
476
Quatuor de Cuivres : 2 trompettes, trombone, tuba
284
Trompette
205
Trombone et Piano
186
Trompette, Piano
160
Trombone
121
Cor et Piano
118
Quatuor de Cuivres
97
Cor anglais, Piano
93
Euphonium, Piano (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
2 Trompettes (duo)
74
Trompette, Saxophone (duo)
72
2 Trombones (duo)
67
Ensemble de Trombones
55
Tuba et Piano
55
Trompette, Trombone (duo)
50
Cor
47
Quatuor de cuivres: 4 trombones
43
Ensemble de Trompettes
41
Trompette (partie séparée)
35
Tuba
30
2 Cors (duo)
26
Quatuor de cuivres: 4 cors
23
Ensemble de Cors
20
2 Euphoniums et 2 Tubas
17
2 Tubas (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
14
4 Tubas
14
Cor Anglais
14
3 Trombones (trio)
9
Trompette, Cor (duo)
9
3 Tubas (trio)
8
Trombone, Cor (duo)
7
Cor (partie séparée)
7
3 Cors (trio)
6
Tuba et Orgue
5
Trio de Cuivres
5
Bass Clef Instruments
4
Euphonium
4
Cor et Harpe
4
Euphonium, Tuba (duo)
4
Tuba (partie séparée)
3
Cor et Orgue
3
Trompette, Harpe
3
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trombone basse et Piano
3
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
2 Euphoniums (duo)
2
Trombone et orchestre
2
Trombone, Tuba (duo)
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Instruments en Sib
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
736
Violon et Piano
435
Violoncelle, Piano
294
Alto, Piano
283
Violon
248
Violon, Violoncelle (duo)
182
Violoncelle
180
Trio à Cordes: violon, alto, violoncelle
126
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
100
Harpe
99
Quintette à cordes: 2 violons, alto, violoncelle, basse
90
2 Violoncelles (duo)
82
Violon, Alto (duo)
77
2 Altos (duo)
70
Alto seul
58
2 Harpes (duo)
40
Contrebasse, Piano (duo)
40
4 Violoncelles
32
Contre Basse
31
Alto (partie séparée)
30
Ensemble de Violons
20
Ensemble d'Altos
19
Trio à Cordes: 3 violoncelles
17
Alto, Violoncelle (duo)
16
Quatuor à cordes: 4 violons
16
Violon, Guitare (duo)
15
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Trio à cordes: 3 violins
11
Harpe, Flûte (duo)
11
Trio à cordes: 3 altos
11
Piano Trio: Violon, Alto, Piano
9
Contrebasse (partie séparée)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
4 Contrebasses
6
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
5
Alto, Guitare (duo)
5
Harpe, Violon (duo)
5
Harpe, Voix
4
Alto et Harpe
4
Violoncelle, Contrebasse (duo)
3
Violoncelle (partie séparée)
3
Violoncelle, Basse continue
3
Flûte, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Harpe, Violon, Violoncelle
2
Violon, Orgue
2
Violoncelle, Orchestre
2
Harpe, Trombone (duo)
1
Violon, Tuba (duo)
1
Violon, Basson (duo)
1
Alto et Basson
1
Harpe et Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
886
Orchestre
380
Orchestre à Cordes
284
Ensemble de cuivres
213
Orchestre de chambre
120
Ensemble Jazz
116
Cloches
55
Fanfare
50
Jazz combo
42
Ensemble de Percussions
40
Batterie
24
Vibraphone
10
Marimba
8
Batterie (partie séparée)
3
Orchestre, Violon
3
Percussion (partie séparée)
3
Xylophone
3
Piano et Orchestre
2
Xylophone, Piano
2
Quintette de Cuivres: autres combinaisons
2
Big band
1
2 Xylophones
1
Vibraphone et Marimba
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
16
Partitions Numériques
118
Librairie Musicale
49
Matériel de Musique
2 166
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
As It Was
Cor et Piano
Partitions à imprimer
118 partitions trouvées
<
1
26
51
....
101
As It Was
#
Cor et Piano
#
FACILE
#
Rock
#
Harry Styles
#
Gildson Cerqueira
#
As It Was
#
Gildson Cerqueira
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1388483 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock....
(+)
French Horn,Piano - Level 2 - SKU: A0.1388483 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972021. Published by Gildson Cerqueira (A0.1388483). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
As It Was
#
Cor et Piano
#
FACILE
#
Rock
#
Harry Styles
#
Gildson Cerqueira
#
As It Was
#
Gildson Cerqueira
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1388485 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock....
(+)
French Horn,Piano - Level 2 - SKU: A0.1388485 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972023. Published by Gildson Cerqueira (A0.1388485). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
$7.99
Bohm: Calm as the Night for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Carl Bohm
#
James M
#
Bohm: Calm as the Night for Fr
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549415 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score...
(+)
French Horn,Piano - Level 3 - SKU: A0.549415 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493737. Published by jmsgu3 (A0.549415). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are: Calm as the Night, Twilight, May Bells, Enfant Cheri and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions, but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime updates and revisions of this product.
$26.95
What Was I Made For?
#
Cor et Piano
#
FACILE
#
Pop musique
#
Billie Eilish
#
Milanov
#
What Was I Made For?
#
Milanov
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1273333 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/So...
(+)
French Horn,Piano - Level 2 - SKU: A0.1273333 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865486. Published by Milanov (A0.1273333). What Was I Made For? From Barbie by Billie Eilish for french horn and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
#
Cor et Piano
#
FACILE
#
Pop musique
#
Billie Eilish
#
Milanov
#
What Was I Made For?
#
Milanov
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1273334 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/So...
(+)
French Horn,Piano - Level 2 - SKU: A0.1273334 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865487. Published by Milanov (A0.1273334). What Was I Made For? From Barbie by Billie Eilish for french horn and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
#
Cor et Piano
#
INTERMÉDIAIRE
#
Pop musique
#
Billie Eilish
#
Glauco Fernandes
#
What Was I Made For?
#
Glauco Fernandes
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1270674 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,...
(+)
French Horn,Piano - Level 3 - SKU: A0.1270674 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #863048. Published by Glauco Fernandes (A0.1270674). Title: French Horn and Piano Arrangement of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our delightful French horn and piano arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for French horn players and pianists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for French horn and piano, accommodating musicians with various skill levels.- Sheet music provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.2. Flexibility: Perfect for intermediate-level French horn players and pianists, offering a captivating duet performance opportunity.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.Embrace the captivating allure of What Was I Made For through our French horn and piano arrangement and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$6.99
The Name Of The Game
#
Cor et Piano
#
FACILE
#
Contemporain
#
ABBA
#
Jeff Tincher
#
The Name Of The Game
#
Jeff Tincher
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.583159 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Scor...
(+)
French Horn,Piano - Level 2 - SKU: A0.583159 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jeff Tincher. Contemporary. Score and part. 57 pages. Jeff Tincher #3574999. Published by Jeff Tincher (A0.583159). This is a F instrument and Piano arrangement of one of Abba's biggest hits. In the original key from the Mamma Mia! Here We Go Again soundtrack CD, this son is as much fun to perform now as it was when it was originally released. Great for any live venue. Duration=4:41. Visit my websites: https://jefftincher.wixsite.com/music, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing .
$5.99
Saint-Saëns: The Swan for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
(+)
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Sullivan: The Lost Chord for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for F
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
(+)
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Away In A Manger: for French Horn & Piano
#
Cor et Piano
#
DÉBUTANT
#
Noël
#
the 1880’s the cradle s
#
Mueller
#
James M
#
Away In A Manger: for French H
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jms...
(+)
French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
In the Silence
#
Cor et Piano
#
Daniel Baldwin
In t
#
Daniel Baldwin
#
In the Silence
#
Imagine Music - Digital
#
SheetMusicPlus
Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital...
(+)
Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.
$15.00
Largo (from Xerxes) for horn in F and piano
#
Cor et Piano
#
FACILE
#
G F Handel
#
Colin Kirkpatrick
#
Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and par...
(+)
French Horn,Piano - Level 2 - SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
Pomp and Circumstance March No. 1 for Horn and Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Edward Elgar
#
Diego Marani
#
Pomp and Circumstance March No
#
Diego Marani
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1043236 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Stan...
(+)
French Horn,Piano - Level 3 - SKU: A0.1043236 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #647924. Published by Diego Marani (A0.1043236). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for F horn with piano is suitable for classroom, repertoire and recital.
$9.99
Minuet in G major by Bach for French Horn
#
Cor et Piano
#
DÉBUTANT
#
Christian Petzold and Johann S
#
Ander
#
Minuet in G major by Bach for
#
Woods Only, Arrangements
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1126242 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacre...
(+)
French Horn,Piano - Level 1 - SKU: A0.1126242 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726943. Published by Woods Only, Arrangements (A0.1126242). This easy arrangement for horn in F and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach.
$1.99
Saving All My Love For You
#
Cor et Piano
#
FACILE
#
Whitney Houston
#
Kevin P Holdgate
#
Saving All My Love For You
#
Kevin P Holdgate
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1313106 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadwa...
(+)
French Horn,Piano - Level 2 - SKU: A0.1313106 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and part. 7 pages. Kevin P Holdgate #901939. Published by Kevin P Holdgate (A0.1313106). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance.
$5.99
Variations on a Theme of Haydn for Horn and Piano
#
Cor et Piano
#
AVANCÉ
#
Classique
#
Johannes Brahms
#
Ralph Sauer
#
Variations on a Theme of Haydn
#
Gordon Cherry
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.811240 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 28 pages. ...
(+)
French Horn,Piano - Level 5 - SKU: A0.811240 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 28 pages. Gordon Cherry #6411161. Published by Gordon Cherry (A0.811240). The Variations on a Theme by Haydn, Op. 56, one of Brahms' greatest creations was written and premiered in 1873. It consists of a theme and eight variations, plus a grand finale. It was written in two forms, one for two pianos and the more well-known orchestral version.There is a musicological controversy as to whether the theme is actually from the pen of Haydn or another mystery composer. Some are now referring to it as the Saint Anthony Variations. Nevertheless, this 18-minute work by Brahms is a magnificent work of genius.Not to be outdone, Mr. Sauer has created his own masterpiece of this work, arranged for virtuoso artists of the Horn and Piano. It will surely become a classic in the repertoire.
$32.50
Dichterliebe
#
Cor et Piano
#
AVANCÉ
#
Classique
#
Robert Schumann
#
Layne Anspach
#
Dichterliebe
#
Songburd Music
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
(+)
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Arioso by Bach for French Horn
#
Cor et Piano
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Ander
#
Arioso by Bach for French Horn
#
Woods Only, Arrangements
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1125989 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and p...
(+)
French Horn,Piano - Level 1 - SKU: A0.1125989 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #726717. Published by Woods Only, Arrangements (A0.1125989). This easy arrangement for horn in F and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Achte Gedichte aus "Letzte Blätter"
#
Cor et Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Layne Anspach
#
Achte Gedichte aus "Letzt
#
Songburd Music
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Musi...
(+)
French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
Talisman for Horn and Piano
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Evan Thomas
#
Talisman for Horn and Piano
#
Gordon Cherry
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.854269 Composed by David Evan Thomas. Classical,Contemporary. Score and part. 12 pages. Gordon Cherry #460784. Pub...
(+)
French Horn,Piano - Level 4 - SKU: A0.854269 Composed by David Evan Thomas. Classical,Contemporary. Score and part. 12 pages. Gordon Cherry #460784. Published by Gordon Cherry (A0.854269). Here is an excellent description of Talisman for Horn and Piano by the composer, David Evan Thomas: Talisman, is a buoyant and songful recital piece for horn and piano. A talisman is an object, such as an amulet, a bowl, or even a symbol, held to act as a charm to avert evil and bring good fortune. This Talisman is a sonic charm, a brief recital piece that captures the essence of the Maine lakes and woods, evoking in song a sense of the rustic and the legendary. It was commissioned by Minneapolis resident Holly Windle in tribute to her mother, Jan, who played the horn as an adolescent. The premiere was given by Charles Hodgson, horn, and the composer in Saint Paul, Minnesota on November 11, 2021, heard below in this fine live performance. It is appropriate for advanced intermediate performers and is about 4 minutes in length.
$17.50
Marcello's Adagio for Horn and Piano
#
Cor et Piano
#
FACILE
#
Classique
#
Allesandro Marcello
#
Diego Marani
#
Marcello's Adagio for Horn and
#
Diego Marani
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1198754 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Weddi...
(+)
French Horn,Piano - Level 2 - SKU: A0.1198754 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #797835. Published by Diego Marani (A0.1198754). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for horn with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
Adagio from BWV 974 for Horn and Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Diego Marani
#
Adagio from BWV 974 for Horn a
#
Diego Marani
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1208364 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wed...
(+)
French Horn,Piano - Level 3 - SKU: A0.1208364 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #806473. Published by Diego Marani (A0.1208364). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for horn with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
Wichita Lineman
#
Cor et Piano
#
INTERMÉDIAIRE
#
Glen Campbell
#
James M
#
Wichita Lineman
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score a...
(+)
French Horn,Piano - Level 3 - SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682659. Published by jmsgu3 (A0.1078459). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Largo from 'Xerxes' (Handel) - horn in F and piano with FREE BACKING TRACK
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Austin Ralphson
#
Largo from 'Xerxes'
#
Austin Ralphson
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1169090 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part...
(+)
French Horn,Piano - Level 3 - SKU: A0.1169090 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769438. Published by Austin Ralphson (A0.1169090). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/fAWXlZ9hn0g and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/pTh1O
$3.99
Vivaldi: Sonata No. 4 for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Fren
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.550488 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score...
(+)
French Horn,Piano - Level 3 - SKU: A0.550488 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4642121. Published by jmsgu3 (A0.550488). Sonata da Chiesa No. 4 in Bb Major for French Horn & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
As It Was
