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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Charles M
Non classifié
144
Piano & claviers
Piano, Voix
131
Piano seul
126
Piano, Voix et Guitare
30
Piano Facile
22
Orgue
10
Instruments en Do
9
1 Piano, 4 mains
8
Accordéon
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
269
Guitare notes et tablatures
5
Paroles et Accords
3
Guitare
3
4 Guitares (Quatuor)
2
Basse electrique
2
Ensemble de Ukulélés
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
51
Chorale 3 parties
14
Chorale TTBB
6
Voix Tenor, Piano
3
Chorale SSAA
3
Voix basse, Piano
3
Chorale 2 parties
2
Voix Moyenne
1
Voix duo, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Quintette de Saxophone: 5 saxophones
45
Flûte traversière et Piano
23
Clarinette et Piano
17
Saxophone Alto et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Hautbois, Piano (duo)
11
Saxophone Soprano et Piano
7
Ensemble de Clarinettes
6
Cor anglais, Piano
6
Saxophone Tenor et Piano
4
Clarinette
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Clarinette Basse, Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto
3
3 Saxophones (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois, Harpe
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
2 Flûtes traversières (duo)
1
Saxophone Tenor
1
Ensemble de saxophones
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
2 Flûte à bec (duo)
1
Flûte et Guitare
1
Clarinette Basse
1
Clarinette, Harpe (duo)
1
+ 28 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
8
Cor et Piano
7
Trombone et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor anglais, Piano
6
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
Trompette
1
Tuba et Orgue
1
Tuba et Piano
1
Tuba
1
2 Trompettes (duo)
1
+ 10 instrumentations
Retracter
Cordes
Violon et Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
17
Alto, Piano
11
Violoncelle, Piano
11
Violon
8
Trio à Cordes: violon, alto, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Ensemble d'Altos
4
Violon, Violoncelle (duo)
4
Harpe
4
Violoncelle
2
2 Violoncelles (duo)
2
Alto, Orgue
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Violon, Alto (duo)
1
2 Violons (duo)
1
4 Violoncelles
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, violoncelle
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9
Fanfare
6
Orchestre de chambre
5
Orchestre à Cordes
3
Ensemble de cuivres
3
Cloches
2
Jazz combo
2
Ensemble Jazz
2
Orchestre
1
+ 4 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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ENFANTS : EVEIL - IN…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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Vous avez sélectionné:
Charles M
Cor et Piano
Partitions à imprimer
7 partitions trouvées
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1
Ave Maria for horn and piano (in C)
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria for horn and piano
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Daniel C. M.
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.810160 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period...
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French Horn,Piano - Level 2 - SKU: A0.810160 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5305737. Published by Daniel C. M. (A0.810160). This beautiful work of art is now arranged for french horn and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the horn part separately.You can find a lower version in B flat published also by Daniel C. M.
$3.99
Ave Maria for horn and piano (in B flat)
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria for horn and piano
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Daniel C. M.
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.810162 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period...
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French Horn,Piano - Level 2 - SKU: A0.810162 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5305745. Published by Daniel C. M. (A0.810162). This beautiful work of art is now arranged for french horn and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the horn part separately.You can find a higher version in the original key published also by Daniel C. M.
$3.99
Bach-Gounod: Ave Maria for French Horn & Piano
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Cor et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Fre
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score ...
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French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Away In A Manger: for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for French H
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jms...
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French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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Cor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and...
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French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
6 HYMNS of Adoration & Guidance Set 1 & 2 (Duets - Horn in F and Piano with Parts)
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Geistliche Kirchengesang, Ph
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Gary Lanier
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Worship, Sacred
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6 HYMNS of Adoration & Guidanc
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The Lanier Company
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SheetMusicPlus
Composed by Geistliche Kirchengesang, Phoebe Palmer Knapp, TRIDITIONAL IRISH MELODY, Charles H. Gabriel, John Hughes, and Frederick M. Lehman. Arrange...
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Composed by Geistliche Kirchengesang, Phoebe Palmer Knapp, TRIDITIONAL IRISH MELODY, Charles H. Gabriel, John Hughes, and Frederick M. Lehman. Arranged by Gary Lanier. Praise & Worship, Sacred. Score and part. 55 pages. The Lanier Company #3020341. Published by The Lanier Company
Item Number: A0.615727
6 HYMNS of Adoration & Guidance Set 1 & 2 is a collection of hymn arrangements by Gary Lanier for Horn in F and Piano. The hymn titles are: All Creatures of Our God And King//The Love of God//Blessed Assurance, Jesus Is Mine//Guide Me, O Thou Great Jehovah//His Eye Is on the Sparrow//Be Thou My Vision.
This collection is more than a $35.00 value. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where hymns of Adoration & Guidance are enjoyed (50 pages).
$19.99
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