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ACCORDEON
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AUTOHARPE
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CLARINETTE
CLAVECIN
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COR ANGLAIS
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DEEJAY
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OCARINA
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295
Piano & claviers
Piano seul
163
Piano, Voix
39
Piano Facile
30
Orgue
26
2 Pianos, 4 mains
10
Accordéon
6
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
5
Piano (partie séparée)
5
1 Piano, 4 mains
4
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2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 9 instrumentations
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Guitare
29
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11
Basse electrique
7
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5
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2
Ukulele
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4 Guitares (Quatuor)
1
+ 6 instrumentations
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45
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17
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7
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2
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Voix haute
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Voix Tenor, Piano
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Voix Soprano, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
+ 11 instrumentations
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36
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31
2 Saxophones (duo)
27
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22
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21
Flûte, Hautbois, Clarinette, Basson
18
Hautbois, Piano (duo)
17
2 Flûtes traversières (duo)
17
Quintette de Saxophone: 5 saxophones
16
Clarinette
14
2 Clarinettes (duo)
11
Flûte traversière
11
Clarinette et Piano
11
3 Saxophones (trio)
9
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Saxophone Alto
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6
Saxophone Soprano
5
Saxophone Tenor
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Hautbois (partie séparée)
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Clarinette (partie séparée)
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3 Flûtes à bec (trio)
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Trompette
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Trombone
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Trombone et Piano
11
2 Trompettes (duo)
9
Cor
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2 Trombones (duo)
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Tuba
6
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5
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Cor (partie séparée)
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Euphonium
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Tuba (partie séparée)
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Cor anglais, Piano
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2 Tubas (duo)
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Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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138
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99
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63
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48
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45
Violon
40
Harpe
39
Violoncelle, Piano
34
Trio à Cordes: violon, alto, violoncelle
27
Violon, Alto (duo)
21
2 Violoncelles (duo)
17
2 Violons (duo)
14
Alto, Piano
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violon (partie séparée)
8
Alto seul
7
2 Altos (duo)
6
Contrebasse (partie séparée)
6
Harpe, Flûte (duo)
4
Alto (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Harpe et Piano
1
Alto et orchestre
1
Alto et Basson
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
Contre Basse
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3 Harpes
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Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
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113
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50
Orchestre
23
Ensemble Jazz
19
Ensemble de cuivres
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Cloches
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Orchestre de chambre
7
Batterie
6
Batterie (partie séparée)
5
Vibraphone
2
Orchestre, Violon
2
Ensemble de Percussions
2
Jazz combo
2
Marimba
1
Fanfare
1
Marimba et Orgue
1
Piano et Orchestre
1
Percussion (partie séparée)
1
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5 partitions trouvées
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1
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Let All Mortal Flesh Keep Silence - Horn in F solo
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Sile
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budaful music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1038740 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and pa...
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French Horn,Piano - Level 4 - SKU: A0.1038740 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643718. Published by budaful music (A0.1038740). This haunting tune, arranged for piano and horn in F, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page horn part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99
Andante expressivo from "Songs Without Words" Op.30 No.1
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Cor et Piano
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FACILE
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Felix Bartholdy Mendelssohn
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Ian Fitze
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Andante expressivo from "
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Ian Fitze
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1399814 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contes...
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French Horn,Piano - Level 2 - SKU: A0.1399814 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #983066. Published by Ian Fitze (A0.1399814). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple melody that continuously contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Technically not too demanding for both the soloist and the accompanist.
$1.99
To Cherish (for horn in F and piano)
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Kenneth Baird
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To Cherish
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Kenneth Baird Music
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.726409 Composed by Kenneth Baird. 20th Century,Contemporary,Holiday,Standards,Wedding...
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.726409 Composed by Kenneth Baird. 20th Century,Contemporary,Holiday,Standards,Wedding. Score and parts. 7 pages. Kenneth Baird Music #3579341. Published by Kenneth Baird Music (A0.726409). Romantic music for French horn and piano. Originally composed for cello and piano, the composer felt that a version for horn and piano would be equally compelling. Kenneth Baird's ...to cherish is perfect for adding a touch of elegance to recitals, weddings, anniversary celebrations, Valentine's Day parties, and virtually any performance, whether formal or casual. The horn part requires excellent tonal and pitch control, and good range and endurance, as well as sensitive musicianship. The demands of the piano accompaniment are modest.
$8.00
Midwinter horn in F&piano
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Cor et Piano
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FACILE
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Contemporain
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Tommy Johansson, Hjo
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Midwinter horn in F&piano
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Tommy Johansson, Hjo
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.949941 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215769. Pub...
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French Horn,Piano - Level 2 - SKU: A0.949941 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215769. Published by Tommy Johansson, Hjo (A0.949941). Midwinter A bittersweet composition for horn in F and piano by Tommy Johansson, Hjo Technically, a non-demanding piece in a post-romantic/impressionistic style. Score/parts: three pages Key: F-minor/F#-minor Duration: 2.40 (5.20 repeated) Available for other instruments/vocal, as well. The full piece is available, to listen to, at my Youtube channel for free About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$5.99
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