Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Down Like That
Non classifié
2 559
Piano & claviers
Piano seul
1 446
Piano, Voix
670
Piano Facile
305
Piano, Voix et Guitare
300
Instruments en Do
157
Orgue
72
Accompagnement Piano
51
1 Piano, 4 mains
41
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano grosses notes
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano (partie séparée)
7
Accordéon
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Piano (duo)
3
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Clavecin
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Clavier
1
Accordéon, Voix
1
+ 19 instrumentations
Retracter
Guitares
Guitare
161
Guitare notes et tablatures
156
Ligne De Mélodie, (Paroles) et Accords
46
Ukulele
32
Basse electrique
23
Guitare (partie séparée)
11
2 Guitares (duo)
9
Banjo
7
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
6
Ensemble de guitares
5
Dulcimer
5
3 Guitares (trio)
3
Paroles et Accords
3
Mandoline
3
Mandoline, Guitare (duo)
3
Guitare, Flûte, Clarinette
2
Ensemble de Ukulélés
1
Cithare
1
Guitare, Violon, Violoncelle (trio)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
666
Chorale 3 parties
342
Chorale 2 parties
125
Chorale TTBB
99
Chorale Unison
86
Chorale SSAA
64
Voix duo, Piano
31
Voix Soprano, Piano
23
Voix haute
21
Voix Alto, Piano
19
Voix duo
16
Voix Baryton, Piano
7
Voix Soprano
5
Pack Instrumental pour Chorale
5
Voix Tenor, Piano
5
Voix seule
4
Voix moyenne, Piano
4
Voix Mezzo-Soprano, Piano
3
Chorale SSAATTBB
3
Voix Tenor
3
Chorale SSATTB
2
Chorale SSATB
2
Chorale SSAB, Piano
2
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
+ 21 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
169
Quintette de Saxophone: 5 saxophones
152
Flûte traversière et Piano
128
2 Saxophones (duo)
125
Ensemble de saxophones
117
Flûte, Hautbois, Clarinette, Basson
115
Clarinette et Piano
96
Hautbois, Piano (duo)
92
Quatuor de Clarinettes: 4 clarinettes
85
Flûte traversière
81
2 Clarinettes (duo)
74
2 Flûtes traversières (duo)
73
Clarinette
70
Saxophone Alto et Piano
67
Ensemble de Clarinettes
53
Saxophone Tenor et Piano
52
Saxophone (partie séparée)
49
Saxophone Soprano et Piano
44
Quatuor de Flûtes : 4 flûtes
42
Hautbois (partie séparée)
41
Ensemble de Flûtes
34
Flûte, Violon, Piano
33
Saxophone Baryton, Piano
32
3 Saxophones (trio)
31
2 Hautbois (duo)
28
Quintette de Flûte : 5 flûtes
27
Saxophone Alto
27
2 Flûtes traversières, Piano
26
Quintette de Clarinettes: 5 clarinettes
26
3 Clarinettes (trio)
24
Clarinette Basse, Piano
24
Cor anglais, Piano
24
Saxophone Tenor
21
Trio de Flûtes: 3 flûtes
19
Saxophone, Clarinette (duo)
18
Hautbois, Basson (duo)
13
Clarinette, Violon (duo)
12
Flûte, Violoncelle
12
Clarinette (partie séparée)
12
Flûte, Trombone (duo)
10
Quatuor de Flûtes à bec
10
Flûte, Clarinette (duo)
9
2 Flûte à bec (duo)
8
Clarinette, Basson (duo)
8
Flûte et Guitare
8
5 Flûtes à bec
7
3 Hautbois
7
4 Hautbois
7
Hautbois
7
Flûte, Violon
7
Flûte à bec Soprano
7
Clarinette, Violoncelle (duo)
7
Clarinette, Trompette (duo)
7
Hautbois, Clarinette (duo)
6
Clarinette et Alto
6
Flute (partie séparée)
5
Hautbois, Flûte
5
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Saxophone (duo)
5
Hautbois, Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Alto, Piano
3
Flûte, trombone et piano
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Harmonica
3
Flûte, Clarinette, Piano (trio)
3
Clarinette, Harpe (duo)
2
3 Flûtes à bec (trio)
2
Hautbois, Harpe
2
2 Cors Anglais Et Pianoforte
2
Piccolo, Piano
2
Flûte irlandaise
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
1
Piccolo
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto
1
Flûte, Violon et Violoncelle
1
Saxophone Soprano
1
Flûte, Violoncelle, Guitare
1
Instruments en Mib
1
Cor Anglais
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Orgue
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Ocarina
1
Cor anglais et Harpe (duo)
1
Flûte, Basson et Piano
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
Hautbois, Basson et Piano
1
Flûte, Violon, Violoncelle et Piano
1
2 Clarinettes, Piano
1
Saxophone
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
223
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Trombone et Piano
89
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
Trompette, Piano
73
Cor et Piano
72
Trompette
65
Cor
60
2 Trombones (duo)
60
Ensemble de Trompettes
59
Trombone
52
Trompette (partie séparée)
50
Trombone (partie séparée)
44
Euphonium, Piano (duo)
41
Tuba
41
Tuba et Piano
40
Ensemble de Trombones
40
2 Trompettes (duo)
34
Quatuor de Cuivres
30
Cor anglais, Piano
24
2 Cors (duo)
23
Quatuor de cuivres: 4 trombones
23
2 Tubas (duo)
19
Quatuor de cuivres: 4 cors
13
2 Euphoniums (duo)
12
Trompette, Trombone (duo)
10
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 trompettes
8
Ensemble de Cors
8
Cor (partie séparée)
7
Tuba (partie séparée)
7
Euphonium
7
2 Euphoniums et 2 Tubas
5
Trombone basse et Piano
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
4 Tubas
3
Cor, Violoncelle (duo)
3
Trio de Cuivres
3
2 Cors Anglais Et Pianoforte
2
Trompette, Violoncelle (duo)
2
Cor et Basson (duo)
2
3 Trompettes (trio)
2
Tuba et Orgue
2
Trompette, Basson (duo)
2
Trombone basse
1
Instruments en Sib
1
Bass Clef Instruments
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle et Piano
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
517
Violon et Piano
155
Violon
95
Violoncelle, Piano
87
Violoncelle
75
Alto, Piano
75
Trio à Cordes: violon, alto, violoncelle
69
Violon, Violoncelle (duo)
64
2 Violons (duo)
46
Harpe
41
Alto seul
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Contre Basse
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
33
2 Altos (duo)
32
Trio à Cordes: 2 violons, violoncelle
29
Ensemble d'Altos
21
Ensemble de Violons
21
Violon (partie séparée)
21
Violon, Basson (duo)
19
2 Contrebasses (duo)
18
Alto (partie séparée)
18
Violon, Alto (duo)
16
Contrebasse (partie séparée)
14
4 Violoncelles
12
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
9
2 Harpes (duo)
8
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 altos
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Harpe, Flûte (duo)
6
Alto, Violoncelle (duo)
6
Violoncelle , Guitare (duo)
6
Violon, Guitare (duo)
5
Alto et Basson
5
Harpe, Voix
4
Piano Trio: Violon, Alto, Piano
4
Violoncelle (partie séparée)
3
Quatuor à cordes : 4 altos
3
Harpe, Violon (duo)
3
Violoncelle, Contrebasse (duo)
2
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Orgue
1
Harpe et mandoline
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
4 Contrebasses
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
811
Orchestre à Cordes
190
Orchestre
184
Ensemble Jazz
145
Ensemble de cuivres
78
Fanfare
64
Ensemble de Percussions
47
Orchestre de chambre
45
Cloches
41
Jazz combo
26
Batterie
22
Batterie (partie séparée)
9
Percussion (partie séparée)
8
Vibraphone
4
Marimba
4
Xylophone, Piano
2
2 Xylophones
2
Orchestre, Violon
1
Vibraphone et Marimba
1
Piano et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
2 Percussions
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
72
Librairie Musicale
0
Matériel de Musique
161
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Down Like That
Cor et Piano
Partitions à imprimer
72 partitions trouvées
<
1
26
51
Jingle Bells for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Noël
#
James Pierpont
#
James M
#
Jingle Bells for French Horn &
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3...
(+)
French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408217. Published by jmsgu3 (A0.548657). Jingle Bells arranged for French Horn& Piano featuring a surprise final verse harmonization. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
(+)
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
A Night In Tunisia
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
(+)
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Bach-Gounod: Ave Maria for French Horn & Piano
#
Cor et Piano
#
FACILE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Fre
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score ...
(+)
French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
#
Cor et Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and...
(+)
French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for French Horn & Piano
#
Cor et Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
 
#
Bach: Wachet auf for French Ho
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
(+)
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Tchaikovsky: Overture from Nutcracker Suite for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Overture from Nut
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
(+)
French Horn,Piano - Level 3 - SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515725. Published by jmsgu3 (A0.549632). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Waltz of the Flow
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549834 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
(+)
French Horn,Piano - Level 3 - SKU: A0.549834 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3553495. Published by jmsgu3 (A0.549834). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Tchaikovsky: Chinese Dance from Nutcracker Suite for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Chinese Dance fro
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549790 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
(+)
French Horn,Piano - Level 3 - SKU: A0.549790 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3537327. Published by jmsgu3 (A0.549790). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Russian Dance from Nutcracker Suite for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Russian Dance fro
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549719 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
(+)
French Horn,Piano - Level 3 - SKU: A0.549719 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530631. Published by jmsgu3 (A0.549719). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Arabian Dance from Nutcracker Suite for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Arabian Dance fro
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549766 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
(+)
French Horn,Piano - Level 3 - SKU: A0.549766 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533947. Published by jmsgu3 (A0.549766). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Dance of the Suga
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549696 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Peri...
(+)
French Horn,Piano - Level 3 - SKU: A0.549696 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3525275. Published by jmsgu3 (A0.549696). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Birthday
#
Cor et Piano
#
FACILE
#
Rock
#
The Beatles
#
Jeff Tincher
#
Birthday
#
Jeff Tincher
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.582921 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Contemporary. Score and part. ...
(+)
French Horn,Piano - Level 2 - SKU: A0.582921 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Contemporary. Score and part. 29 pages. Jeff Tincher #3514391. Published by Jeff Tincher (A0.582921). This is a F instrument and Piano arrangement of one of The Beatles later hits. In the original key from their White Album, this arrangement adds a hand clap/foot stomp section that covers the drum solo in the song. Includes the count down in the hand clap/foot stomp section much like the original hit. This arrangement is great for any live venue !! Duration=2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Peaches
#
Cor et Piano
#
INTERMÉDIAIRE
#
Jack Black
#
Benzaiten Editions
#
Peaches
#
Benzaiten Editions
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1261325 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Be...
(+)
French Horn,Piano - Level 3 - SKU: A0.1261325 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Benzaiten Editions. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Score and part. 4 pages. Benzaiten Editions #854398. Published by Benzaiten Editions (A0.1261325). Hey! Are you a F-horn player who wants to learn how to play Peaches from The Super Mario Bros movie performed by Jack Black / Bowser? Stay with us!Peaches from The Super Mario Bros Movie performed by Bowser (Jack Black) • french horn intermediate sheet music with piano accompaniment The Benzaiten Editions Arrangement Get ready to groove with the iconic tune Peaches from the Super Mario Bros movie, performed by the one and only Jack Black! <3 This catchy song is sure to bring a smile to your face and have you tapping your feet in no time.I have arranged a simple yet beautiful version of this song that is perfect for those who like this awesome song.With this arrangement of The Super Mario Bros Movie's Peaches, you'll be able to play this iconic melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Peaches is sure to inspire. About the song Now, here are a few fun facts about this delightful musical moment. Did you know that Jack Black, renowned for his infectious energy, was a perfect fit to bring this lively song to life? He injects his signature charm and humor into the performance, making it an absolute joy to watch. Peaches is a playful and upbeat song that captures the essence of the beloved Super Mario Bros franchise. The lyrics are cleverly crafted, filled with references to the game and its characters. It's a true celebration of the iconic Princess Peach and the adventures of Mario and Luigi in the Mushroom Kingdom. Whether you're a longtime fan of the Super Mario Bros series or just discovering its magic, Jack Black's rendition of Peaches is a must-watch. So, gather your friends, turn up the volume, and get ready to dance along with this infectious and delightful musical number! Let's dive into the world of Peaches with Jack Black and experience the Super Mario Bros magic like never before!Â
$5.99
Peaches
#
Cor et Piano
#
INTERMÉDIAIRE
#
Jack Black
#
Benzaiten Editions
#
Peaches
#
Benzaiten Editions
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1261326 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Be...
(+)
French Horn,Piano - Level 3 - SKU: A0.1261326 By Jack Black. By Aaron Horvath, Eric Osmond, Jack Black, John Spiker, and Michael Jelenic. Arranged by Benzaiten Editions. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Score and part. 4 pages. Benzaiten Editions #854399. Published by Benzaiten Editions (A0.1261326). Hey! Are you a F-horn player who wants to learn how to play Peaches from The Super Mario Bros movie performed by Jack Black / Bowser? Stay with us!Peaches from The Super Mario Bros Movie performed by Bowser (Jack Black) • french horn intermediate sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement Get ready to groove with the iconic tune Peaches from the Super Mario Bros movie, performed by the one and only Jack Black! <3 This catchy song is sure to bring a smile to your face and have you tapping your feet in no time.I have arranged a simple yet beautiful version of this song that is perfect for those who like this awesome song.With this arrangement of The Super Mario Bros Movie's Peaches, you'll be able to play this iconic melody with ease and grace. The simplified chords and melody make it easy to learn.So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our arrangement of Peaches is sure to inspire. About the song Now, here are a few fun facts about this delightful musical moment. Did you know that Jack Black, renowned for his infectious energy, was a perfect fit to bring this lively song to life? He injects his signature charm and humor into the performance, making it an absolute joy to watch. Peaches is a playful and upbeat song that captures the essence of the beloved Super Mario Bros franchise. The lyrics are cleverly crafted, filled with references to the game and its characters. It's a true celebration of the iconic Princess Peach and the adventures of Mario and Luigi in the Mushroom Kingdom. Whether you're a longtime fan of the Super Mario Bros series or just discovering its magic, Jack Black's rendition of Peaches is a must-watch. So, gather your friends, turn up the volume, and get ready to dance along with this infectious and delightful musical number! Let's dive into the world of Peaches with Jack Black and experience the Super Mario Bros magic like never before!Â
$5.99
Erlkönig
#
Cor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Franz Schumbert
#
Layne Anspach
#
Erlkönig
#
Songburd Music
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
(+)
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
Luther: Out of the Depths for French Horn & Piano
#
Cor et Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
(+)
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Beau Soir (Debussy) for Horn in F and Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Claude Debussy
#
Harry Walker
#
Beau Soir
#
SCORE EDITIONS
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1501203 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Roma...
(+)
French Horn,Piano - Level 3 - SKU: A0.1501203 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077161. Published by SCORE EDITIONS (A0.1501203). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Horn in F and Piano by Harry Walker.
$5.99
O Come All Ye Faithful for French Horn & Piano
#
Cor et Piano
#
DÉBUTANT
#
Noël
#
Wade
#
James M
#
O Come All Ye Faithful for Fre
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113....
(+)
French Horn,Piano - Level 1 - SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Fauré: Nocturne Op. 104 for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
James Guthrie, ASCAP
#
Fauré: Nocturne Op. 104
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score...
(+)
French Horn,Piano - Level 3 - SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #5324393. Published by jmsgu3 (A0.551616). Gabriel Fauré: Nocturne, Op. 104, Molto moderatoNocturne is a musical composition inspired by or evocative of the night. The Irish composer John Field first used the term in the early 19th century to describe a type of character piece for piano intended to be played in the evening or at night. The term was later adopted by other composers, including Chopin and Fauré, who used it to describe their compositions. In the case of Fauré's Nocturne Op. 104, the title nocturne refers to the fact that it is a piece of music intended to be played at night or evocative of the night. The piece is characterized by its modal, incantatory theme, which seems to hark back to the plainchant that Fauré studied at the Niedermeyer School. Like other nocturnes in the set, it explores one predominant mood.Fauré's Nocturne Op. 104 and Chopin's nocturnes share some similarities, but they also have some differences. Fauré greatly admired the music of Chopin and was happy to compose in forms and patterns established by the earlier composer. Fauré's early nocturnes employ the same basic textures as Chopin's nocturnes, but Fauré's later works abandon this in favor of increasingly contrapuntal writing. Fauré also adopted ternary form as an essential form for the piece from Chopin. However, Fauré's melodies often show a rigorous motivic construction not found in Chopin. Fauré's nocturnes are, after Chopin's, among the most beautiful and beloved in music literature. In summary, while Fauré's nocturnes were influenced by Chopin's, they also have unique qualities that set them apart.
$32.95
O Salutaris (Pessard arr. for French Horn Solo)
#
Cor et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Emile Pessard
#
Andrew Lamb
#
O Salutaris
#
Andrew Lamb
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1317994 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred....
(+)
French Horn,Piano - Level 3 - SKU: A0.1317994 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship,Sacred. Score and part. 23 pages. Andrew Lamb #906690. Published by Andrew Lamb (A0.1317994). 🎶 Immerse yourself in the sacred notes of Émile Pessard's O Salutaris with this enchanting Brass Solo adaptation designed for French Horn. 🇫🇷✨ Originally crafted as a sacred hymn for Church Services, this arrangement resonates with the divine essence of Pessard's composition. ðŸ™ðŸ“¯ The French Horn takes center stage, delivering a soulful rendition that captures the spirit of the original piece. 🌟 Additionally, a Tenor Horn transposition is seamlessly included, providing a versatile and flexible musical experience. 🎺🎼 With a medium difficulty level, this arrangement offers a perfect balance for intermediate musicians seeking a captivating challenge. 🌈 Whether you're planning a concert or aiming to enhance a religious service, this arrangement is your key to a harmonious and memorable performance. 🎵🔥 Let the timeless beauty of O Salutaris shine through in this adaptation, blending tradition and innovation in a musical journey like no other. 🌠👉 This arrangement, a testament to the enduring power of Pessard's composition! 📯✨🌟 Level of Difficulty: Medium🎠Potential Uses: Ideal for concerts and religious services📌 Please like and subscribe for more videos and music arrangements. 🎶✨.
$5.00
Mr Platypus
#
Cor et Piano
#
INTERMÉDIAIRE
#
Fiona Hickie
#
Mr Platypus
#
Fiona Alice Hickie
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.738318 Composed by Fiona Hickie. Classical,Contemporary,Multicultural,World. Score and part. 7 pages. Fiona Alice ...
(+)
French Horn,Piano - Level 3 - SKU: A0.738318 Composed by Fiona Hickie. Classical,Contemporary,Multicultural,World. Score and part. 7 pages. Fiona Alice Hickie #6489701. Published by Fiona Alice Hickie (A0.738318). A piece for French horn and piano. n this work the platypus is tranquil in his den or in the water, then frolics in the river.The Platypus is an Australian, semi-aquatic animal that spends its time in waterways, and its burrow next to the water’s edge. It is classified as a monotreme which means it has fur and lays eggs. When the British first took one home to England they thought they must have stuck together a couple of animals, because they look so unique. A furry animal with a duck like bill, how strange!The male platypus have venomous spurs on their back legs, but people don’t get close enough to them to get hurt. They are known to be a very shy animal that can sometimes be spotted at sunset.See also, Wombats, Koalas and Tigers Too ITEM ID: S0.538399
$5.99
ARIOSO, by J. S. Bach (sinfonia) - for Horn in F and accompaniment
#
Cor et Piano
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.964388 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standard...
(+)
French Horn,Piano - Level 1 - SKU: A0.964388 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321359. Published by Leyandder Trustworthy (A0.964388). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Horn in F along with a piano accompaniment that comes with the product.
$4.99
Good King Wenceslas
#
Cor et Piano
#
FACILE
#
Noël
#
John Mason Neale
#
Wesley S
#
Good King Wenceslas
#
Wesley S. Silva
#
SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1499865 Composed by John Mason Neale. Arranged by Wesley S. SIlva. Christmas. Score and part. 4 pages. Wesley S. S...
(+)
French Horn,Piano - Level 2 - SKU: A0.1499865 Composed by John Mason Neale. Arranged by Wesley S. SIlva. Christmas. Score and part. 4 pages. Wesley S. Silva #1075931. Published by Wesley S. Silva (A0.1499865). Good King Wenceslas is a traditional Christmas carol that is ideal for beginner musicians. The song features a simple melody and a steady rhythm, making it easy to learn and perform. Its repetitive structure allows beginners to practice playing with confidence while focusing on essential musical skills like timing and dynamics. With its clear and singable tune, Good King Wenceslas is a perfect choice for those starting to build their repertoire of Christmas songs.
$5.99
Greensleeves - Horn (wit piano)
#
Cor et Piano
#
DÉBUTANT
#
Anonymus
#
Alex Nunes Rodrigues
#
Greensleeves - Horn
#
Alex Rodrigues
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1476817 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Score and part. 6 pages. ...
(+)
French Horn,Piano - Level 1 - SKU: A0.1476817 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Score and part. 6 pages. Alex Rodrigues #1054328. Published by Alex Rodrigues (A0.1476817). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale