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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
352
PIANO & CLAVIERS
Piano seul
195
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
28
Piano Facile
21
Instruments en Do
20
Accompagnement Piano
18
Orgue
16
2 Pianos, 4 mains
10
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
2
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GUITARES
Guitare
29
Guitare notes et tablatures
12
2 Guitares (duo)
11
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
1
Ukulele
1
Mandoline
1
Ensemble de guitares
1
Basse electrique
1
Banjo
1
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VOIX
Chorale SATB
112
Chorale 3 parties
12
Chorale 2 parties
11
Chorale TTBB
10
Chorale Unison
9
Chorale SSAA
8
Voix Soprano, Piano
6
Voix seule
5
Voix duo, Piano
3
Voix duo
3
Voix haute
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Clarinette et Piano
24
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
18
2 Clarinettes (duo)
16
Quintette de Saxophone: 5 saxophones
16
Quatuor de Saxophones: 4 saxophones
14
2 Flûtes traversières (duo)
14
Clarinette, Trompette (duo)
14
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Ensemble de saxophones
12
Saxophone Soprano et Piano
10
Clarinette
10
Ensemble de Clarinettes
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
8
Flûte, Violon, Piano
7
Clarinette et Alto
7
3 Saxophones (trio)
7
Ensemble de Flûtes
7
Quatuor de Clarinettes: 4 clarinettes
7
Cor anglais, Piano
7
Saxophone Alto
7
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
6
Saxophone Tenor
6
Hautbois, Basson (duo)
6
2 Hautbois (duo)
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
Flûte, Violon
6
Flûte, Trompette (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Quintette de Flûte : 5 flûtes
5
Hautbois (partie séparée)
5
Flûte à bec Soprano
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Flûte
5
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
4
Hautbois, Clarinette (duo)
4
Clarinette, Guitare (duo)
2
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Harpe (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Guitare (duo)
1
Saxophone (partie séparée)
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
2 Flûte à bec (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Alto et Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
10
Euphonium, Piano (duo)
10
2 Trompettes (duo)
9
Trombone
9
2 Trombones (duo)
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
5
Tuba et Piano
4
Cor
4
Ensemble de Trompettes
3
Quatuor de Cuivres
3
Tuba
1
Trombone basse et Piano
1
2 Cors (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
Tuba et Orgue
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
42
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
18
Trio à Cordes: 2 violons, violoncelle
16
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
Violoncelle
5
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
3
Alto, Guitare (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Alto (partie séparée)
2
Contrebasse, Piano (duo)
1
4 Violoncelles
1
2 Violons, Piano
1
Violoncelle (partie séparée)
1
Trio à cordes
1
Autoharp
1
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
103
Orchestre
32
Orchestre à Cordes
27
Ensemble de cuivres
19
Orchestre de chambre
9
Ensemble Jazz
8
Jazz combo
8
Cloches
6
2 Marimbas
1
Xylophone
1
Percussion
1
Piano et Orchestre
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
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Bach: Wachet auf for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.47 €
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Cor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bac…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.68 €
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Cor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin D…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
29.68 €
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Cor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Suo Gan for French Horn & Piano
Cor et Piano
French Horn,Piano - Digital Download SKU: A0.746772 Composed by Trad. Arranged by K…
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French Horn,Piano - Digital Download SKU: A0.746772 Composed by Trad. Arranged by Keith Terrett. Children,World. Score and part. 4 pages. Keith Terrett #3493909. Published by Keith Terrett (A0.746772). An arrangement of a Welsh lullaby for French Horn & Piano.Suo Gân (Welsh pronunciation: [sɨɔ É¡É‘Ën]) is a traditional Welsh lullaby written by an anonymous composer. It was first recorded in print around 1800. The lyrics were notably captured by the Welsh folklorist Robert Bryan (1858–1920). The song's title simply means lullaby (suo = lull; cân = song).Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.A lullaby is a soothing song, usually sung to young children before they go to sleep, with the intention of aiding that process. As a result the songs are often simple and repetitive. Lullabies can be found in many countries, and have existed since ancient times. Tonally, most lullabies are simple, often merely alternating tonic and dominant harmonies
$4.99
4.49 €
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Cor et Piano
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Trad
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Keith Terrett
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Piano
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Suo Gan for French Horn & Piano
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Keith Terrett
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - horn in F and piano by Jean-Thierry Boisseau
Cor et Piano
Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533…
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533222 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2063767. Published by Musik Fabrik Music Publishing (A0.533222). This is an arrangement of the famous Welsh lullaby. This work for horn and piano is not at all a set of variations on a theme, because the horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.06 €
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Cor et Piano
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - horn in F and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Luther: Out of the Depths for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.47 €
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Cor et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Goun…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.68 €
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Cor et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Achte Gedichte aus "Letzte Blätter"
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard …
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
36.02 €
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Cor et Piano
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Richard Strauss
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Layne Anspach
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Achte Gedichte aus "Letzte Blätter"
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Songburd Music
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SheetMusicPlus
O Come All Ye Faithful for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arr…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.47 €
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Cor et Piano
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Wade
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James M
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O Come All Ye Faithful for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Mr Platypus
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.738318 Composed by Fiona Hic…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.738318 Composed by Fiona Hickie. Classical,Contemporary,Multicultural,World. Score and part. 7 pages. Fiona Alice Hickie #6489701. Published by Fiona Alice Hickie (A0.738318). A piece for French horn and piano. n this work the platypus is tranquil in his den or in the water, then frolics in the river.The Platypus is an Australian, semi-aquatic animal that spends its time in waterways, and its burrow next to the water’s edge. It is classified as a monotreme which means it has fur and lays eggs. When the British first took one home to England they thought they must have stuck together a couple of animals, because they look so unique. A furry animal with a duck like bill, how strange!The male platypus have venomous spurs on their back legs, but people don’t get close enough to them to get hurt. They are known to be a very shy animal that can sometimes be spotted at sunset.See also, Wombats, Koalas and Tigers Too ITEM ID: S0.538399
$5.99
5.39 €
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Cor et Piano
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Fiona Hickie
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Mr Platypus
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Fiona Alice Hickie
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SheetMusicPlus
Largo (from Xerxes) for horn in F and piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Hand…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
2.93 €
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Cor et Piano
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Clair de Lune by Debussy - French Horn and Piano (Full Score and Parts)
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1192043 Composed by Claude D…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1192043 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Romantic Period,World. Score and part. 15 pages. Sheet Music To Play Editions #791545. Published by Sheet Music To Play Editions (A0.1192043). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
8.1 €
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Cor et Piano
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Claude Debussy
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César Madeira
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Clair de Lune by Debussy - French Horn and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
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