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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
CORNEMUSE
CORNET
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SAXOPHONE
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15
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9
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CORDES
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18
Harpe
13
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Trio à Cordes: violon, alto, violoncelle
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2 Violoncelles (duo)
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Trio à Cordes: 2 violons, violoncelle
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4 Violoncelles
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Alto et Harpe
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Contre Basse
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Trio à Cordes: 3 violoncelles
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Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
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PERCUSSIONS & ORCHESTRES
Orchestre
16
Orchestre d'harmonie
13
Orchestre à Cordes
12
Ensemble de Percussions
11
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8
Orchestre de chambre
7
Jazz combo
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Orchestre, Violon
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Fanfare
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AUTRES
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Four For Tee
Cor et Piano
Partitions à imprimer
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Saint-Saëns: The Swan for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille …
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.86 €
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Cor et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - horn in F and piano by Jean-Thierry Boisseau
Cor et Piano
Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533…
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.533222 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2063767. Published by Musik Fabrik Music Publishing (A0.533222). This is an arrangement of the famous Welsh lullaby. This work for horn and piano is not at all a set of variations on a theme, because the horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
8.11 €
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Cor et Piano
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Traditional Welsh Lullaby
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Jean-Thierry Boisseau
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Traditional Welsh Lullaby: Suo Gân, - horn in F and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
He Leadeth Me for Horn in F
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.968550 Composed by William B…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.968550 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jazz,Sacred. Score and part. 9 pages. Lawrence H Underwood #6571105. Published by Lawrence H Underwood (A0.968550). Arranged by veteran performer and music educator, Lawrence Underwood, as the fourteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of He Leadeth Me gives this traditional melody the boogie-woogie treatment! Suitable for use as special music in church or as a recital piece. . .or anywhere you want to have a little musical fun. . .this arrangement is sure to be a hit!
$5.99
5.43 €
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Cor et Piano
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William B
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Lawrence H
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He Leadeth Me for Horn in F
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Lawrence H Underwood
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SheetMusicPlus
Saint-Saëns: Le Carnaval des Animaux - XIII. Le Cygne (The Swan) - horn/piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.553838 Composed by Camille S…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.553838 Composed by Camille Saint-Saens. Arranged by Ray Thompson. Holiday,Romantic Period,Standards,Wedding. Score and part. 7 pages. RayThompsonMusic #4966071. Published by RayThompsonMusic (A0.553838). The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and lasts around 25 minutes.This is mvt XII, Le Cygne (The Swan) probably the best known.Arranged for horn in F and piano (alternative part provided for tenor horn in Eb)Transposed into F from the original G.
$5.95
5.39 €
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Cor et Piano
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Camille Saint-Saens
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Ray Thompson
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Saint-Saëns: Le Carnaval des Animaux - XIII. Le Cygne
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RayThompsonMusic
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SheetMusicPlus
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