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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
German Hymn
Non classifié
201
Piano & claviers
Piano seul
55
Orgue
40
Piano Facile
21
Piano, Voix
19
Piano, Voix et Guitare
8
Instruments en Do
3
2 Pianos, 4 mains
2
Accompagnement Piano
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Instrument seul et Orgue
1
1 Piano, 4 mains
1
Accordéon
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
5
Ukulele
3
Guitare
2
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
Voix
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68
Chorale 3 parties
23
Chorale TTBB
19
Chorale Unison
13
Chorale 2 parties
6
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5
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix basse, Piano
1
Voix, Guitare
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale SSAA
1
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30
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21
Quatuor de Clarinettes: 4 clarinettes
12
Quintette de Saxophone: 5 saxophones
12
Flûte traversière et Piano
10
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Alto et Piano
5
Saxophone Tenor et Piano
5
2 Saxophones (duo)
4
Trio de Flûtes: 3 flûtes
4
Clarinette et Piano
4
3 Clarinettes (trio)
4
Hautbois, Piano (duo)
3
Flûte traversière
3
Flûte à bec Soprano
3
Saxophone et Harpe
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Soprano et Piano
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Piano
2
Hautbois, Harpe
2
Clarinette
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
2
Clarinette, Harpe (duo)
2
2 Flûte à bec (duo)
2
Saxophone Alto
2
Ensemble de Flûtes
2
4 Hautbois
1
Saxophone Baryton, Piano
1
Saxophone Tenor
1
3 Hautbois
1
Ensemble de Hautbois
1
Saxophone (partie séparée)
1
Quatuor de Flûtes à bec
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
+ 35 instrumentations
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Cuivres
Quatuor de Cuivres
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 cors
6
Trombone et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor anglais, Piano
2
Trompette, Harpe
2
Trompette, Piano
2
2 Trompettes (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Cor et Harpe
2
Cor
1
Ensemble de Trompettes
1
Bass Clef Instruments
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
3 Trombones (trio)
1
Trombone
1
Tuba (partie séparée)
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon et Piano
12
Violoncelle, Piano
9
Trio à Cordes: violon, alto, violoncelle
8
Alto, Piano
6
Violon
6
Harpe
5
2 Harpes (duo)
3
Violon (partie séparée)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Violon, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Alto seul
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Contre Basse
1
Ensemble d'Altos
1
Ensemble de Violons
1
Harpe, Trombone (duo)
1
Violoncelle
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
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Orchestre à Cordes
22
Ensemble de cuivres
19
Cloches
12
Orchestre d'harmonie
12
Orchestre de chambre
7
Orchestre
6
Ensemble Jazz
3
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Vous avez sélectionné:
German Hymn
Cor et Piano
Partitions à imprimer
4 partitions trouvées
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Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Throughout these Lenten Days and Nights/A Lenten Prayer
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Cor et Piano
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INTERMÉDIAIRE
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German Hymn 1690, French Carol
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Ian Fitze
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Throughout these Lenten Days a
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Ian Fitze
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1416832 Composed by German Hymn 1690, French Carol Traditional. Arranged by Ian Fitze. Instructional,Lent,Praise &...
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French Horn,Piano - Level 3 - SKU: A0.1416832 Composed by German Hymn 1690, French Carol Traditional. Arranged by Ian Fitze. Instructional,Lent,Praise & Worship,Religious,Traditional. Score and part. 5 pages. Ian Fitze #998426. Published by Ian Fitze (A0.1416832). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A medley of two Protestant Lenten hymn tunes, presented in a contemporary setting.
$1.99
Adeste Fideles (O Come, All Ye Faithful) - horn and piano
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Cor et Piano
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1096922 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holi...
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French Horn,Piano - Level 1 - SKU: A0.1096922 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #700886. Published by Melo Music (A0.1096922). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play horn in F version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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German Hymn
