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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TUBA
UKULELE
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VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
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374
PIANO & CLAVIERS
Piano seul
69
Piano, Voix
56
Piano Facile
29
Piano, Voix et Guitare
27
Orgue
25
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
Accompagnement Piano
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
80
Guitare
10
Guitare notes et tablatures
8
Ukulele
3
2 Guitares (duo)
2
Mandoline
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
48
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25
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23
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16
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8
Voix duo, Piano
6
Voix haute
1
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1
Chorale
1
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1
Chorale SSAA
1
Voix Alto, Piano
1
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VENTS
2 Saxophones (duo)
25
Flûte traversière et Piano
22
Quatuor de Saxophones: 4 saxophones
20
Clarinette et Piano
20
Quatuor de Clarinettes: 4 clarinettes
17
Quintette de Saxophone: 5 saxophones
16
3 Saxophones (trio)
16
Saxophone Alto et Piano
15
2 Clarinettes (duo)
15
Hautbois, Piano (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
2 Flûtes traversières (duo)
12
Saxophone Tenor et Piano
12
Flûte traversière
11
Clarinette
9
Saxophone Soprano et Piano
8
Cor anglais, Piano
8
Flûte, Clarinette (duo)
7
Saxophone, Clarinette (duo)
6
Hautbois (partie séparée)
6
Flûte et Guitare
6
2 Flûte à bec (duo)
6
Saxophone Baryton, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Quintette de Flûte : 5 flûtes
5
Saxophone Alto
4
3 Clarinettes (trio)
4
Ensemble de saxophones
4
Flûte à bec Soprano
4
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette, Violon (duo)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Clarinettes
3
Hautbois, Flûte
3
Ensemble de Flûtes
3
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Saxophone (partie séparée)
3
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2
Flûte, Violon
2
Clarinette, Basson (duo)
2
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2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Alto (duo)
2
Clarinette, Harpe (duo)
2
Hautbois, Clarinette (duo)
2
Flûte à bec Alto
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone et Guitare
2
Quatuor de Flûtes à bec
2
Flûte, Violoncelle, Guitare
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Basson
1
5 Flûtes à bec
1
Flûte à bec Tenor
1
Hautbois, Harpe
1
Flûte de Pan
1
Clarinette, Guitare (duo)
1
Flûte à Bec
1
Harmonica
1
Flûte irlandaise
1
3 Hautbois
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano, Piano
1
4 Hautbois
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Saxophone et Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Piano
9
2 Trompettes (duo)
9
Trompette
8
Cor anglais, Piano
8
Euphonium, Piano (duo)
7
Cor et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trombone et Piano
6
Tuba
5
Trombone
5
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
Cor
3
Ensemble de Trombones
3
Trompette, Cor (duo)
3
Ensemble de Cors
2
4 Tubas
2
Trombone, Cor (duo)
1
Ensemble de Trompettes
1
Tuba et Piano
1
3 Tubas (trio)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Cor (partie séparée)
1
3 Trombones (trio)
1
Cor et Harpe
1
Quatuor de Cuivres
1
Instrumentations suivantes
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CORDES
Violon et Piano
24
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle, Piano
13
Alto, Piano
12
Violon
11
2 Violons (duo)
8
Violon, Violoncelle (duo)
8
Harpe
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Violoncelle (partie séparée)
5
2 Altos (duo)
5
2 Harpes (duo)
4
Alto seul
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Contre Basse
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
17
Orchestre à Cordes
13
Cloches
10
Ensemble de cuivres
8
Orchestre
5
Orchestre de chambre
5
Ensemble Jazz
4
Batterie
2
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Quintette à Vent
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
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German Melody
Cor et Piano
Partitions à imprimer
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Luther: Out of the Depths for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.01 €
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Cor et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for French Horn & Piano
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jmsgu3
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SheetMusicPlus
O Jesulein süss by Bach for French Horn
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1126228 Composed by Johann S…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1126228 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 3 pages. Woods Only, Arrangements #726930. Published by Woods Only, Arrangements (A0.1126228). This easy arrangement for horn in F and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
1.84 €
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Cor et Piano
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach for French Horn
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Woods Only, Arrangements
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SheetMusicPlus
Bach: Wachet auf for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.01 €
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Cor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Horn & Piano
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jmsgu3
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SheetMusicPlus
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Horn in F and piano with chords
Cor et Piano
Small Ensemble Horn,Piano,Voice - Level 1 - Digital Download SKU: A0.964488 Arrange…
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Small Ensemble Horn,Piano,Voice - Level 1 - Digital Download SKU: A0.964488 Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6330777. Published by Leyandder Trustworthy (A0.964488). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Horn in F, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
4.6 €
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Cor et Piano
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by Bach - easy version for Horn in F and piano with chords
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Leyandder Trustworthy
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SheetMusicPlus
Bach-Gounod: Ave Maria for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Goun…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.39 €
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Cor et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bac…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.39 €
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Cor et Piano
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Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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