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--INSTRUMENTS--
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Vous avez sélectionné:
Grande Sonata
Cor et Piano
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Sonata No. 3 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music ...
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French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
Elgar - Nimrod from 'Enigma Variations', - French Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Len Rhodes
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Elgar - Nimrod from 'Enigma Va
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Len Rhodes Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.739952 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Holiday,Romantic Period,Wedding. Sco...
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French Horn,Piano - Level 5 - SKU: A0.739952 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Holiday,Romantic Period,Wedding. Score and part. 4 pages. Len Rhodes Music #3494669. Published by Len Rhodes Music (A0.739952). Nimrod for Horn in F, and Piano. In recognition of the 150th anniversary of the birth of Sir Edward Elgar in 2007, I was able to celebrate one of my favorite composers with transcriptions of the ninth (and probably the most famous and best-loved) variation, Nimrod, from his orchestral work, ENIGMA VARIATIONS - My Friends Pictured Within. Here is a new transcription for French Horn and Piano.Elgar had written a special program note, and I quote a part. ...the Variation bearing this name (Nimrod) is a record of a long summer evening talk, when my friend - A.J. Jaeger - grew nobly eloquent on the grandeur of Beethoven and especially of his slow movements. A reference to the Adagio of the Pathétique Sonata is therefore seen in the opening bars of the Nimrod Variation.This download includes part and score.
$5.99
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