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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He's A Man
Non classifié
1 358
Piano & claviers
Piano seul
463
Piano, Voix
261
Piano, Voix et Guitare
89
Piano Facile
68
Orgue
55
Instruments en Do
41
Accordéon
35
Piano Trio: piano, violon, violoncelle
23
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
12
1 Piano, 4 mains
9
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
2
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
95
Guitare notes et tablatures
28
Ukulele
10
Piano, Guitare (duo)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
6
Mandoline
5
Mandoline, Guitare (duo)
4
4 Guitares (Quatuor)
2
Basse electrique
2
Banjo
2
Ensemble de guitares
1
3 Guitares (trio)
1
Paroles et Accords
1
Dulcimer
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
354
Chorale 3 parties
51
Chorale TTBB
31
Chorale 2 parties
31
Chorale Unison
20
Chorale SSAA
17
Voix Alto, Piano
12
Voix duo
7
Voix duo, Piano
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix Soprano, Piano
5
Voix haute
5
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Chorale SSAATTBB
2
Chorale
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
160
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Clarinette et Piano
113
Saxophone Alto et Piano
98
Quintette de Saxophone: 5 saxophones
98
2 Saxophones (duo)
84
Hautbois, Piano (duo)
81
Quatuor de Saxophones: 4 saxophones
76
Saxophone Soprano et Piano
69
Saxophone Tenor et Piano
67
Ensemble de saxophones
49
Saxophone Baryton, Piano
48
2 Flûtes traversières (duo)
46
Clarinette
45
2 Clarinettes (duo)
43
Quatuor de Clarinettes: 4 clarinettes
39
Cor anglais, Piano
39
Flûte, Hautbois, Clarinette, Basson
37
Flûte, Violon, Piano
32
Ensemble de Clarinettes
32
Clarinette Basse, Piano
30
Quatuor de Flûtes : 4 flûtes
26
Hautbois (partie séparée)
24
Saxophone, Clarinette (duo)
24
Flûte traversière
23
Clarinette, Violon (duo)
19
Hautbois, Basson (duo)
19
Ensemble de Flûtes
16
3 Clarinettes (trio)
15
Quintette de Flûte : 5 flûtes
14
Flûte, Violon
14
Clarinette, Trompette (duo)
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flute (partie séparée)
11
3 Saxophones (trio)
11
Flûte, Saxophone (duo)
10
Saxophone (partie séparée)
10
Saxophone Alto
10
Flûte, Alto (duo)
9
Flûte et Guitare
9
Hautbois, Flûte
9
Flûte, Trompette (duo)
9
2 Flûte à bec (duo)
8
Clarinette et Alto
8
Saxophone Tenor
7
Hautbois, Clarinette (duo)
7
Flûte à bec Soprano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Piccolo, Piano
6
Clarinette, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Quatuor de Flûtes à bec
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Trio de Flûtes: 3 flûtes
3
3 Flûtes à bec (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Flûte, Alto et Piano
2
Flûte à Bec
2
Saxophone
2
Flûte, Violoncelle, Guitare
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Basse continue
1
Clarinette, Alto et Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
Hautbois, Violoncelle
1
Piccolo
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Flûte irlandaise
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
120
Quatuor de Cuivres : 2 trompettes, trombone, tuba
108
Trombone et Piano
74
Euphonium, Piano (duo)
59
Cor et Piano
52
Trompette, Piano
46
Cor anglais, Piano
39
Trompette
32
Ensemble de Trombones
28
Quatuor de Cuivres
20
Trompette, Saxophone (duo)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trompettes
18
2 Trombones (duo)
16
Tuba et Piano
15
Quatuor de cuivres: 4 trombones
15
2 Trompettes (duo)
14
Trompette, Trombone (duo)
13
Cor
12
Ensemble de Cors
7
Trompette (partie séparée)
6
Trombone
6
Tuba
6
2 Cors (duo)
6
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
4
Tuba et Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
2 Euphoniums (duo)
3
4 Tubas
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
1
Ensemble de Tubas
1
Trombone et orchestre
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
Trombone (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
288
Violon et Piano
181
Violoncelle, Piano
123
Alto, Piano
109
Trio à Cordes: violon, alto, violoncelle
72
Violon
54
Violon, Violoncelle (duo)
35
Harpe
34
2 Violons (duo)
34
Violoncelle
33
2 Violoncelles (duo)
25
Violon, Alto (duo)
22
Violon, Guitare (duo)
21
2 Altos (duo)
19
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
13
Ensemble de Violons
12
4 Violoncelles
11
Ensemble d'Altos
11
Alto (partie séparée)
10
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
7
Contrebasse, Piano (duo)
7
Harpe, Flûte (duo)
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Flûte, Contrebasse (duo)
3
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
2 Contrebasses (duo)
2
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Basse continue
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
148
Orchestre à Cordes
134
Orchestre
106
Orchestre de chambre
80
Ensemble de cuivres
74
Ensemble Jazz
37
Cloches
17
Jazz combo
12
Ensemble de Percussions
7
Vibraphone
4
Orchestre, Violon
3
Batterie
2
Fanfare
2
2 Marimbas
1
Marimba
1
Percussion
1
+ 11 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FORMATION MUSI…
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Schumann: Abendlied for French Horn & Piano
Cor et Piano
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…
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French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
$26.95
24.8 €
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Cor et Piano
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Robert Schumann
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James M
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Schumann: Abendlied for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Away In A Manger: for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548477 Composed by Mueller. …
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
22.96 €
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Cor et Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Away In A Manger: for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549569 Composed by Edvard Gr…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549569 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508195. Published by jmsgu3 (A0.549569). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Cor et Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549548 Composed by Edvard Gr…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549548 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506349. Published by jmsgu3 (A0.549548). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.96 €
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Cor et Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for French Horn & Piano
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jmsgu3
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.791236 By Neil Diamond. By B…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.791236 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771803. Published by Kevin P Holdgate (A0.791236). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.59 €
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Cor et Piano
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Romance in C, Op. 42 for Horn and Piano
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1511468 Composed by Jean Sib…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1511468 Composed by Jean Sibelius. Arranged by Ralph Sauer. 20th Century. Score and part. 6 pages. Gordon Cherry #1086622. Published by Gordon Cherry (A0.1511468). Sibelius wrote the five minute Romance in 1903 for string orchestra, originally titling it Andante. However he was persuaded to change the name about five years later by a critic's review. In 1903, Sibelius was still composing in a Romantic style, not the austere sounds heard after he composed the 4th Symphony.Romance is made up of three sections; A slow Andante, a faster middle section and a slow third section. Mr. Sauer has distilled the music down to a lovely solo for Horn and Piano.This crowd-pleaser will work well for advanced performers.
$22.50
20.71 €
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Cor et Piano
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Jean Sibelius
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Ralph Sauer
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Romance in C, Op. 42 for Horn and Piano
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Gordon Cherry
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SheetMusicPlus
Pachelbel's Canon in D - French Horn and Piano - Simple Version (Full Score and Parts)
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.1178044 Composed by Johann P…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.1178044 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Instructional,Renaissance. Score and part. 6 pages. Sheet Music To Play Editions #778003. Published by Sheet Music To Play Editions (A0.1178044). Pachelbel's Canon in D. Arrangement for French Horn and Piano in a simple version for beginners. With Full Score and Individual Parts. Enjoy it!Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.35 €
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Cor et Piano
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - French Horn and Piano - Simple Version
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Sheet Music To Play Editions
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SheetMusicPlus
Pachelbel's Canon in D - French Horn and Piano - Simple Version (Full Score)
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1222286 Composed by Johann P…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1222286 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Contest,Early Music,Festival,Wedding. Score and part. 3 pages. Sheet Music To Play Editions #818552. Published by Sheet Music To Play Editions (A0.1222286). Pachelbel's Canon in D. Arrangement for French Horn and Piano in a simple version for beginners. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$4.99
4.59 €
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Cor et Piano
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - French Horn and Piano - Simple Version
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Sheet Music To Play Editions
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SheetMusicPlus
Wichita Lineman
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1078459 By Glen Campbell. By…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1078459 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682659. Published by jmsgu3 (A0.1078459). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song evoke the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
138 €
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Cor et Piano
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Salut d'Amour (Love's Greeting) for Horn and Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.528475 Composed by Edward El…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.528475 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6035655. Published by Diego Marani (A0.528475). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Horn reflects faithfully the original for violin and can be also used as music for wedding events.
$6.99
6.43 €
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Cor et Piano
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Edward Elgar
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Diego Marani
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Salut d'Amour
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Diego Marani
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SheetMusicPlus
A Night In Tunisia
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. B…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.27 €
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Cor et Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Dichterliebe
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
50.61 €
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Cor et Piano
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
Luther: Out of the Depths for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.96 €
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Cor et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Cor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.551504 Composed by Edvard Gr…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306335. Published by jmsgu3 (A0.551504). 1. Morning Mood2. Ase's Death3. Anitra's Dance4. In the Hall of the Mountain King Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were rereleased on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.17 €
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Cor et Piano
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Edvard Grieg
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James M
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Grieg: Peer Gynt Suite Complete for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bac…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.32 €
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Cor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Goun…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Cor et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig va…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.96 €
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Cor et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549590 Composed by Edvard Gr…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549590 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511353. Published by jmsgu3 (A0.549590). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.96 €
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Cor et Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549526 Composed by Edvard Gr…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505241. Published by jmsgu3 (A0.549526). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  This arrangement works particularly well on the horn. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Â
$32.95
30.32 €
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Cor et Piano
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549394 Composed by George Fr…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492579. Published by jmsgu3 (A0.549394). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many people call it Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.32 €
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Cor et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Poème
Cor et Piano
Horn in F and piano - intermediate - Digital Download SKU: S9.Q15275 From the Id…
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Horn in F and piano - intermediate - Digital Download SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15275. Published by Schott Music - Digital (S9.Q15275). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
4.59 €
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Cor et Piano
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.8 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin D…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.32 €
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Cor et Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bohm: Calm as the Night for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549415 Composed by Carl Bohm…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549415 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493737. Published by jmsgu3 (A0.549415). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are: Calm as the Night, Twilight, May Bells, Enfant Cheri and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions, but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular. His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be! Contact www.jamesguthrie.com to register for free lifetime updates and revisions of this product.
$26.95
24.8 €
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Cor et Piano
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Carl Bohm
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James M
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Bohm: Calm as the Night for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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