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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
JAMES H
Non classifié
84
Piano & claviers
Piano seul
97
Piano, Voix
31
Piano Facile
17
Piano, Voix et Guitare
9
Orgue
8
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
1 Piano, 4 mains
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
4
Guitare notes et tablatures
4
Basse electrique
1
Voix
Chorale SATB
20
Chorale TTBB
10
Chorale SSAA
5
Chorale 2 parties
5
Voix haute
2
Chorale 3 parties
2
Chorale Unison
1
Voix duo, Piano
1
+ 3 instrumentations
Retracter
Vents
Saxophone Alto et Piano
15
Flûte traversière et Piano
14
Saxophone Tenor et Piano
10
Flûte, Hautbois, Basson
9
Hautbois, Piano (duo)
9
Clarinette et Piano
8
Saxophone Baryton, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette (partie séparée)
5
2 Saxophones (duo)
5
Saxophone (partie séparée)
5
Clarinette Basse, Piano
5
2 Flûtes traversières (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Basson (duo)
3
Clarinette
3
Saxophone Soprano et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
2 Clarinettes (duo)
3
Hautbois, Flûte
2
Flûte, Violon, Piano
2
2 Hautbois (duo)
2
Ensemble de Clarinettes
2
Cor anglais, Piano
2
Flûte traversière
1
Flûte, Violon
1
Flûte, Violoncelle
1
Flûte, Clarinette (duo)
1
Piccolo
1
Clarinette, Harpe (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Violoncelle
1
3 Saxophones (trio)
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Piccolo, Piano
1
Flûte, Guitare, Piano
1
Flûte à bec Alto
1
Hautbois (partie séparée)
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Harpe
1
2 Flûte à bec (duo)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Flûtes à bec
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor et Piano
9
Trombone et Piano
7
Quatuor de cuivres: 4 trombones
5
Trompette, Piano
4
Trombone (partie séparée)
4
Tuba et Piano
4
Euphonium, Piano (duo)
4
3 Trompettes (trio)
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trompettes (duo)
2
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Orgue
1
Cor
1
Tuba
1
2 Trombones (duo)
1
Cor (partie séparée)
1
2 Cors (duo)
1
+ 19 instrumentations
Retracter
Cordes
Violon et Piano
20
Quatuor à cordes: 2 violons, alto, violoncelle
19
Harpe
14
Alto, Piano
12
Violoncelle, Piano
7
Violon, Violoncelle (duo)
4
Contrebasse, Piano (duo)
4
Violon
4
Alto, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Quatuor à cordes : 4 altos
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
4 Violoncelles
2
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Contrebasse (partie séparée)
1
2 Violons (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
7
Cloches
5
Orchestre
4
Xylophone, Piano
4
Orchestre à Cordes
4
Orchestre d'harmonie
3
Percussion (partie séparée)
3
Jazz combo
2
Fanfare
1
Percussion
1
Orchestre de chambre
1
Quatuor à Vent : 4 instruments à vents
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
JAMES H
Cor et Piano
Partitions à imprimer
9 partitions trouvées
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1
James Bond Theme
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Cor et Piano
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INTERMÉDIAIRE
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Film/TV
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Monty Norman
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Lawrence H Underwood
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James Bond Theme
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Lawrence H Underwood
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SheetMusicPlus
Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century, Film/TV, Jazz. Score and part. 5 pages. Lawrence H Underwood #695290. Publis...
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Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century, Film/TV, Jazz. Score and part. 5 pages. Lawrence H Underwood #695290. Published by Lawrence H Underwood
$5.99
Gary Lanier: I AM RESOLVED (Duet – Horn in F & Piano with Parts)
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Cor et Piano
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Gospel Spirituel
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Musique Sacrée
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JAMES H
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Gary Lanier
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Gary Lanier: I AM RESOLVED
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The Lanier Company
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SheetMusicPlus
Composed by JAMES H. FILLMORE. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 8 pages....
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Composed by JAMES H. FILLMORE. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 8 pages. Published by The Lanier Company (S0.95127). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$6.99
Mr. Blue Sky
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Cor et Piano
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INTERMÉDIAIRE
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Electric Light Orchestra
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Lawrence H Underwood
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Mr. Blue Sky
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Lawrence H Underwood
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1091668 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Roc...
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French Horn,Piano - Level 3 - SKU: A0.1091668 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695822. Published by Lawrence H Underwood (A0.1091668). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
Turn Your Eyes Upon Jesus - 2020 French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Helen H
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James Michael Stevens
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Turn Your Eyes Upon Jesus - 20
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James M Stevens Music ASCAP
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.573223 Composed by Helen H. Lemmel. Arranged by James Michael Stevens. Contemporary,Easter,Sacred,Wedding. Score a...
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French Horn,Piano - Level 3 - SKU: A0.573223 Composed by Helen H. Lemmel. Arranged by James Michael Stevens. Contemporary,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5022245. Published by James M Stevens Music ASCAP (A0.573223). This is a new arrangement of the classic devotional hymn, Turn Your Eyes Upon Jesus, for french horn (horn in F) and piano. There is a separate french horn part in the score. The piano part as see can serve as a stand alone solo. The track as heard is available under Turn Your Eyes Upon Jesus 2020 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
His Eye Is On The Sparrow (HN)
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Cor et Piano
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INTERMÉDIAIRE
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Charles H
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James Gilbert
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His Eye Is On The Sparrow
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James Gilbert Music
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.728725 Composed by Charles H. Gabriel. Arranged by James Gilbert. Jazz,Multicultural,Pop,Sacred,World. Score and p...
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French Horn,Piano - Level 3 - SKU: A0.728725 Composed by Charles H. Gabriel. Arranged by James Gilbert. Jazz,Multicultural,Pop,Sacred,World. Score and part. 7 pages. James Gilbert Music #708235. Published by James Gilbert Music (A0.728725). For French Horn with piano accompaniment.
$4.99
Away In A Manger: for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for French H
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jms...
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French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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JAMES H