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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
COR ANGLAIS
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FLUTE A BEC
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FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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Non classifié
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PIANO & CLAVIERS
Piano seul
3840
Piano, Voix
2350
Piano, Voix et Guitare
302
Piano Facile
122
1 Piano, 4 mains
43
Instruments en Do
39
Accompagnement Piano
35
Orgue
20
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
4
Clavecin
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2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Ligne De Mélodie, Piano
1
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GUITARES
Guitare notes et tablatures
314
Guitare
132
Basse electrique
113
Paroles et Accords
50
Ligne De Mélodie, (Paroles) et Accords
23
Ukulele
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6
2 Guitares (duo)
3
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2
Mandoline, Guitare (duo)
2
3 Guitares (trio)
1
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1
Dulcimer
1
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VOIX
Chorale SATB
989
Chorale 3 parties
53
Chorale TTBB
47
Chorale 2 parties
31
Chorale SSAA
20
Chorale Unison
18
Voix seule
7
Voix duo, Piano
7
Voix Soprano, Piano
5
Voix Baryton, Piano
4
Voix Alto, Piano
4
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix haute
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAATTBB
1
Voix, Guitare
1
Male Voice
1
Chorale
1
Voix duo
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
52
Flûte traversière
39
Clarinette
34
Saxophone Alto
31
Saxophone Tenor
30
2 Saxophones (duo)
27
Saxophone
24
Flûte traversière et Piano
24
Clarinette et Piano
23
Saxophone Alto et Piano
22
Hautbois, Piano (duo)
22
2 Clarinettes (duo)
20
Quatuor de Saxophones: 4 saxophones
18
Hautbois (partie séparée)
18
Saxophone (partie séparée)
16
Flûte, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Ensemble de saxophones
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette, Violon (duo)
14
Flûte, Hautbois, Clarinette, Basson
14
Ensemble de Clarinettes
13
2 Flûtes traversières (duo)
12
Saxophone Soprano et Piano
10
Cor anglais, Piano
10
Flûte, Violon
9
Saxophone, Clarinette (duo)
8
Saxophone Baryton, Piano
7
3 Clarinettes (trio)
7
Clarinette, Trompette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Clarinette Basse, Piano
5
Hautbois, Clarinette (duo)
5
Clarinette (partie séparée)
5
Hautbois, Basson (duo)
4
Saxophone Soprano
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Violon et Violoncelle
4
Clarinette et Alto
3
Ensemble de Flûtes
3
Flûte, Basson et Piano
3
3 Saxophones (trio)
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Flûte, Saxophone (duo)
3
Hautbois
2
Clarinette, Basson (duo)
2
3 Hautbois
2
Flûte, Hautbois (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette et Basson
2
Flute (partie séparée)
2
Piccolo, Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte et Trio à cordes
1
Clarinette, trompette et piano
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Quatuor de Flûtes à bec
1
2 Flûtes à bec, Guitare
1
Flûte, trombone et piano
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette
40
Quatuor de cuivres: 4 trombones
38
Trombone
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trombone et Piano
18
Cor
17
Trompette, Piano
13
Cor anglais, Piano
10
Ensemble de Trombones
9
Cor et Piano
9
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
7
Tuba
7
Trompette (partie séparée)
6
Trompette, Saxophone (duo)
6
2 Trombones (duo)
5
Ensemble de Trompettes
4
2 Trompettes (duo)
4
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
3
Euphonium
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Tuba et Piano
3
Tuba (partie séparée)
2
Trombone (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Trio de Cuivres
2
2 Cors (duo)
2
Ensemble de Cors
1
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
Cor (partie séparée)
1
2 Tubas (duo)
1
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
4 Tubas
1
Ensemble de Tubas
1
Trombone basse
1
Trombone, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon
54
Violoncelle
35
Violon et Piano
30
Alto seul
24
Alto, Piano
20
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Harpe
14
2 Violons (duo)
13
2 Violoncelles (duo)
7
4 Violoncelles
7
Violon, Alto (duo)
6
2 Altos (duo)
6
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Violon (partie séparée)
5
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Harpe, Violon, Violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 altos
3
Alto, Violoncelle (duo)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
2 Contrebasses (duo)
1
2 Harpes (duo)
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Batterie
61
Orchestre
61
Ensemble Jazz
44
Cloches
43
Orchestre à Cordes
30
Ensemble de cuivres
15
Fanfare
11
Orchestre de chambre
11
Jazz combo
9
Marimba
9
Ensemble de Percussions
7
Percussion (partie séparée)
3
Vibraphone
3
Percussion
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone
1
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AUTRES
Vous avez sélectionné:
John May
Cor et Piano
Partitions à imprimer
9 partitions trouvées
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1
Prelude in E minor-French Horn Solo
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1168139 By John May. By Fred…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1168139 By John May. By Frederic Chopin. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 4 pages. Lost Key Music #768491. Published by Lost Key Music (A0.1168139). On the Missouri Prescribed Music ListPrelude in E Minor is from Chopin's 24 Preludes. By Chopin's request, this prelude was played at his funeral, along with Mozart's Requiem. It is arranged here for French Horn solo. Includes separate French Horn part.
$9.00
8.12 €
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Cor et Piano
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John May
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John May
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Prelude in E minor-French Horn Solo
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Lost Key Music
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SheetMusicPlus
Adelita-Horn in F Solo (Optional Piano Accompaniment)
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.829813 Composed by Francisco…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.829813 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 3 pages. Lost Key Music #4278469. Published by Lost Key Music (A0.829813). Francisco Tarrega (1852-1909) was a Spanish composer and classical guitarist regarded by many as the father of the classical guitar. Adelita is a mazurka originally composed for guitar by Tarrega. The mazurka originated in Poland and was popularized by Frederic Chopin. Arranged for French horn solo with optional piano accompaniment.The tempo is indicated as Lento, but seems to work better at a faster tempo. The audio file here is at 80 bpm. However, this piece should not be performed metronomically, but rather with a more rubato style.https://youtu.be/BNGXQKiO734www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusichttps://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$9.00
8.12 €
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Cor et Piano
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Francisco Tarrega
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John May
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Adelita-Horn in F Solo
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Lost Key Music
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SheetMusicPlus
O Come All Ye Faithful for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arr…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.51 €
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Cor et Piano
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Wade
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James M
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O Come All Ye Faithful for French Horn & Piano
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jmsgu3
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SheetMusicPlus
The Water is Wide (Horn in F and Piano)
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1408028 Composed by Traditio…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1408028 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Irish,Spiritual,Traditional,Wedding. Score and part. 12 pages. John A. Dempsey #990594. Published by John A. Dempsey (A0.1408028). Give me a boat that van carry two and both shall row - my love and I.  From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather).  This unabashedly romantic duet for horn in F and piano is perfect for weddings, ceilidhs, other Celtic-themed music events, recitals and concerts.  Suggested wedding uses: prelude, unity candle music, bridal march and bridesmaid processional.     This arrangement is also recommended as sacred music, such as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as this melody has been used for multiple hymn settings, including The Gift of Love,  Though I May Speak of Bravest Fire, and as an alternate melody for When I Survey the Wondrous Cross.  8 pages of music (that includes a separate two-page French horn part).  Concert Key: F major.
$6.99
6.31 €
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Cor et Piano
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Traditional Scottish Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
The Water is Wide (Horn in F and Piano)
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.523926 Composed by Tradition…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.523926 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. Score and part. 11 pages. John A. Dempsey #4332931. Published by John A. Dempsey (A0.523926). Give me a boat that van carry two and both shall row - my love and I. From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic duet for horn in F and piano is perfect for weddings, ceilidhs, other Celtic-themed music events, recitals and concerts. Suggested wedding uses: prelude, unity candle music, bridal march and bridesmaid processional. This arrangement is also recommended as sacred music, such as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as this melody has been used for multiple hymn settings, including The Gift of Love, Though I May Speak of Bravest Fire, and as an alternate melody for When I Survey the Wondrous Cross. 7 pages of music (that includes a separate two-page pullout horn in F part). Concert Key (Piano): F major. Horn Key: C major.
$6.99
6.31 €
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Cor et Piano
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.31 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Goun…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.72 €
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Cor et Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Se…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.51 €
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Cor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bac…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.72 €
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Cor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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