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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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UKULELE
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Life Is More
Non classifié
510
Piano & claviers
Piano seul
314
Piano Facile
153
Piano, Voix
112
Piano, Voix et Guitare
77
Piano grosses notes
36
Orgue
23
Instruments en Do
19
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
11
Guitare notes et tablatures
11
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
4
2 Guitares (duo)
2
Ensemble de guitares
2
4 Guitares (Quatuor)
1
Mandoline
1
Basse electrique
1
Mandoline, Guitare (duo)
1
Dulcimer
1
Banjo
1
3 Guitares (trio)
1
+ 8 instrumentations
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Chorale SATB
171
Chorale 3 parties
31
Chorale TTBB
26
Chorale SSAA
22
Chorale Unison
19
Voix Alto, Piano
14
Chorale 2 parties
10
Voix Baryton, Piano
6
Voix duo, Piano
5
Voix Soprano, Piano
3
Voix Tenor
3
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix haute
2
Chorale SSAATTBB
2
Voix seule
2
Voix duo
1
+ 12 instrumentations
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Vents
2 Saxophones (duo)
62
Flûte traversière et Piano
49
Hautbois, Piano (duo)
37
Quatuor de Saxophones: 4 saxophones
33
Clarinette et Piano
32
Quintette de Saxophone: 5 saxophones
31
Saxophone Tenor et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Alto et Piano
25
2 Clarinettes (duo)
23
Saxophone, Clarinette (duo)
21
Hautbois, Basson (duo)
20
2 Flûtes traversières (duo)
19
Clarinette
17
Saxophone Soprano et Piano
17
Clarinette, Violon (duo)
16
Quatuor de Clarinettes: 4 clarinettes
15
Cor anglais, Piano
14
Saxophone Baryton, Piano
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
12
Clarinette, Trompette (duo)
12
Flûte traversière
11
Clarinette Basse, Piano
10
Quintette de Clarinettes: 5 clarinettes
9
Saxophone Alto
8
Flûte, Saxophone (duo)
8
Clarinette et Alto
8
Hautbois, Clarinette (duo)
8
Flûte, Trompette (duo)
7
Hautbois (partie séparée)
6
Hautbois, Flûte
6
Flûte, Violon
6
Ensemble de Clarinettes
5
Ensemble de saxophones
5
Saxophone Tenor
5
Quintette de Flûte : 5 flûtes
4
Flûte et Guitare
4
Saxophone (partie séparée)
4
Flûte, Alto (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Violoncelle, Piano (trio)
4
Trio de Flûtes: 3 flûtes
3
Flûte, Violon, Piano
3
2 Flûtes traversières, Piano
3
Flûte à bec Tenor
3
Flûte à bec Soprano
3
3 Clarinettes (trio)
3
Flûte, Violoncelle
3
Ensemble De Flûte à bec
3
5 Flûtes à bec
2
Flûte à bec Alto
2
2 Flûte à bec (duo)
2
Piccolo, Piano
2
Quatuor de Flûtes à bec
2
2 Saxophones, Piano
2
Ensemble de Flûtes
2
4 Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Guitare
1
Flûte, Alto et Piano
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Saxophone et Orgue
1
+ 66 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
Trompette
24
Trombone et Piano
22
Cor et Piano
19
Euphonium, Piano (duo)
16
Trompette, Piano
15
Trompette, Saxophone (duo)
14
Cor anglais, Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Trompettes (duo)
11
2 Trombones (duo)
11
Tuba et Piano
9
Trompette, Trombone (duo)
8
Trombone
5
Ensemble de Trompettes
5
Quatuor de Cuivres
5
2 Cors (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trombones
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Cors
3
2 Tubas (duo)
3
Cor
3
Quatuor de cuivres: 4 trompettes
2
Ensemble de Trombones
2
Tuba
1
Trompette (partie séparée)
1
Trompette, Basson (duo)
1
4 Euphoniums
1
Trompette, Violoncelle (duo)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violon et Piano
37
Violoncelle, Piano
31
Alto, Piano
29
Trio à Cordes: violon, alto, violoncelle
23
Violon
22
Violon, Violoncelle (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
2 Violoncelles (duo)
15
Violoncelle
14
2 Violons (duo)
14
2 Altos (duo)
12
Violon, Alto (duo)
8
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
3
Violon, Guitare (duo)
3
Harpe
2
Harpe, Violon, Violoncelle
2
Trio à Cordes: 3 violoncelles
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Harpe, Voix
2
Contrebasse, Piano (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble d'Altos
1
Ensemble de Violons
1
Ensemble de Violoncelles
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
138
Orchestre
37
Orchestre à Cordes
21
Orchestre de chambre
19
Ensemble Jazz
14
Jazz combo
13
Batterie
11
Cloches
10
Ensemble de cuivres
8
Ensemble de Percussions
4
Marimba, Piano (duo)
1
Xylophone
1
Marimba
1
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Life Is More
Cor et Piano
Partitions à imprimer
19 partitions trouvées
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1
I Love You Truly-French horn/piano
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Cor et Piano
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FACILE
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Phil Beaman
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I Love You Truly-French horn/p
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Phil Beaman
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.844630 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #44...
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French Horn,Piano - Level 2 - SKU: A0.844630 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413763. Published by Phil Beaman (A0.844630). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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Cor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and...
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French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Grieg: Ase's Death from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549548 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,...
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French Horn,Piano - Level 3 - SKU: A0.549548 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506349. Published by jmsgu3 (A0.549548). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549569 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standa...
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French Horn,Piano - Level 3 - SKU: A0.549569 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508195. Published by jmsgu3 (A0.549569). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Four Songs for Horn and Piano
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Cor et Piano
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AVANCÉ
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Contemporain
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Charles Ives
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Ralph Sauer
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Four Songs for Horn and Piano
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1465879 Composed by Charles Ives. Arranged by Ralph Sauer. 20th Century. Score and part. 24 pages. Gordon Cherry #...
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French Horn,Piano - Level 5 - SKU: A0.1465879 Composed by Charles Ives. Arranged by Ralph Sauer. 20th Century. Score and part. 24 pages. Gordon Cherry #1044477. Published by Gordon Cherry (A0.1465879). Charles Ives was one of the first American composers to gain international recognition, although most of his music was not performed during his lifetime. Ives wrote 114 songs in the early 1900's including these four:1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2.The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners.Mr. Sauer once again has edited a brilliant new transcription, bringing Ives' music to life for the Horn world. Four Songs for Horn and Piano is appropriate for moderately advanced performers.
$25.00
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549590 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standa...
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French Horn,Piano - Level 3 - SKU: A0.549590 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511353. Published by jmsgu3 (A0.549590). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James M
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Sco...
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French Horn,Piano - Level 4 - SKU: A0.551504 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306335. Published by jmsgu3 (A0.551504). 1. Morning Mood2. Ase's Death3. Anitra's Dance4. In the Hall of the Mountain King Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were rereleased on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standar...
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French Horn,Piano - Level 3 - SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505241. Published by jmsgu3 (A0.549526). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  This arrangement works particularly well on the horn. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Â
$32.95
Silent Night for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for French Horn &
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #338705...
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French Horn,Piano - Level 1 - SKU: A0.548488 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387055. Published by jmsgu3 (A0.548488). Silent Night arranged for French Horn & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Jingle Bells for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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James M
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Jingle Bells for French Horn &
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3...
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French Horn,Piano - Level 3 - SKU: A0.548657 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408217. Published by jmsgu3 (A0.548657). Jingle Bells arranged for French Horn& Piano featuring a surprise final verse harmonization. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Amazing Grace, Concert Solo for Horn in F and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.587641 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and par...
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French Horn,Piano - Level 3 - SKU: A0.587641 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611379. Published by David McKeown (A0.587641). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Horn in F with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mc Musicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
How Can I Keep From Singing? - F horn, piano
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Robert Lowry
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Todd Marchand
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How Can I Keep From Singing? -
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Con Spirito Music
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.726080 Composed by Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian,Gospel,Sacred. Score and part. 6...
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French Horn,Piano - Level 3 - SKU: A0.726080 Composed by Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian,Gospel,Sacred. Score and part. 6 pages. Con Spirito Music #3546595. Published by Con Spirito Music (A0.726080). How Can I Keep From Singing? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) - the first being Shall We Gather at the River?Born in Philadelphia and later a Baptist minister who served in churches in Pennsylvania, New York, and New Jersey, Lowry is best remembered as a writer of more than 500 gospel songs and hymns, and as editor of numerous gospel song books and hymn books.How Can I Keep From Singing? (also known as Endless Song) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim:My life flows on in endless song above earth’s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I’m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?©2018 Todd Marchand / ConSpiritoMusic.com
$5.99
Für Elise, for Solo Horn in F and Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Solo Horn
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David McKeown
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.587565 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.587565 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361581. Published by David McKeown (A0.587565). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Horn in F with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
"Crocodile Teeth" for Horn and Piano
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Cor et Piano
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Kazys Daugela
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"Crocodile Teeth" fo
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Kazys Daugela
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SheetMusicPlus
French Horn,Piano - SKU: A0.935499 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210091. Published by Kazys Daugela (A0....
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French Horn,Piano - SKU: A0.935499 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210091. Published by Kazys Daugela (A0.935499). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99
Georges Rupès | Vous N'êtes Rien Près D'Elle (arr. for French Horn and Piano)
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Cor et Piano
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FACILE
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Classique
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Georges Rupès
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Andrew Lamb
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Georges Rupès | Vous N'
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Andrew Lamb
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.1342520 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and...
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French Horn,Piano - Level 2 - SKU: A0.1342520 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 17 pages. Andrew Lamb #928017. Published by Andrew Lamb (A0.1342520). Unveil the enchanting world of 'Vous N'êtes Rien Près D'Elle' with this French Horn adaptation by Andrew Lamb! 📯 Originally composed in 1872, this arrangement for French Horn and Piano, with a Tenor Horn transposition, adds a new dimension to Georges Rupès' masterpiece. 🎼With a medium-easy difficulty level, this arrangement is perfect for concerts or recitals, offering versatility to musicians. 🌟 Immerse yourself in the timeless beauty of Rupès' composition brought to life in this adaptation. 🎶Explore the musical legacy of Georges Rupès and elevate your repertoire with this exceptional arrangement.🎵 Please like and subscribe for more videos and music arrangements! ðŸ‘.
$6.00
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Life Is More
